Lejaren Hiller Collection of Audio Tape Recordings - Music Library

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Lejaren Hiller Collection of Audio Tape Recordings

Tape 1
Hiller No.: H. 1
Title: Sonata no. 1 for piano (1946, revised 1968) I. Molto Moderato, Andante, Vivace, Allegro, etc. 9:50 II. Prestissimo 1:21 III. Adagio 7:37 IV. Allegro Grazioso 8:15 +0:12
Dimension: 7 in.
Format: 2-channel stereo.
Tape speed: 7 1/2 ips.
Duration: 28:15
Performer(s): Kenwyn Boldt
Recording data: July 10, 1975

Tape 2
Hiller No.: H. 1
Title: Sonata no. 1 for piano (1946, revised 1968) I. Molto Moderato, Andante, Vivace, Allegro, etc. 9:50 II. Prestissimo 1:21 III. Adagio 7:37 IV. Allegro Grazioso 8:15 +0:12
Dimension: 10 in.
Format: 2-channel stereo.
Encoding: Dolby A301 stretched
Tape speed: 15 ips
Duration: 28:15
Function: Master tape
Performer(s): Kenwyn Boldt, piano
Recording data: Recorded live at concert, July 10, 1975

Tape 3
Hiller No.: H. 2
Title: Sonata no. 2 for piano (1947) I. Allegro Appassionato 10:31 II. Tango 4:22 III. Scherzo (Allegro Vivace) 6:56 +0:12
Dimension: 7 in.
Format: NA
Tape speed: NA
Duration: 21:31
Performer(s): Charles Clifton, piano

Tape 4
Hiller No.: H. 2
Title: Sonata no. 2 for piano (1947) I. Sonata Allegro: Allegro Appassionato 9:47 II. Tango: Andante 4:22 III. Scherzo: Allegro Vivace, Cantabile, Allegro Vivace, Cantabile, Allegro Vivace 6:56 +0:12
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 15 ips
Encoding: Dolby A noise reduction
Function: Master tape
Duration: 21:17
Performer(s): Charles Clifton, piano
Recording data: Recorded May and June 1980

Tape 5
Hiller No.: H. 3
Title: Trio for violin, cello and piano (1947) I. Allegro Moderato 8:25 II. Allegro Brutale (Scherzo); Andantino con Vino (Trio) 5:07 III. Adagio (Intermezzo) 7:08 IV. Allegro Vivace, Presto 7:18 +0:12
Dimension: 7 in.
Format: 2-channel stereo.
Tape speed: 7 1/2 ips
Duration: 28:10
Performer(s): Keiko Yamazaki, violin; Bonnie Black, violoncello; Charles Clifton, piano
Recording data: Recorded November 19, 1976

Tape 6
Hiller No.: H. 3
Title: Trio for violin, cello and piano (1947) I. Allegro Moderato 8:25 II. Allegro Brutale (Scherzo); Andantino con Vino (Trio) 5:07 III. Adagio (Intermezzo) 7:08 IV. Allegro Vivace, Presto 7:18 +0:10
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 15 ips
Function: Master tape
Duration: 28:08
Performer(s): Keiko Yamazaki, violin; Bonnie Black, violoncello; Charles Clifton, piano
Recording data: Recorded November 19, 1976

Tape 7
Hiller No.: H. 4
Title: Seven artifacts, for piano (1948, revised 1973). 1. [No. 6] Blue Triangle; 2. [No. 7] Ormolu
Dimension: 5 in.
Format: 2-channel stereo.
Tape speed: 7 1/2 ips
Technical notes: Tail out
Performer(s): Nils Vigeland, piano
Recording data: Recorded May 4, 1982

Tape 8
Hiller No.: H. 4
Title: Seven artifacts, for piano (1948, revised 1973) I. String of Pearls 5:10 II. Palindrome 3:20 III. Plinth 5:05 IV. Filigree 3:56 V. Clockwork 2:52 VI. Blue Triangle 3:52 VII. Ormolu 3:21
Dimension: 7 in.
Format: 2-channel stereo.?
Tape speed: NA
Duration: 27:34
Performer(s): Frina Boldt (1,4), Szablocz Esztenyi (2,3,5), Nils Vigeland (7), Yvar Mikhashoff (6)

Tape 9
Hiller No.: H. 4
Title: Seven artifacts, for piano (1948, revised 1973) I. String of Pearls 5:41 II. Palindrome 3:18 III. Plinth 5:55 IV. Filigree 4:24 V. Clockwork 3:32 VI. Blue Triangle 3:09 VII. Ormolu 3:23 +0:24
Dimension: 7 in.
Format: NA
Tape speed: NA
Duration: 29:46
Performer(s): Naomi Weinfeld, piano
Recording data: Recorded December 14, 1983

Tape 10
Hiller No.: H. 4
Title: Seven artifacts, for piano (1948, revised 1973) I. String of Pearls 5:41 II. Palindrome 3:18 III. Plinth 5:55 IV. Filigree 4:24 V. Clockwork 3:32 VI. Blue Triangle 3:09 VII. Ormolu 3:23 +0:24
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 15 ips
Encoding: Dolby A
Function: Master Tape
Technical notes: Tail out
Duration: 29:46
Performer(s): Naomi Weinfeld, piano
Recording data: Recorded December 14, 1983

Tape 11
Hiller No.: H. 4
Title: Seven artifacts, for piano (1948, revised 1973) I. String of Pearls II. Palindrome III. Plinth IV. Filigree V. Clockwork VI. Blue Triangle VII. Ormolu
With: H. 8, Children's Suite for piano (1949) I. Prelude II. Country Dance III. Processional IV. Pastorale V. Minuet VI. Romance VII. Finale 14:00
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 7 1/2 and 15 ips (Movements 1 and 4 of Seven Artifacts)
Encoding: Movements 1 and 4 of Seven Artifacts recorded with Dolby
Function: Storage
Duration: 14:00 (Children's Suite)
Performer(s): 1st work performed by Frina Boldt (1,4), Szablocz Esztenyi (2,3,5,6), and Nils Vigeland (7); 2nd work performed by Randall Kramer, piano
Recording data: 1st work recorded July 10, 1974 (1,4) and December 10, 1973 (Warsaw)(2,3,5,6); 2nd work recorded in concert

Tape 12
Hiller No.: H. 5
Title: String quartet No. 1 (1949) Part One: I. Allegro 7:08 II. Allegro Moderato, etc. (Scherzo) 7:10 III. Allegretto 4:03 Spacer 0:06 Part Two: IV. Adagio 10:39 V. Allegro Risoluto (Fugue) 5:21 VI. Presto (Epilog)
Dimension: 7 in.
Format: NA
Tape speed: NA
Duration: Part One: 18:21; Part Two: 18:58; Total 37:25
Performer(s): Kronos String Quartet
Recording data: Recorded October 9, 1977
Note: First complete performance

Tape 13
Hiller No.: H. 5
Title: String quartet No. 1 (1949)
With: H. 31, String quartet No. 5 (1961)
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 7 1/2 ips
Function: Storage tapes
Technical notes: Tail out
Performer(s): 1st work performed by the Kronos String Quartet; 2nd work performed by the Concord String Quartet

Tape 14
Hiller No.: H. 7
Title: Sonata, No. 1 for violin and piano (1949) I. Elegy (Andante) 9:23 II. Scherzo (Allegretto Pomposo) 3:33 III. Rondo (Allegro Moderato) 6:54 Spacers 0:08
With: H. 10, Jesse James, for vocal quartet and piano (1950)
Dimension: 7 in.
Format: NA
Tape speed: NA
Duration: 19:58 (Sonata No. 1); 7:54 (Jesse James)
Performer(s): 1st work performed by Thomas Halpin, violin, and Yvar Mikhashoff, piano; 2nd work performed by Jane Bane, Marjorie Rosenberg, Keith Daniel, Andrew Schultze, and Jane Cary, piano

Tape 15
Hiller No.: H. 7
Title: Sonata, No. 1 for violin and piano (1949)
With: H. 18a, Sonata, No. 2 for violin and piano (1955) H. 18b Sonata for cello and piano (1955/77)
Dimension: 10 in.
Format: NA
Tape speed: NA
Function: Storage tapes
Note: Spine label only

Tape 16
Hiller No.: H. 8
Title: Children's suite, for piano (1949) I. Prelude II. Country Dance III. Processional IV. Pastorale V. Minuet VI. Romance VII. Finale
With: H. 9, Sonata, No. 3 for piano (1950) I. Allegro Moderato II. Andantino III. Presto (Scherzo) IV. Allegro (Fugue)
Dimension: 7 in.
Format: NA
Tape speed: NA
Duration: 18:00 (Children's suite); 13:35 (Sonata No. 3 for piano)
Performer(s): Frina Boldt, piano

Tape 17
Hiller No.: H. 8
Title: Children's suite, for piano (1949)
Dimension: 10 in.
Format: NA
Tape speed: NA
Function: Master tape of Children's suite
Note: Contains two copies of pieces 2, 3, 4, 6, and 7

Tape 18
Hiller No.: H. 8
Title: Children's suite, for piano (1949)
Dimension: 10 in.
Format: NA
Tape speed: NA
Function: Back up of some of the Children's suite

Tape 19
Hiller No.: H. 9
Title: Sonata, No. 3 for piano (1950) I. Allegro 7:01 II. Andantino 3:43 III. Presto 2:19 IV. Allegro 1:35 Spacers 0:12
With: H. 19, Two theater pieces, for piano (1956) I. Aria Spacers 0:04 II. Chords and Wild Dance 1:34 Four Early Pieces (1948/49) I. Prelude (from H. 8) II. Aria (from H. 19) III. Chords and Wild Dance (from H. 19) IV. Blue Triangle (from H. 4) Spacers 0:12
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 15 ips
Encoding: Dolby A
Function: Master tape
Technical notes: Tail out
Duration: 14:56 (Sonata No. 3 for piano); 3:34 (Two Theatre pieces for piano)
Performer(s): 1st & 2nd work performed by Charles Clifton, piano; last work (Four Early Pieces) performed by Yvar Mikhashoff, piano

Tape 20
Hiller No.: H. 9
Title: Sonata, No. 3 for piano (1950)
Dimension: 10 in.
Format: NA
Tape speed: NA
Function: Master tape and sub-master
Duration: 13:35 (Master tape)

