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BY WILLIAM WELLES BOSWORTH SITUATED
beyond the Canal at the junction of the Mall and the Midway, and fronting
on the Midway, was the only large building outside the main scheme which
was built by the Exposition Company. Destined for the exhibit and sale
of all sorts of bijoux and souvenirs, the character of the design was
studied to express a gaiety and "laisser aller" spirit consistent
with the uses of the building. To express this spirit no style in the
history of architecture is so well adapted as that of the French trellis-decorated
buildings of the epoch of Louis xv, though it is dangerous when not used
with restraint, being the expression of a generation renowned for moral
decadence. When used as in this instance, where it is merely applied as
surface decoration to a building composed with strong structural masses
of wall surfaces in their relation to openings and great simplicity of
architectural line and silhouette, it has great charm. The groups of children
surmounting the balustrade, as well as the decorative bronzed figures
in the niches between the windows, are the work of the sculptor Isidore
Konti.
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