Tape 21
Hiller No.: H. 10
Title: Jesse James, for vocal quartet and piano (1950)
With: H. 24, Five Appalachian ballads, for voice and guitar/harpsichord (1958) I. Lord Randal 3:36 II. Barbara Allen 4:06 III. The Three Ravens 1:12 IV. The Cruel Mother 5:16 V. The Two Sisters 3:13 Spacers 0:16
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 15 ips
Encoding: Dolby A301 stretched
Function: Master tape
Technical notes: Tail out (2nd work)
Duration: 25:39 total (7:54 and 17:39)
Performer(s): 1st work performed by Jane Bane, Marjorie Rosenberg, Keith Daniel, Andrew Schultze (vocal quartet), and Jane Cary, piano; 2nd work performed by Winifred Black, soprano, and David Sussman, guitar.
Recording data: 2nd work recorded July 7, 1973

Tape 22
Hiller No.: H. 11
Title: Sonata, No. 4 for piano (1950) I. Andante; Allegro Vivace 12:04 II. Andante con Moto; Allegretto Vivace 7:20 III. Alla Marcia; Allegretto Serioso 5:56 IV. Prestissimo 3:48 Spacers 0:12
Dimension: 7 in.
Format: 2-channel stereo.
Tape speed: 7 1/2 ips
Duration: 29:20
Performer(s): Frina Boldt, piano

Tape 23
Hiller No.: H. 11
Title: Sonata, No. 4 for piano (1950) I. Andante; Allegro Vivace 12:04 II. Andante con Moto; Allegretto Vivace 7:20 III. Alla Marcia; Allegretto Serioso 5:56 IV. Prestissimo 3:48 Spacers 0:12
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 15 ips
Encoding: Dolby A; Dolby A301 stretched
Function: Master tape
Technical notes: Tail out
Duration: 29:20
Performer(s): Frina Boldt, piano
Recording data: Recorded June 1970

Tape 24
Hiller No.: H. 13
Title: String quartet No. 2 (1951) I. Adagio 14:50 II. Allegro 12:57 Spacer 0:04
Dimension: 7 in.
Format: NA
Tape speed: NA
Duration: 27:51
Performer(s): Pro Arte Zagreb String Quartet

Tape 25
Hiller No.: H. 13
Title: String quartet No. 2 (1951) I. Adagio 14:50* II. Allegro 12:57 0:04 * including estimate for missing bars
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 15 ips
Function: Master tape
Duration: 27:51
Performer(s): Pro Arte Zagreb String Quartet
Note: Without editing as on 7 1/2 storage tape of 2nd movement

Tape 26
Hiller No.: H. 13
Title: String quartet No. 2 (1951) I. Adagio 14:36 II. Allegro 13:00 Spacer 0:04
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 15 ips
Function: Sub-master
Duration: 27:40
Performer(s): Zagreb Pro Arte String Quartet
Recording data: Recorded 1974
Note: Properly edited sub-master tape (follows formal edition of score)

Tape 27
Hiller No.: H. 14
Title: Fantasy, for three pianos (1951)
Dimension: 7 in.
Format: 2-channel stereo.
Tape speed: 7 1/2 ips
Duration: 16:54
Performer(s): Stephen Manes, Frieda Manes, Yvar Mikhashoff
Recording data: Recorded June 1983

Tape 28
Hiller No.: H. 14
Title: Fantasy, for three pianos (1951)
With: Four short pieces I. Prelude from “Children’s Suite” (H. 8) 1:16 Spacer 0:04 II. Two Theater Pieces (1) Aria from Pirandello’s “Right You Are” (H. 19) 2:53 Spacer 0:04 III. Two Theater Pieces (2) “Wild Dance For Ibsen’s “Hedda Gabler” (H.19) 0:53 Spacer 0:04 IV. Seven Artifacts #6 Blue Triangle (H. 4) 2:48
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 15 ips
Encoding: Dolby A
Function: Master tape
Technical notes: Tail out
Duration: 24:50 total (16:41 Fantasy)
Performer(s): 1st work performed by Stephen Manes, Frieda Manes, and Yvar Mikhashoff; other works performed by Yvar Mikhashoff

Tape 29
Hiller No.: H. 14
Title: Fantasy, for three pianos (1951)
With: H. 46, A cenotaph, for two pianos (1971)
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 15 ips
Encoding: Dolby A
Function: Master tape
Technical notes: Tail out
Duration: 16:43 (Fantasy); 17:37 (Cenotaph)
Performer(s): 1st work performed by Stephen Manes, Frieda Manes, and Yvar Mikhashoff; 2nd work performed by Kenwyn Boldt and Frina Boldt

Tape 30
Hiller No.: H. 16
Title: String quartet No. 3 (1953) I. Allegro Con brio 6:16 II. Lento, ma non troppo 5:44 III. Scherzo- allegro energico, Trio-Vivace 4:52 IV. Presto 6:54 Spacers 0:12
Dimension: 7 in.
Format: 2-channel stereo.
Tape speed: 7 1/2 ips
Duration: 24:00
Performer(s): Kronos String Quartet
Recording data: Recorded March 24, 1976

Tape 31
Hiller No.: H. 16
Title: String quartet No. 3 (1953)
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 15 ips
Encoding: Dolby A
Function: Master tape
Duration: 24:44
Performer(s): Kronos String Quartet
Recording data: Recorded June 27, 1981

Tape 32
Hiller No.: H. 16
Title: String quartet No. 3 (1953)
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 15 ips
Encoding: Dolby A
Function: Submaster
Duration: 24:18
Performer(s): Kronos String Quartet
Recording data: Recorded June 28, 1981

Tape 33
Hiller No.: H. 17
Title: Twelve-tone variations, for piano (1954) I. Theme (on Six Tone Rows) II. Variations on Individual Tone Rows III. Variations on Pairs of Tone Rows IV. Variations on Three Tone Rows V. Variations on Four and Six Tone Rows
Dimension: 7 in.
Format: 2-channel stereo.
Tape speed: 7 1/2 ips
Duration: 30:49
Performer(s): Roger Shields
Recording data: Recorded October 1971

Tape 34
Hiller No.: H. 17
Title: Twelve-tone variations, for piano (1954) I. Theme (Six Tone Rows Combined) 1:37 II. Variations on Individual Tone Rows 5:10 III. Variations on Pairs of Tone Rows 6:21 IV. Variations on Three Tone Rows 5:26 V. Variations on Four Tone Rows and Six Tone Rows 11:35
Dimension: 10 in.
Format: 2-channel stereo
Tape speed: 15 ips
Encoding: Dolby A stretched
Function: Master tape
Technical notes: Tail out
Duration: 30:33
Performer(s): Roger Shields
Recording data: Recorded Spring 1971

Tape 35
Hiller No.: H. 18a
Title: Sonata, No. 2 for violin and piano (1955) I. Allegro 8:38 II. Larghetto 4:24 III. Allegro Molto Vivace 5:56
With: H. 18b, Sonata for cello and piano (1955/77) (Incomplete) I. Allegro II. Larghetto III. Allegro Molto Vivace
Dimension: 7 in.
Format: NA
Tape speed: NA
Duration: 19:06 (1st work); 18:04 (2nd work)
Performer(s): 1st work performed by Thomas Halpin, Violin, and Yvar Mikhashoff, piano; 2nd work performed by Frances-Marie Uitti, violoncello, and Yvar Mikhashoff, piano.

Tape 36
Hiller No.: H. 18a
Title: Sonata, No. 2 for violin and piano (1955) I. Allegro 8:38 II. Larghetto 4:24 III. Allegro Molto Vivace 5:56 Spacers 0:08
With: H. 18b, Sonata for cello and piano (1955/77) I. Allegro 8:26 II. Larghetto 4:22 III. Allegro Molto Vivace 5:08 Spacers 0:08
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 15 ips
Encoding: Dolby A
Function: Master tape
Technical notes: Tail out
Duration: 19:06 (1st work); 18:04 (2nd work)

Tape 37
Hiller No.: H. 19
Title: Two theater pieces, for piano (1956) I. Aria II. Chords and Wild Dance
With: H. 23, Scherzo, for piano (1958)
Dimension: 7 in.
Format: NA
Tape speed: NA
Duration: 3:48 (1st work); 15:06 (2nd work)
Performer(s): 1st work performed by Yvar Mikhashoff; 2nd work performed by Arthur Maddox
Recording data: 2nd work recorded 1964

Tape 38
Hiller No.: H. 19
Title: Two theater pieces, for piano (1956) Plus “Prelude” from Children’s Suite (H. 8) and “Blue Triangle From “Seven Artifacts” (H. 4)
With: H. 20, String quartet No. 4, "Illiac suite" (1957) I. Experiment 1 4:38 II. Experiment 2 4:01 III. Experiment 3 5:59 IV. Experiment 4 3:29
Dimension: 10 in.
Format: 2-channel stereo
Tape speed: 15 ips
Encoding: Dolby A301 stretched
Function: Master tape (Two Theater Pieces); Master Tape for Disk Recording (Illiac Suite)
Technical notes: Tail out
Duration: 18:20 (Illiac Suite); 8:06 (Two Theater Pieces)
Performer(s): Illiac Suite performed by the University of Illinois Composition String Quartet; Two Theater Pieces performed by Yvar Mikhashoff
Recording data: Illiac Suite recorded January 1967
Note: H. 20, String quartet No. 4, "Illiac suite" (1957) composed with Leonard Isaacson

Tape 39
Hiller No.: H. 20
Title: String quartet No. 4, "Illiac suite" (1957), composed with Leonard Isaacson I. Presto; Andante; Allegro 4:38 II. Adagio, ma non Troppo 4:01 III. Allegro con Brio 5:59 IV. Tanto Presto che Possibile 3:29 0:12
Dimension: 7 in.
Format: NA
Tape speed: NA
Duration: 18:19
Performer(s): University of Illinois Composition String Quartet

Tape 40
Hiller No.: H. 21
Title: Music for "A dream play", by August Strindberg (1957) Side One: Act I; Act II (beginning) Side Two: Act II (concluded)
Dimension: 7 in.
Format: Dual mono.
Tape speed: 7 1/2 ips
Performer(s): Performed by a Chamber Ensemble, conducted by Lejaren Hiller

Tape 41
Hiller No.: H. 21
Title: Music for "A dream play", by August Strindberg (1957)
Dimension: 10 in.
Format: full-track mono.
Tape speed: 7 1/2 ips
Function: Submaster
Performer(s): Ensemble conducted by Lejaren Hiller
Note: Original master discarded

Tape 42
Hiller No.: H. 22
Title: Music for "The birds", by Aristophanes as adapted by Walter Kerr (1958) Act I 27:41 Act II 10:21 0:06
Dimension: 7 in.
Format: NA
Tape speed: 7 1/2 ips
Duration: 38:08
Performer(s): "Theater Orchestra conducted by Lejaren Hiller (new insertions conducted by Steven Swarz)."

Tape 43
Hiller No.: H. 22
Title: Music for "The birds", by Aristophanes as adapted by Walter Kerr (1958)
With: H. 23, Scherzo, for piano (1958)
Dimension: 10 in.
Format: full-track mono.
Tape speed: 7 1/2 ips
Function: Master tape
Technical notes: Tail out
Performer(s): Ensembles conducted by Lejaren Hiller or Steven Swarz

Tape 44
Hiller No.: H. 24
Title: Five Appalachian ballads, for voice and guitar/harpsichord (1958) I. Lord Randal II. Barbara Allen III. Three Old Crows IV. The Cruel Mother V. The Two Sisters
Dimension: 7 in.
Format: NA
Tape speed: NA
Duration: 16:28 (Version 1); 16:39 (Version 2)
Performer(s): Version 1 is performed by Winifred Black, soprano, and David Sussman, guitar; Version 2 is performed by Martha Herr, soprano, and Yvar Mikhashoff, piano.
Note: Version 1: For Voice and Guitar; Version 2: For Voice and Piano

Tape 45
Hiller No.: H. 24
Title: Five Appalachian ballads, for voice and guitar/harpsichord (1958)
With: H. 27, Cuthbert Bound, chamber music for four actors and tape recorder, text by Christopher Newton (1960) (3 excerpts); H. 40, An avalanche, for pitchman, prima donna and percussion (1968)
Dimension: 7 in.
Format: mono.
Tape speed: 7 1/2 ips
Technical notes: Head out
Duration: 15:00 (H. 24); 2:30 (H. 27); 10:00 (H. 40)
Performer(s): H. 24 performed by Phyllis Hurt and Roger Shields; H. 27 performed by Elizabeth Hiller; H. 40 performed by Royal MacDonald (speaker), Norma Marder (soprano), and Robert Rosen (percussion)
Recording data: Depot Theater Concert

Tape 46
Hiller No.: H. 25
Title: Divertimento for eleven instruments (1959) I. Fanfare and Furioso 8:02 II. Nocturne 7:50 III. Five Structures 7:03 IV. Scherzo with Trio 4:25 V. Capriccio and Coda 9:52 0:16
Dimension: 7 in.
Format: 2-channel stereo.
Tape speed: 7 1/2 ips
Duration: 37:28
Performer(s): Radio Kamerorkest (VPRO), Vilversum; Ernest Bour, conductor
Note: Edited version

Tape 47
Hiller No.: H. 25
Title: Divertimento for eleven instruments (1959) I. Fanfare and Furioso 8:02 II. Nocturne 7:50 III. Five Structures 7:03 IV. Scherzo with Trio 5:27 V. Capriccio and Coda 11:21 0:16
With: H. 27, Cuthbert Bound, chamber music for four actors and tape recorder, text by Christopher Newton (1960)
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 7 1/2 ips
Function: Sub-master tape
Technical notes: Tail out
Duration: 39:59 (H. 25)
Performer(s): H. 25 performed by Radio Kamerorkest (VPRO), Hilversum; Ernest Bour, conductor H. 27 performed by Elizabeth Hiller, Judith Hoppe, Charles Rogers, Royal MacDonald; performance directed by Lionel Lawrence, April 1964
Note: H. 25 spine label: master tape; H. 27 spine label: roundhouse tape

Tape 48
Hiller No.: H. 26
Title: Electronic music for "Blue is the antecedent of it", a one-act play by Jack Leckel (1959) I. Overture II. Dance of Origins III. Entry of the Cross IV. Four Cheers V. Chorus I VI. Sound Effect VII. Sound Effect VIII. Chorus II IX. Chorus III, Three Pantomimes and Chorus IV X. Finale
Dimension: 7 in.
Format: full-track mono.
Tape speed: 7 1/2 ips
Function: Cue tape
Technical notes: Tail out

Tape 49
Hiller No.: H. 26
Title: Electronic music for "Blue is the antecedent of it", a one-act play by Jack Leckel (1959) I. Overture 1:48 II. Dance of the Origins III. Entry of the Cross IV. Four Cheers V. Chorus I VI. Sound Effect I VII. Sound Effect II VIII. Chorus II IX. Chorus III; Three Pantomimes; Chorus IV X. Finale
Dimension: 7 in.
Format: full-track mono.
Tape speed: 7 1/2 ips.
Function: Extra copy for performance use; can also use as cue tape

Tape 50
Hiller No.: H. 26
Title: Electronic music for "Blue is the antecedent of it", a one-act play by Jack Leckel (1959) I. Overture 1:48 II. Dance of the Origins 3:06 III. Entry of the Cross 1:02 IV. Four Cheers 0:18 V. Chorus I 0:48 VI. Sound Effect 0:08 VII. Sound Effect II 0:08 VIII. Chorus II 0:43 IX. Chorus III; Three Pantomimes; Chorus IV 7:30 X. Finale 2:48 18:24 Leaders 0:36
Dimension: 10 in.
Format: full-track mono.
Tape speed: 15 ips
Function: Cue tape master
Duration: 19:00

Tape 51
Hiller No.: H. 26
Title: Electronic music for "Blue is the antecedent of it", a one-act play by Jack Leckel (1959) I. Overture II. Dance of the Origins III. Entry of the Cross IV. Four Cheers V. Chorus I VI. Sound Effects I VII. Sound Effects II VIII. Chorus II IX. Chorus III; Three Pantomimes; Chorus IV X. Finale
Dimension: 10 in.
Format: full-track mono.
Tape speed: 15 ips
Function: Cue tape

Tape 52
Hiller No.: H. 27
Title: Cuthbert Bound, chamber music for four actors and tape recorder, text by Christopher Newton (1960)
Dimension: 7 in.
Format: full-track mono.
Tape speed: 7 1/2 ips
Function: Cue tape
Note: Copy 1

Tape 53
Hiller No.: H. 27
Title: Cuthbert Bound, chamber music for four actors and tape recorder, text by Christopher Newton (1960)
Dimension: 7 in.
Format: full-track mono.
Tape speed: 7 1/2 ips
Function: Cue tape
Note: Copy 2

Tape 54
Hiller No.: H. 27
Title: Cuthbert Bound, chamber music for four actors and tape recorder, text by Christopher Newton (1960)
Dimension: 7 in.
Format: 2-channel stereo.
Tape speed: 7 1/2 ips
Duration: 30:00
Performer(s): Cressida Bound: Tess Spangler Imogen Bound: Anne Gayley Tobias Bound: Gary Burke Augustus Bound: David Lamb Directed by Elizabeth Hiller
Recording data: Recorded 1975 at Baird Hall

Tape 55
Hiller No.: H. 27
Title: Cuthbert Bound, chamber music for four actors and tape recorder, text by Christopher Newton (1960)
Dimension: 10 in.
Format: 2-channel stereo
Tape speed: 15 ips
Encoding: Dolby A
Function: Master tape
Technical notes: tail out
Performer(s): Cressida Bound: Tess Spangler Imogen Bound: Anne Gayley Tobias Bound: Gary Burke Augustus Bound: David Lamb Directed by Elizabeth Hiller
Recording data: July 10, 1975

Tape 56
Hiller No.: H. 27
Title: Cuthbert Bound, chamber music for four actors and tape recorder, text by Christopher Newton (1960)
Dimension: 10 in.
Format: full-track mono.
Tape speed: 15 ips
Function: Cue tape master

Tape 57
Hiller No.: H. 27
Title: Cuthbert Bound, chamber music for four actors and tape recorder, text by Christopher Newton (1960)
Dimension: 10 in.
Format: full-track mono.
Tape speed: 15 ips
Function: Cue tape

Tape 58
Hiller No.: H. 28
Title: Symphony, No. 2 (1960) I. Sonata Allegro 8:16 II. Ballad 7:00 III. Scherzo 12:24 IV. Passacaglia 10:42
Dimension: 7 in.
Format: 2-channel stereo
Tape speed: 7 1/2 ips
Duration: 38:34
Performer(s): Buffalo Philharmonic; Lukas Foss, conductor

Tape 59
Hiller No.: H. 29
Title: Sonata, No. 5 for piano (1961) I. Sonata Allegro: Andante Tranquillo, Allegro 8:09 Agitate II. Interlude: Lentissimo 12:31 III. Rondo: Presto 3:33 IV. Finale: Allegro Moderato and Prestissimo 1:55 25:48 Spacers 0:12
Dimension: 7 in.
Format: 2-channel stereo
Tape speed: 7 1/2 ips
Duration: 26:00
Performer(s): Kenwyn Boldt, piano

Tape 60
Hiller No.: H. 29
Title: Sonata, No. 5 for piano (1961) I. Sonata Allegro: Andante Tranquillo, Allegro Agitate 8:09 II. Interlude: Lentissimo 12:31 II. Rondo: Presto 3:33 III. Finale: Allegro Moderato and Prestissimo 1:55 25:48 Spacers 0:12
Dimension: 10 in.
Format: 2-channel stereo
Tape speed: 15 ips
Encoding: Dolby A301 stretched; Dolby noise reduction
Function: Master tape
Technical notes: tail out
Duration: 26:00

Tape 61
Hiller No.: H. 30a
Title: Music for a film "Time of the heathen" (1961)
Dimension: 7 in.
Format: NA
Tape speed: NA

Tape 62
Hiller No.: H. 29
Title: Music for a film "Time of the heathen" (1961) I. Overture 1:02 II. Entry of Gaunt 1:19 III. By the River 2:08 IV. The Murder 3:38 V. Jesse and Gaunt 1:04 VI. By the Stream 3:05 VII. Introduction and Round 2:38 VIII. Flight Fugue 8:48 IX. Death of Gaunt X. Chorale 1:10 Spacers 0:36
Dimension: 10 in.
Format: 2-channel stereo
Tape speed: 15 ips
Function: Master tape
Technical notes: tail out
Duration: 27:18
Performer(s): University of Illinois Wind Ensemble; Robert Gray, conductor
Recording data: Recorded May 1961
Note: Original performance minus electronic music; Original scoring

Tape 63
Hiller No.: H. 30
Title: Music for a film "Time of the heathen" (1961) Cue 1: For I (Overture) 0:41 Cue 2: For VII (Introduction and Round) 0:54 Cue 3: For X (Nightmare Music) 10:41
With: H. 32, Amplification, for tape recorder and jazz band (1962) Cue 1: 0:18 Cue 2: 2:10 Cue 3: 1:18 Cue 4: 0:29 See Score for Entries H. 36, Computer cantata, for soprano, tape and chamber ensemble (1963), composed with R. A. Baker Cue 1: For Strophe I 4:24 Cue 2: For Strophe II 0:55 Cue 3: For Prolog to Strophe III 1:51 Cue 4: For Epilog to Strophe IV 1:56 Cue 5: For Strophe V 1:53
Dimension: 10 in.
Format: full-track mono. (H. 30, H. 32); 2-channel stereo (H. 36)
Tape speed: 15 ips
Function: Cue tapes
Technical notes: tail out
Duration: ca. 12:16 (H. 30); ca. 4:15 (H. 32); ca. 11:59 (H. 36)

Tape 64
Hiller No.: H. 30a
Title: Suite from "Time of the Heathen" (1961)
With: H. 44, Three rituals, for two percussion, projections and lights (1969)
Dimension: 10 in.
Format: stereo
Tape speed: 7 1/2 ips
Function: Storage tapes
Technical notes: tail out
Performer(s): H. 30a: UB Student Orchestra, conducted by James Kasprowicz; H. 44: original performance by Jan Williams and Howard Zwicker
Note: H. 30a: revised orchestration

Tape 65
Hiller No.: H. 30b
Title: Nightmare music, for tape alone (From "The time of the heathen") 1961
With: H. 32, Amplification, for tape recorder and jazz band (1962) Cue 1: 0:18 Cue 2: 2:10 Cue 3: 1:18 Cue 4: 0:29 H. 36, Computer cantata, for soprano, tape and chamber ensemble (1963), composed with R. A. Baker Cue 1: For Strophe I 4:24 Cue 2: For Strophe II 0:55 Cue 3: Prolog to Strophe III 1:51 Cue 4: Epilog to Strophe III 1:56 Cue 5: For Strophe IV 1:53
Dimension: 7 in.
Format: full-track mono (H. 30b, H. 32); 2-channel stereo (H. 36)
Tape speed: 7 1/2 ips
Function: Cue tapes
Technical notes: tail out
Duration: 11:35 (H. 30b); ca. 4:15 (H. 32); ca. 10:59 (H. 36)

Tape 66
Hiller No.: H. 30b
Title: Nightmare music, for tape alone (From "The time of the heathen") (1961)
With: H. 32, Amplification, for tape recorder and jazz band (1962), new scoring (1983)
Dimension: 7 in.
Format: NA
Tape speed: NA
Duration: 11:35 (H. 30b); 9:50 (H. 32)
Performer(s): H. 32: UB Jazz Band, conducted by Lee Bash

Tape 67
Hiller No.: H. 30b
Title: Nightmare music, for tape alone (From "The time of the heathen") (1961)
With: H. 32, Amplification, for tape recorder and jazz band (1962) (a) Complete Performance (b) Cue Tape Master Cue 1: 0:18 Cue 2: 2:10 Cue 3: 1:18 Cue 4: 0:29
Dimension: 10 in.
Format: full-track mono.
Tape speed: 15 ips and 7 1/2 ips
Function: Master tapes, also cue tape master (H. 32)
Duration: 11:35 (H. 30b); 9:55 complete performance, 4:15 cue tape master (H. 32)
Note: H. 30b is on front of the tape

Tape 68
Hiller No.: H. 31
Title: String quartet No. 5, "In quarter-tones" (1962) I. Theme I II. Variations 1 to 4 III. Theme 2 IV. Variations 5 to 8 V. Theme 3 VI. Variations 9 to 12 VII. Theme 4
Dimension: 7 in.
Format: 2-channel stereo.
Tape speed: 7 1/2 ips
Duration: 26:58
Performer(s): Concord String Quartet
Note: (taken from VoxBox SB5406)

Tape 69
Hiller No.: H. 33
Title: Music for "The man with the oboe" (1962)
Dimension: 7 in.
Format: full-track mono.
Tape speed: 7 1/2 ips
Function: Cue tape
Note: (see cue sheet in score)

Tape 70
Hiller No.: H. 33
Title: Music for "The man with the oboe" (1962)
Dimension: 7 in.
Format: NA
Tape speed: NA
Duration: 25:51
Performer(s): Ensembles conducted by John Garvey and James Kasprowicz

Tape 71
Hiller No.: H. 33
Title: Music for "The man with the oboe" (1962) I. Overture 0:58 II. Piper’s Song- Part One 3:03 III. Serenade and Politician’s March 4:00 IV. Act Change Music 1:50 V. Ballet of the Three Pickpockets and The Tart 7:57 VI. Hillbilly Song 1:55 VII. TV Jingle and Fanfare 0:50 VIII. South Sea Music 1:05 IX. Funeral March 2:17 X. Piper’s Song- Part Two 2:05 XI. Finale
Dimension: 10 in.
Format: full-track mono.
Tape speed: 15 ips
Function: Master tape
Technical notes: tail out
Duration: 25:24
Performer(s): Chamber Ensemble conducted by John Garvey and Lejaren Hiller
Recording data: Recorded February, 6, 1963

Tape 72
Hiller No.: H. 34
Title: Spoon River, Illinois, for narrators and instrumental sextet (1962)
Dimension: 7 in.
Format: NA
Tape speed: NA
Duration: 26:30
Performer(s): Tess Spangler, Paul Schmidt with Ensemble conducted by James Kasprowicz
Recording data: December 1, 1977

Tape 73
Hiller No.: H. 34
Title: Spoon River, Illinois, for narrators and instrumental sextet (1962)
Dimension: 10 in.
Format: 2-channel stereo
Tape speed: 15 ips
Function: Master tape
Technical notes: tail out
Performer(s): Lejaren Hiller, conductor
Recording data:
Note: Original recording for WCIA

Tape 74
Hiller No.: H. 35
Title: Seven electronic studies, for two-channel tape recorder (1963) I. Vocalise II. Just Proportions III. Homage to Helmholtz IV. Two-Part Invention V. Ordered Disorder VI. Even-Tempered Scherzo VII. Peroration
Dimension: 7 in.
Format: 2-channel stereo.
Tape speed: 7 1/2 ips
Technical notes: tail out
Duration: 24:00

Tape 75
Hiller No.: H. 35
Title: Seven electronic studies, for two-channel tape recorder (1963) Title Copy At* Time 1. Vocalise 0 dB 5:32 2. Proportions -2 dB 1:32 3. Homage to Helmholtz +3 dB 4:15 4. Two-Part Invention 0 dB 1:05 5. Ordered Disorder +3 dB 4:10 6. Even-Tempered Scherzo 0 dB 1:25 7. Peroration 0 dB 5:38 *relative to study No. 1
Dimension: 10 in.
Format: 2-channel stereo
Tape speed: 15 ips
Function: Master tape
Technical notes: tail out
Duration: 24:21(including 0:04 between each movement)

Tape 76
Hiller No.: H. 36
Title: Computer cantata, for soprano, tape and chamber ensemble (1963), composed with R. A. Baker
Dimension: 7 in.
Format: 2-channel stereo
Tape speed: 7 1/2 ips
Technical notes: tail out
Duration: 24:00
Performer(s): University of Illinois Percussion Ensemble conducted by Jack McKenzie; Helen Hamm, soprano
Recording data: Recorded December 8 and 11, 1963

Tape 77
Hiller No.: H. 37
Title: Machine music, for piano, percussion and tape (1964)
With: H. 39, Suite for two pianos and tape (1966)
Dimension: 7 in.
Format: 2-channel stereo
Tape speed: 7 1/2 ips
Duration: 13:28 (H. 37); 18:38 (H. 39)
Performer(s): H. 37: Roger Shields, piano; Jeffrey Kowalsky, percussion; H. 39: Roger Shields, piano; Neely Bruce, piano

Tape 78
Hiller No.: H. 37
Title: Machine music, for piano, percussion and tape (1964)
With: H. 39, Suite for two pianos and tape (1966); H. 40, An avalanche, for pitchman, prima donna and percussion (1968); H. 43, Computer music, for percussion and tape (1968), composed with G. Allan O'Conner
Dimension: 7 in.
Format: 2-channel stereo.
Tape speed: 7 1/2 ips
Function: Cue tapes

Tape 79
Hiller No.: H. 37
Title: Machine music, for piano, percussion and tape (1964) (1) Complete Performance Submaster (2) Cue Tape Master Cue 1: Trio I Cue 2: Duo I Cue 3: Solo III Cue 4: Solo IV Cue 5: Duo III Cue 6: Trio II
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 15 ips
Function: Complete performance submaster ; cue tape master
Performer(s): Phyllis Rappeport, piano; Thomas Silve, percussion; Burt Levy, tape recorder

Tape 80
Hiller No.: H. 37
Title: Machine music, for piano, percussion and tape (1964)
With: H. 45, Sonata, No. 3 for violin and piano (1970) I. Furioso 3:32 II. Largo 7:54 III. Prestissimo 3:56 Spacers 0:08
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 15 ips
Encoding: Dolby A301 stretched
Function: Master recordings
Technical notes: tail out
Duration: 13:02 (H. 37); 15:30 (H. 45)
Performer(s): H. 37: Jeffrey Kowalsky, percussion; Roger Shields, piano; H. 45: Mark Sokol, violin; Roger Shields, piano
Recording data: H. 37 recorded December 1971; H. 45 recorded May 10, 1971
Note: N.Y. Studio original of Solo II of Machine Music on front of tape

Tape 81
Hiller No.: H. 37
Title: Machine music, for piano, percussion and tape (1964)
With: H. 39, Suite for two pianos and tape (1966); H. 40, An avalanche, for pitchman, prima donna and percussion (1968); H. 43, Computer music, for percussion and tape (1968), composed with G. Allan O'Conner
Dimension: 10 in.
Format: 2-channel stereo
Tape speed: 15 ips
Function: Cue tapes
Note: Information from spine

Tape 82
Hiller No.: H. 38
Title: A triptych for Hieronymus (1966)
Dimension: 7 in.
Format: 2-channel stereo.
Tape speed: 7 1/2 ips
Function: Cue tape

Tape 83
Hiller No.: H. 38
Title: A triptych for Hieronymus (1966) I. Frame 0:52 II. The Garden of Eden 14:14 III. First Entr’acte 2:02 IV. The Carnival of Live 13:46 V. Second Entr’acte 2:01 VI. Hell 6:17 VII. Frame 0:50
Dimension: 7 in.
Format: 2-channel stereo.
Tape speed: 7 1/2 ips
Duration: 41:16
Performer(s): Chamber Orchestra directed by Jan Williams
Recording data: Recorded February 17, 1973

Tape 84
Hiller No.: H. 38
Title: A triptych for Hieronymus (1966) I. Frame 0:52 II. The Garden of Eden 14:14 III. First Entr’acte 2:02 IV. The Carnival of Live 13:46 V. Second Entr’acte 2:01 VI. Hell 6:17 VII. Frame 0:50
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 15 ips
Encoding: Dolby A301 stretched
Function: Master tape
Duration: 41:16
Performer(s): Theater Orchestra conducted by Jan Williams
Recording data: Recorded February 17, 1973

Tape 85
Hiller No.: H. 38
Title: A triptych for Hieronymus (1966) Cue 1: Third Day of Creation 2:00 Cue 2: Fauna 0:45 Cue 3: Chorale 1:40 Cue 4: Dance of Death 1:40 Cue 5: First Entr’acte 2:00 Cue 6: Barker’s Fugue 1:40 Cue 7: First Takeoff 0:40 Cue 8: Jubilee 1:05 Cue 9: Second Takeoff 0:40 Cue 10: Hurdy Gurdy 2:00 Cue 11: Third Takeoff 0:40 Cue 12: Because It’s You 1:45 Cue 13: Fourth Takeoff 0:40 Cue 14: Billboard Music 1:40 Cue 15: Second Entr’acte 2:00 Cue 16: The Junction 2:30 Cue 17: Conclusion 0:30 16 Four-Second Spaces 1:04
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 15 ips
Function: Cue tape master
Technical notes: tail out
Duration: 24:59

Tape 86
Hiller No.: H. 38
Title: A triptych for Hieronymus (1966) Cue 1: Third Day of Creation 2:00 Cue 2: Fauna 0:45 Cue 3: Chorale 1:40 Cue 4: Dance of Death 1:40 Cue 5: First Entr’acte 2:00 Cue 6: Barker’s Fugue 1:40 Cue 7: First Takeoff 0:40 Cue 8: Jubilee 1:05 Cue 9: Second Takeoff 0:40 Cue 10: Hurdy Gurdy 2:00 Cue 11: Third Takeoff 0:40 Cue 12: Because It’s You 1:45 Cue 13: Fourth Takeoff 0:40 Cue 14: Billboard Music 1:40 Cue 15: Second Entr’acte 2:00 Cue 16: The Junction 2:30 Cue 17: Conclusion 0:30 16 Spacers 1:04
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 15 ips
Function: Cue tape submaster
Technical notes: tail out
Duration: 25:00

Tape 87
Hiller No.: H. 39
Title: Suite for two pianos and tape (1966) A. Concert Performance I. Retrospect 5:02 (a) Animal Dance, (b) Estampie II. Circumspect 10:25 (a) Carnival Time, (b) Sonata A Quatro (b) Magician’s Waltz, (d) Vox Humana (e) Grand Parade IV. Prospect 2:58 (a) Intrada B. Cue Tape Master Cue 1: Fauna; Cue 2: Dance of Death; Cue 3: Barker’s Fugue; Cue 4: Jubilee; Cue 5: Hurdy Gurdy; Cue 6: Because It’s You; Cue 7: Billboard Music; Cue 8: The Junction
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 15 ips
Function: Sub-masters, concert performance and cue tape master
Technical notes: tail out
Duration: 18:33 (concert performance)
Performer(s): Roger Shields and Neely Bruce, pianos
Recording data: Recorded January 1968
Note: (best copy)

Tape 88
Hiller No.: H. 40
Title: An avalanche, for pitchman, prima donna and percussion (1968)
Dimension: 7 in.
Format: NA
Tape speed: 2 extra 15 ips and 1extra 7 1/2 ips
Function: Extra cue tapes
Note: also includes player piano recording

Tape 89
Hiller No.: H. 40
Title: An avalanche, for pitchman, prima donna and percussion (1968)
With: H. 43a, Computer music, for percussion and tape (1968), composed with G. Allan O'Conner; H. 43b, Computer music, for soprano, piccolo, percussion and tape (1981)
Dimension: 7 in.
Format: NA
Tape speed: NA
Performer(s): H. 40: Royal MacDonald, speaker; Norma Marder, soprano; Robert Rosen, percussion; H. 43a, Jan Williams, percussion H. 43b, Martha Herr, soprano; Laurence Trott, piccolo; John Boudler, percussion

Tape 90
Hiller No.: H. 40
Title: An avalanche, for pitchman, prima donna and percussion (1968)
Dimension: 10 in.
Format: full-track mono. and 2-channel stereo.
Tape speed: 15 ips
Function: Master tapes
Technical notes: tail out
Duration: see note
Note: (a) Studio recording, recorded June 1968; 9:04 (b) Depot performance, recorded April 19, 1968; monaural, 11:40 (c) Cue tape master; full-track monaural; Contents: Quotations from Henry Miller, Frank Lloyd Wright, Frank Parman, John Cage, Louis Aragon, Nikolai Lenin, John Philip Sousa (d) Original player piano recording; 6:00 (e) Original recording of "Stars and Stripes"; 7 1/2 ips

Tape 91
Hiller No.: H. 41
Title: HPSCHD, for 1 to 7 harpsichords and 1 to 51 tapes (1968), composed with John Cage
Dimension: 7 in.
Format: 2-channel stereo.
Tape speed: 7 1/2 ips
Function: Cue tape
Note: Cue tape of approximately 1/3 of the original gamuts. To be used primarily with a solo instrument.

Tape 92
Hiller No.: H. 41
Title: HPSCHD - SoloVI
Dimension: 7 in.
Format: 2-channel stereo
Tape speed: 7 1/2 ips
Performer(s): Neely Bruce, harpsichord

Tape 93
Hiller No.: H. 41
Title: HPSCHD, for 1 to 7 harpsichords and 1 to 51 tapes (1968), composed with John Cage
Dimension: 7 in.
Format: 2-channel stereo.
Tape speed: 7 1/2 ips
Duration: 21:00
Performer(s): David Tudor, Antoinette Vischer, Neely Bruce, harpsichords
Note: Collage for Nonesuch Record

Tape 94
Hiller No.: H. 41
Title: HPSCHD, for 1 to 7 harpsichords and 1 to 51 tapes (1968), composed with John Cage
Dimension: 10 in.
Format: NA
Tape speed: 7 1/2 ips
Function: Master Copy B
Technical notes: tail out
Note: 5-6-7 (Reel I of 18)

Tape 95
Hiller No.: H. 41
Title: HPSCHD, for 1 to 7 harpsichords and 1 to 51 tapes (1968), composed with John Cage
Dimension: 10 in.
Format: NA
Tape speed: 7 1/2 ips
Function: Master Copy B
Technical notes: tail out
Note: 8-9-10 (Reel II of 18)

Tape 96
Hiller No.: H. 41
Title: HPSCHD, for 1 to 7 harpsichords and 1 to 51 tapes (1968), composed with John Cage
Dimension: 10 in.
Format: NA
Tape speed: 7 1/2 ips
Function: Master Copy B
Technical notes: tail out
Note: 11-12-13 (Reel III of 18)

Tape 97
Hiller No.: H. 41
Title: HPSCHD, for 1 to 7 harpsichords and 1 to 51 tapes (1968), composed with John Cage
Dimension: 10 in.
Format: NA
Tape speed: 7 1/2 ips
Function: Master Copy B
Technical notes: tail out
Note: 14-15-16 (Reel IV of 18)

Tape 98
Hiller No.: H. 41
Title: HPSCHD, for 1 to 7 harpsichords and 1 to 51 tapes (1968), composed with John Cage
Dimension: 10 in.
Format: NA
Tape speed: 7 1/2 ips
Function: Master Copy B
Technical notes: tail out
Note: 17-18-19 (Reel V of 18)

Tape 99
Hiller No.: H. 41
Title: HPSCHD, for 1 to 7 harpsichords and 1 to 51 tapes (1968), composed with John Cage
Dimension: 10 in.
Format: NA
Tape speed: 7 1/2 ips
Function: Master Copy B
Technical notes: tail out
Note: 20-21-22 (Reel VI of 18)

Tape 100
Hiller No.: H. 41
Title: HPSCHD, for 1 to 7 harpsichords and 1 to 51 tapes (1968), composed with John Cage
Dimension: 10 in.
Format: NA
Tape speed: 7 1/2 ips
Function: Master Copy B
Technical notes: tail out
Note: 23-24-25 (Reel VII of 18)

Tape 101
Hiller No.: H. 41
Title: HPSCHD, for 1 to 7 harpsichords and 1 to 51 tapes (1968), composed with John Cage
Dimension: 10 in.
Format: NA
Tape speed: 7 1/2 ips
Function: Master Copy B
Technical notes: tail out
Note: 26-27-28 (Reel VIII of 18)

Tape 102
Hiller No.: H. 41
Title: HPSCHD, for 1 to 7 harpsichords and 1 to 51 tapes (1968), composed with John Cage
Dimension: 10 in.
Format: NA
Tape speed: 7 1/2 ips
Function: Master Copy B
Technical notes: tail out
Note: 29-30-31 (Reel IX of 18)

Tape 103
Hiller No.: H. 41
Title: HPSCHD, for 1 to 7 harpsichords and 1 to 51 tapes (1968), composed with John Cage
Dimension: 10 in.
Format: NA
Tape speed: 7 1/2 ips
Function: Master Copy B
Technical notes: tail out
Note: 32-33-34 (Reel X of 18)

Tape 104
Hiller No.: H. 41
Title: HPSCHD, for 1 to 7 harpsichords and 1 to 51 tapes (1968), composed with John Cage
Dimension: 10 in.
Format: NA
Tape speed: 7 1/2 ips
Function: Master Copy B
Technical notes: tail out
Note: 35-36-37 (Reel XI of 18)

Tape 105
Hiller No.: H. 41
Title: HPSCHD, for 1 to 7 harpsichords and 1 to 51 tapes (1968), composed with John Cage
Dimension: 10 in.
Format: NA
Tape speed: 7 1/2 ips
Function: Master Copy B
Technical notes: tail out
Note: 38-39-40 (Reel XII of 18)

Tape 106
Hiller No.: H. 41
Title: HPSCHD, for 1 to 7 harpsichords and 1 to 51 tapes (1968), composed with John Cage
Dimension: 10 in.
Format: NA
Tape speed: 7 1/2 ips
Function: Master Copy B
Technical notes: tail out
Note: 41-42-43 (Reel XIII of 18)

Tape 107
Hiller No.: H. 41
Title: HPSCHD, for 1 to 7 harpsichords and 1 to 51 tapes (1968), composed with John Cage
Dimension: 10 in.
Format: NA
Tape speed: 7 1/2 ips
Function: Master Copy B
Technical notes: tail out
Note: 44-45-46 (Reel XIV of 18)

Tape 108
Hiller No.: H. 41
Title: HPSCHD, for 1 to 7 harpsichords and 1 to 51 tapes (1968), composed with John Cage
Dimension: 10 in.
Format: NA
Tape speed: 7 1/2 ips
Function: Master Copy B
Technical notes: tail out
Note: 47-48-49 (Reel XV of 18)

Tape 109
Hiller No.: H. 41
Title: HPSCHD, for 1 to 7 harpsichords and 1 to 51 tapes (1968), composed with John Cage
Dimension: 10 in.
Format: NA
Tape speed: 7 1/2 ips
Function: Master Copy B
Technical notes: tail out
Note: 50-51-52 (Reel XVI of 18)

Tape 110
Hiller No.: H. 41
Title: HPSCHD, for 1 to 7 harpsichords and 1 to 51 tapes (1968), composed with John Cage
Dimension: 10 in.
Format: NA
Tape speed: 7 1/2 ips
Function: Master Copy B
Technical notes: tail out
Note: 53-54-55 (Reel XVII of 18)

Tape 111
Hiller No.: H. 41
Title: HPSCHD, for 1 to 7 harpsichords and 1 to 51 tapes (1968), composed with John Cage
Dimension: 10 in.
Format: NA
Tape speed: 7 1/2 ips
Function: Master Copy B
Technical notes: tail out
Note: Gam. 56 only (Reel XVIII of 18)

Tape 112
Hiller No.: H. 41
Title: HPSCHD - Buffalo Production
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 15 ips
Technical notes: tail out
Recording data: Performance of March 23, 1980
Note: Reel 1

Tape 113
Hiller No.: H. 41
Title: HPSCHD - Buffalo Production
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 15 ips
Technical notes: tail out
Recording data: Performance of March 23, 1980
Note: Reel 2

Tape 114
Hiller No.: H. 41
Title: HPSCHD - Buffalo Production
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 15 ips
Technical notes: tail out
Recording data: Performance of March 23, 1980
Note: Reel 3

Tape 115
Hiller No.: H. 41
Title: HPSCHD - Buffalo Production
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 15 ips
Technical notes: tail out
Recording data: Performance of March 23, 1980
Note: Reel 4

Tape 116
Hiller No.: H. 41
Title: HPSCHD - Buffalo Production
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 15 ips
Technical notes: tail out
Recording data: Performance of March 23, 1980
Note: Reel 5

Tape 117
Hiller No.: H. 41
Title: HPSCHD - Solos 1, 2 & 3
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 7 1/2 ips
Function: Sub-masters of solos
Technical notes: tail out
Performer(s): Solo I is played by David Tudor on a Baldwin Electronic Harpsichord; Solo II is played by Antoinette Vischer on a Neupert Bach-model Harpsichord

Tape 118
Hiller No.: H. 41
Title: HPSCHD - Solo VI
Dimension: 10 in.
Format: 2-channel stereo
Tape speed: 7 1/2 ips
Function: Submaster tapes

Tape 119
Hiller No.: H. 41
Title: HPSCHD - Tape Collage
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 15 ips
Function: Master tape
Technical notes: tail out
Duration: 21:00

Tape 120
Hiller No.: H. 41
Title: HPSCHD - Tape Collage #2
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 15 ips
Technical notes: tail out
Duration: 21:00
Note: Approximately 2/3 of the performance tapes. Channel 1 - tracks 1, 3, 4, 6, 7 of 8-channel Master A Channel 2 - tracks 1, 2, 4, 5, 7, 8 of 8-channel Master B

Tape 121
Hiller No.: H. 41
Title: HPSCHD - Tape Collage #3
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 15 ips
Technical notes: tail out
Duration: 21:00
Note: Approximately 1/3 of the performance tapes. Channel 1 - tracks 1, 4, 7 of 8-channel Master A Channel 2 - tracks 2, 5, 8 of 8-channel Master B

Tape 122
Hiller No.: H. 41
Title: HPSCHD - for Nonesuch Recording
Dimension: 10 in.
Format: NA
Tape speed: 15 ips
Function: Master tapes Copy no. 2
Technical notes: tail out
Duration: 21:00
Recording data: January 23, 1969
Note: Master Tape #1 Channel 1 - channels 1, 2, 3, 4, 5, 6, 7, 8 of 8-channel Master A Channel 3 - channels 1, 2, 3, 4, 5, 6, 7, 8 of 8-channel Master B

Tape 123
Hiller No.: H. 41
Title: HPSCHD - for Nonesuch Recording
Dimension: 10 in.
Format: NA
Tape speed: 15 ips
Function: Master tapes Copy no. 2
Technical notes: tail out
Duration: 21:00
Recording data: January 23, 1969
Note: Master Tape #2 Channel 1 - channels 1, 3, 4, 6, 7 of 8-channel Master A Channel 3 - channels 1, 2, 4, 5, 7, 8 of 8-channel Master B

Tape 124
Hiller No.: H. 41
Title: HPSCHD - for Nonesuch Recording
Dimension: 10 in.
Format: NA
Tape speed: 15 ips
Function: Master tapes Copy no. 2
Technical notes: tail out
Duration: 21:00
Recording data: January 23, 1969
Note: Master Tape #3 Channel 1 - channels 1, 4, 7 of 8-channel Master A Channel 3 - channels 2, 5, 8 of 8-channel Master B

Tape 125
Hiller No.: H. 41
Title: HPSCHD - Collage for Nonesuch Record
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 15 ips
Function: Sub-master

Tape 126
Hiller No.: H. 42
Title: Algorithms I, for nine instruments and tape (Versions I-IV) (1968) Version 1 Cue 1- 1st mvt.; Cue 2- 2nd mvt.; Cue 3- 3rd mvt., 1st entry Cue 4- 3rd mvt., 2nd entry Version 2 Cue 1; Cue 2; Cue 3; Cue 4 Version 3 Cue 1; Cue 2; Cue 3; Cue 4 Version 4 Cue 1; Cue 2; Cue 3; Cue 4
Dimension: 7 in.
Format: 2-channel stereo.
Tape speed: 7 1/2 ips
Function: Cue tapes
Note: versions 1-4

Tape 127
Hiller No.: H. 42
Title: Algorithms I, for nine instruments and tape (Versions I-IV) (1968)
Dimension: 7 in.
Format: NA
Tape speed: 7 1/2 ips
Function: Cue tape
Note: versions 1-4; each version separated by 12 seconds of leader tape

Tape 128
Hiller No.: H. 42
Title: Algorithms I, for nine instruments and tape (Versions I-IV) (1968) a.) The Decay of Information b.) Icosahedron c.) The Incorporation of Constraints
Dimension: 7 in.
Format: NA
Tape speed: NA
Duration: 9:15; 9:15; 9:25; 9:15
Performer(s): Members of the Center for the Creative and Performing Arts; Lejaren Hiller, conductor (version I and IV); Jan Williams, conductor (version II); Bruce Hengen (?) conductor, Rochester 3/17/73 (version III).

Tape 129
Hiller No.: H. 42
Title: Algorithms I, for nine instruments and tape (Versions I-IV) (1968)
Dimension: 10 in.
Format: NA
Tape speed: NA
Function: Master tape
Duration: 9:15 (version 1); 9:16 (version 2)
Performer(s): Lejaren Hiller, conductor, Version I and IV; Version II: Concert Performance, Jan Williams Version III: Concert Performance, Eastman “? Nova” conducted by Bruce Hengen (?)

Tape 130
Hiller No.: H. 42
Title: Algorithms I, for nine instruments and tape (1968) First Movement: The Decay of Information Version 1-4 Second Movement: Icosahedron Version 1-4 Third Movement: The Incorporation of Constraints Version 1-4
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 15 ips
Function: Cue tape master
Technical notes: tail out
Note: Three movements, four versions each.

Tape 131
Hiller No.: H. 42
Title: Algorithms I, for nine instruments and tape (Versions I-IV) (1968)
Dimension: 10 in.
Format: NA
Tape speed: 15 ips
Function: Cue tape

Tape 132
Hiller No.: H. 43a
Title: Computer music, for percussion and tape (1968), composed with G. Allan O'Conner I. Assertively 3:33 II. Briskly 0:58 III. Lyrically 2:01
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 7 1/2 and 15 ips
Encoding: B. Dolby A - noise reduction
Function: Master tape
Performer(s):
Recording data:
Note: A. Performed by G. Allan O'Connor; 6:45 B. Performed by Jan Williams; 6:40 (Dolby A - noise reduction encoded master) C. 15 ips Cue tape - corrected D. 7 1/2 Cue tape - corrected [E.] Storage copy of quartet version of "Computer Music" - 7 1/2 ips; performed by Laurence Trott, Martha Herr, John Boudler, and tape

Tape 133
Hiller No.: H. 43
Title: Computer music, for soprano, piccolo, percussion and tape (1981)
Dimension: 7 in.
Format: NA
Tape speed: NA
Function: Cue tapes
Note: Notes on container: 2 copies (2nd not corrected; 1st: master copy; corrected 2nd mvt.; complete again with 15 & 7 1/2 ips)

Tape 134
Hiller No.: H. 44
Title: Three rituals, for two percussion, projections and lights (1969) I. The First Ritual 9:12 II. The Second Ritual 7:06 III. The Third Ritual 14:22
Dimension: 7 in.
Format: 2-channel stereo.
Tape speed: 7 1/2 ips
Duration: 30:48
Performer(s): Dennis Kahle and Jeffrey Kowalsky, percussion
Recording data: Recorded May 1, 1971

Tape 135
Hiller No.: H. 44
Title: Three rituals, for two percussion, projections and lights (1969)
Dimension: 7 in.
Format: 2-channel stereo.
Tape speed: 7 1/2 ips
Function: Cue tape (for last movement)
Note: Channel A: Percussion recording Channel B: Click track (Spine label also says "Quartet No. 5 - Rhythm tape)

Tape 136
Hiller No.: H. 45
Title: Sonata, No. 3 for violin and piano (1970) I. Furioso 3:32 II. Largo 7:54 III. Prestissimo 3:56
With: H. 50, Six easy pieces, for violin and piano (1974) I. Cowboy Song II. Rainy Day III. Soda Pop IV. Wadzel’s Catnap V. The Tin Man VI. Time To Go
Dimension: 7 in.
Format: NA
Tape speed: NA
Duration: 15:30 (H. 45);
Performer(s): H. 45: Sokol, violin; Roger Shields, piano H. 50: Keiko Furness, Linda Mabrey
Recording data: H. 45 recorded May 10, 1971

Tape 137
Hiller No.: H. 46
Title: A cenotaph, for two pianos (1971)
Dimension: 7 in.
Format: NA
Tape speed: NA
Duration: 17:37
Performer(s): Frina and Kenwyn Boldt, pianos
Recording data: Recorded March 1983

Tape 138
Hiller No.: H. 47a
Title: Sonata, No. 6 for piano "Rage over the lost Beethoven" (1972) Part 1 I. Rage Over the Lost Composer
Dimension: 7 in.
Format: NA
Tape speed: NA Duration 24:10
Note: Stephen Manes, piano

Tape 139
Hiller No.: H. 47a
Title: Sonata, No. 6 for piano "Rage over the lost Beethoven" (1972) Part 2 II. Rage Over the Lost Artifacts 6:46 III. Rage Over the Lost Spirit 19:32
Dimension: 7 in.
Format: NA
Tape speed: NA Duration 26:24
Note: Michael Collier, Roger Shields, piano

Tape 140
Hiller No.: H. 47a
Title: Sonata, No. 6 for piano "Rage over the lost Beethoven" (1972) Part 1 I. Rage Over the Lost Composer
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 15 ips
Function: Master tape
Duration: 24:10
Note: Stephen Manes, piano; recorded March 4, 1972

Tape 141
Hiller No.: H. 47a
Title: Sonata, No. 6 for piano "Rage over the lost Beethoven" (1972) Part 2 II. Rage Over the Lost Artifacts 6:46 0:04 III. Rage Over the Lost Spirit 19:32
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 15 ips
Function: Master tape
Duration: 26:22
Note: II: Michael Collier, piano; recorded March 20, 1972 III: Roger Shields, piano; recorded May 9, 1972

Tape 142
Hiller No.: H. 47a
Title: Sonata, No. 6 for piano "Rage over the lost Beethoven" (1972)
Dimension: 10 in.
Format: NA
Tape speed: NA
Performer(s): Alan Mandel

Tape 143
Hiller No.: H. 47b
Title: Rage over the lost Beethoven (1972), composed with Frank Parman
Dimension: 7 in.
Format: 2-channel stereo.
Tape speed: 7 1/2 ips
Function: Voice tapes - dub
Technical notes: tail out
Note: (a) tape one for machine #1 (b) tape two for machine #2

Tape 144
Hiller No.: H. 47b
Title: Rage over the lost Beethoven (1972), composed with Frank Parman Part One I. Rage Over the Lost Composer
Dimension: 7 in.
Format: 2-channel stereo.
Tape speed: 7 1/2 ips
Recording data: First performance of February 20, 1972 at the Albright-Knox Art Gallery, Buffalo, N.Y.
Duration: 23:24

Tape 145
Hiller No.: H. 47b
Title: Rage over the lost Beethoven (1972), composed with Frank Parman Part Two II. Rage Over the Lost Artifacts 7:22 III. Rage Over the Lost Spirit 22:19
Dimension: 7 in.
Format: 2-channel stereo.
Tape speed: 7 1/2 ips
Recording data: First performance of February 20, 1972 at the Albright-Knox Art Gallery, Buffalo, N.Y.
Duration: 29:41

Tape 146
Hiller No.: H. 47b
Title: Rage over the lost Beethoven (1972), composed with Frank Parman
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 15 ips
Function: Voice tapes
Technical notes: tail out
Note: (a) Tape No. 1 for Machine #1 (b) Tape No. 2 for Machine #2

Tape 147
Hiller No.: H. 47b
Title: Rage over the lost Beethoven (1972), composed with Frank Parman
Dimension: 10 in.
Format: 2-channel stereo
Tape speed: 15 and 7 1/2 ips
Function: Master tape
Technical notes: tail out
Recording data: First performance of February 20, 1972 at the Albright-Knox Art Gallery, Buffalo, N.Y.
Note: Part I: Rage over the lost Composer, Rage over the lost Artifacts; 23:28

Tape 148
Hiller No.: H. 47b
Title: Rage over the lost Beethoven (1972), composed with Frank Parman
Dimension: 10 in.
Format: 2-channel stereo
Tape speed: 15 and 7 1/2 ips
Function: Master tape
Technical notes: tail out
Recording data: First performance of February 20, 1972 at the Albright-Knox Art Gallery, Buffalo, N.Y.
Note: Part II: Rage over the lost Spirit Voice tape master - for cue tapes for performances of Beethoven's, F. Hiller's, Hummel's voices, etc."; 7 1/2 ips

Tape 149
Hiller No.: H. 47b
Title: Rage over the lost Beethoven (1972), composed with Frank Parman I. Rage Over The Lost Composer 23:24 II. Rage Over The Lost Artifacts 7:22 III. Rage Over The Lost Spirit 22:19
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 7 1/2 ips
Function: Sub-master
Technical notes: tail out
Duration: ca. 53:05
Performer(s): Terry Moore, theatrical director; Stephen Manes, Michael Collier, and Roger Shields
Recording data: First performance of February 20, 1972 at the Albright-Knox Art Gallery, Buffalo, N.Y.
Note: Music is Sonata No. 6 for Piano (1972)

Tape 150
Hiller No.: H. 48
Title: Algorithms II, for nine instruments and tape (1972), composed with Ravi Kumra
Dimension: 7 in.
Format: NA
Tape speed: 7 1/2 ips
Function: Cue tapes
Technical notes: tail out
Note: Versions 1-4 (Cue tapes run the full length of the composition)

Tape 151
Hiller No.: H. 48
Title: Algorithms II, for nine instruments and tape (1972), composed with Ravi Kumra
Dimension: 7 in.
Format: 2-channel stereo.
Tape speed: 7 1/2 ips
Duration:
Performer(s): Warsaw Ensemble; Jan Williams, conductor
Recording data: September 1985 (Warsaw, Poland)
Note: Versions 1-4

Tape 152
Hiller No.: H. 48
Title: Algorithms II, for nine instruments and tape (1972), composed with Ravi Kumra
Dimension: 10 in.
Format: NA
Tape speed: NA
Encoding: Dolby A
Function: Master tape
Note: Master tape of Warsaw performance

Tape 153
Hiller No.: H. 48
Title: Algorithms II, for nine instruments and tape (1972), composed with Ravi Kumra
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 15 ips; 7 1/2 ips
Function: Cue tape masters; Performance masters
Technical notes: tail out
Note: Version 1-4

Tape 154
Hiller No.: H. 49
Title: String quartet No. 6 (1972) I. Arrabiato 6:00 II. Tranquillo 8:23 III. Vivace 9:10 0:08
Dimension: 7 in.
Format: 2-channel stereo.
Tape speed: 7 1/2 ips
Duration: 23:41
Performer(s): Concord String Quartet
Recording data: Recorded June 19, 1973

Tape 155
Hiller No.: H. 49
Title: String quartet No. 6 (1972) I. Arrabiato 6:00 II. Tranquillo 8:23 III. Vivace 9:10
With: H. 50, Six easy pieces, for violin and piano (1974) I. Cowboy Song 0:57 II. Rainy Day 2:21 III. Soda Pop 0:30 IV. Wadzel’s Catnap 0:57 V. The Tin Man 0:35 VI. Time to Go 1:01
Dimension: 10 in.
Format: 4 channel quadraphonic.
Tape speed: 15 ips
Function: Master tape
Technical notes: tail out
Duration: 23:41 (H. 49); 6:41 (H. 50)
Performer(s): H. 49: Concord String Quartet H. 50: 1.Benjamin Hudson, violin; Joseph Kubera, piano; 2. Keiko Furness, violin; Linda Mabrey, piano
Recording data: H. 49 recorded June 19, 1973; H. 50 (1.) recorded June 21, 1975

Tape 156
Hiller No.: H. 51
Title: A portfolio, for diverse performers and tapes (1974)
Dimension: 7 in.
Format: 2-channel stereo.
Tape speed: 7 1/2 ips
Function: Cue tapes 1-4
Technical notes: tail out
Note: Performance Tape No. 1 - "Timing Tape"; 21:30

Tape 157
Hiller No.: H. 51
Title: A portfolio, for diverse performers and tapes (1974)
Dimension: 7 in.
Format: 2-channel stereo.
Tape speed: 7 1/2 ips
Function: Cue tapes 1-4
Technical notes: tail out
Note: Performance Tape No. 2 - "Harmony Tape"; 20:08

Tape 158
Hiller No.: H. 51
Title: A portfolio, for diverse performers and tapes (1974)
Dimension: 7 in.
Format: 2-channel stereo.
Tape speed: 7 1/2 ips
Function: Cue tapes 1-4
Technical notes: tail out
Note: Performance Tape No. 3 - "Bell Tape"; 19:04

Tape 159
Hiller No.: H. 51
Title: A portfolio, for diverse performers and tapes (1974)
Dimension: 7 in.
Format: 2-channel stereo.
Tape speed: 7 1/2 ips
Function: Cue tapes 1-4
Technical notes: tail out
Note: Performance Tape No. 4 - "Canon Tape"; 18:00

Tape 160
Hiller No.: H. 51
Title: A portfolio, for diverse performers and tapes (1974)
Dimension: 7 in.
Format: 4 channel quadraphonic
Tape speed: 7 1/2 ips
Encoding: DBX
Function: Cue tape
Technical notes: tail out

Tape 161
Hiller No.: H. 51
Title: A portfolio, for diverse performers and tapes (1974)
Dimension: 7 in.
Format: 2-channel stereo.
Tape speed: 7 1/2 ips
Function: Cue tape "for trip"
Technical notes: tail out

Tape 162
Hiller No.: H. 51
Title: A portfolio, for diverse performers and tapes (1974)
Dimension: 7 in.
Format: 2-channel stereo.
Tape speed: 7 1/2 ips
Function: Tape collage
Technical notes: head out

Tape 163
Hiller No.: H. 51
Title: A portfolio, for diverse performers and tapes (1974)
Dimension: 7 in.
Format: 2-channel stereo.
Tape speed: 7 1/2 ips
Performer(s): Frances-Marie Uitti, cello
Recording data: Recorded October 1978
Note: Cello version

Tape 164
Hiller No.: H. 51
Title: A portfolio, for diverse performers and tapes (1974)
Dimension: 7 in.
Format: NA
Tape speed: NA
Performer(s): Instrumental version: members of the Center of the Creative and Performing Arts conducted by Jan Williams; Vocal version: Gregg Smith Singers conducted by Gregg Smith
Recording data: Instrumental version recorded June 9, 1976; Vocal version recorded May 1978
Note: Vocal and instrumental versions

Tape 165
Hiller No.: H. 51
Title: A portfolio, for diverse performers and tapes (1974)
Dimension: 10 in.
Format: 2-channel stereo
Tape speed: 15 ips
Function: 15 Cue tapes
Technical notes: tail out
Note: Performance Tape No. 1 - "Timing Tape"; 21:30

Tape 166
Hiller No.: H. 51
Title: A portfolio, for diverse performers and tapes (1974)
Dimension: 10 in.
Format: 2-channel stereo
Tape speed: 15 ips
Function: 15 Cue tapes
Technical notes: tail out
Note: Performance Tape No. 2 - "Harmony Tape"; 20:08

Tape 167
Hiller No.: H. 51
Title: A portfolio, for diverse performers and tapes (1974)
Dimension: 10 in.
Format: 2-channel stereo
Tape speed: 15 ips
Function: 15 Cue tapes
Technical notes: tail out
Note: Performance Tape No. 3 - "Bell Tape"; 19:04

Tape 168
Hiller No.: H. 51
Title: A portfolio, for diverse performers and tapes (1974)
Dimension: 10 in.
Format: 2-channel stereo
Tape speed: 15 ips
Function: 15 Cue tapes
Technical notes: tail out
Note: Performance Tape No. 4 - "Canon Tape"; 18:00

Tape 169
Hiller No.: H. 51
Title: A portfolio, for diverse performers and tapes (1974)
Dimension: 10 in.
Format: 2-channel
Tape speed: 15 ips
Function: Cue tape

Tape 170
Hiller No.: H. 51
Title: A portfolio, for diverse performers and tapes (1974)
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 15 ips (38 cm/sec.)
Function: Cue tapes No. 1-4 / Master tape
Technical notes: tail out
Note: Cue tape No. 1; Performance Tape No. 1 - "Timing Tape", 21:30

Tape 171
Hiller No.: H. 51
Title: A portfolio, for diverse performers and tapes (1974)
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 15 ips (38 cm/sec.)
Function: Cue tapes No. 1-4 / Master tape
Technical notes: tail out
Note: Cue tape No. 2; Performance Tape No. 2 - "Harmony Tape", 20:08

Tape 172
Hiller No.: H. 51
Title: A portfolio, for diverse performers and tapes (1974)
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 15 ips (38 cm/sec.)
Function: Cue tapes No. 1-4 / Master tape
Technical notes: tail out
Note: Cue tape No. 3; Performance Tape No. 3 - "Bell Tape", 19:04

Tape 173
Hiller No.: H. 51
Title: A portfolio, for diverse performers and tapes (1974)
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 15 ips (38 cm/sec.)
Function: Cue tapes No. 1-4 / Master tape
Technical notes: tail out
Note: Cue tape No. 4; Performance Tape No. 4 - "Canon Tape", 18:00

Tape 174
Hiller No.: H. 51
Title: A portfolio, for diverse performers and tapes (1974)
Dimension: 10 in.
Format: 4 channel
Tape speed: 15 ips
Function: Master tape
Technical notes: tail out
Note: "Four-Channel Master Tape"

Tape 175
Hiller No.: H. 51
Title: A portfolio, for diverse performers and tapes (1974)
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 15 ips
Function: Master tape
Technical notes: tail out
Duration: 21:28
Note: "(2-channel tape only version)'

Tape 176
Hiller No.: H. 51
Title: A portfolio, for diverse performers and tapes (1974)
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 15 ips (38 cm/sec.)
Function: Master tape
Technical notes: tail out
Note: "Combination of tapes 1 and 4 for making four-channel master."

Tape 177
Hiller No.: H. 51
Title: A portfolio, for diverse performers and tapes (1974)
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 15 ips (38 cm/sec.)
Function: Stereo Master
Technical notes: tail out
Note: "Tapes 2 and 3 combined for 4-channel master - intermediate tape."

Tape 178
Hiller No.: H. 51
Title: A portfolio, for diverse performers and tapes (1974)
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 7 1/2 ips
Function: Master tapes; Concert performances
Performer(s): Members of the Center of the Creative and Performing Arts conducted by Jan Williams.
Note: Concert performances of March 21 and June 9, 1976

Tape 179
Hiller No.: H. 51
Title: A portfolio, for diverse performers and tapes (1974)
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 15 ips
Encoding: Dolby A301 stretched
Function: Master tape
Technical notes: tail out
Performer(s): Frances-Marie Uitti, cello
Recording data: Recorded October 1978
Note: Solo cello version.

Tape 180
Hiller No.: H. 51
Title: A portfolio, for diverse performers and tapes (1974)
Dimension: 10 in.
Format: NA
Tape speed: NA
Encoding: "Dolby A, etc"
Function: Disk submaster
Note: Cello solo version

Tape 181
Hiller No.: H. 51
Title: A portfolio, for diverse performers and tapes (1974)
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 7 1/2 ips
Function: Submaster
Technical notes: tail out
Note: Vocal version "Take 3: preferred version; Take 4: voices only"

Tape 182
Hiller No.: H. 52
Title: Malta, for tuba and tape (1975)
Dimension: 7 in.
Format: stereo (1/2 track)
Tape speed: 7 1/2 ips
Note: Electronic tape part published by Theodore Presser, 1976.

Tape 183
Hiller No.: H. 52
Title: Malta, for tuba and tape (1975)
Dimension: 7 in.
Format: stereo (1/2 track)
Tape speed: 7 1/2 ips
Note: Electronic tape part published by Theodore Presser, 1976.

Tape 184
Hiller No.: H. 52
Title: Malta, for tuba and tape (1975)
Dimension: 7 in.
Format: 2-channel stereo.
Tape speed: 7 1/2 ips
Function: Cue tape
Technical notes: tail out
Note: Cue 1 - 1st mvt.; Cue 2 - 2nd mvt.; Cue 3 - 3rd mvt.; Cue 4 - 4th mvt.

Tape 185
Hiller No.: H. 52
Title: Malta, for tuba and tape (1975) I. Geographical 5:18 II. Historical 5:09 III. Carnival 5:04 IV. Personal 5:32
Dimension: 7 in.
Format: 2-channel stereo.
Tape speed: 7 1/2 ips
Duration: 21:12
Performer(s): Barton Cummings, tuba
Recording data: Recorded April 1 and 3, 1977

Tape 186
Hiller No.: H. 52
Title: Malta, for tuba and tape (1975) I. Geographical 5:15 II. Historical 5:08 III. Carnival 5:02 IV. Personal 5:35
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 15 ips
Function: Master tape
Technical notes: tail out
Duration: 21:12
Performer(s): Barton Cummings, tuba
Recording data: Recorded April 1 and 3, 1977

Tape 187
Hiller No.: H. 52
Title: Malta, for tuba and tape (1975) I. First Movement 5:15 II. Second Movement 5:08 III. Third Movement 5:02 IV. Fourth Movement 5:35 Leader 0:18
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 15 ips
Function: Cue tape master
Technical notes: tail out
Duration: 21:18

Tape 188
Hiller No.: H. 52
Title: Malta, for tuba and tape (1975) I. First Movement 5:15 II. Second Movement 5:08 III. Third Movement 5:03 IV. Fourth Movement 5:35
With: H. 62, Quadrilateral, for piano and tape (1981) I. Prelude 1:36 II. Interlude I 1:36 III. Interlude II 1:36 IV. Interlude III 1:36 V. Postlude 1:36
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 15 ips
Function: Cue tapes
Technical notes: tail out
Duration: 21:18 (H. 52); ca. 8:00 (H. 62)

Tape 189
Hiller No.: H. 53
Title: A preview of coming attractions, for symphony orchestra (1975)
Dimension: 7 in.
Format: full-track mono.
Tape speed: 7 1/2 ips
Duration: 15:34 (complete version)
Performer(s): Complete version: Sao Paulo State Symphony Orchestra conducted by John Boudler; Abridged version: Buffalo Philharmonic Orchestra conducted by Michael Tilson Thomas
Recording data: Complete version recorded August 31, 1987
Note: Complete and abridged versions

Tape 190
Hiller No.: H. 54
Title: Electronic sonata, for four-channel tape (1976)
Dimension: 7 in.
Format: 2-channel stereo.
Tape speed: 7 1/2 ips
Technical notes: tail out
Duration: 53:00 (total)
Note: "2-channel version" Part One: Introduction, Exposition, Development; 32:56

Tape 191
Hiller No.: H. 54
Title: Electronic sonata, for four-channel tape (1976)
Dimension: 7 in.
Format: 2-channel stereo.
Tape speed: 7 1/2 ips
Technical notes: tail out
Duration: 53:00 (total)
Note: "2-channel version" Part Two: Recapitulation, Coda; 20:04

Tape 192
Hiller No.: H. 54
Title: Electronic sonata, for four-channel tape (1976)
Dimension: 10 in.
Format: 4 channel quadraphonic
Tape speed: 15 ips
Function: Master tape
Technical notes: tail out
Note: Part One: Introduction, Exposition, Development; 32:56; "Also: Calibration tape on front."

Tape 193
Hiller No.: H. 54
Title: Electronic sonata, for four-channel tape (1976)
Dimension: 10 in.
Format: 4 channel quadraphonic
Tape speed: 15 ips
Function: Master tape
Technical notes: tail out
Note: Part Two: Recapitulation, Coda; 20:04

Tape 194
Hiller No.: H. 54
Title: Electronic sonata, for four-channel tape (1976)
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 15 ips
Function: Master tape
Technical notes: tail out
Note: "2-channel version" Part A: Introduction, Exposition; 12:36; "Test tone on front"

Tape 195
Hiller No.: H. 54
Title: Electronic sonata, for four-channel tape (1976)
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 15 ips
Function: Master tape
Technical notes: tail out
Note: "2-channel version" Part C: Recapitulation, Coda; 20:04

Tape 196
Hiller No.: H. 54
Title: Electronic sonata, for four-channel tape (1976)
Dimension: 10 in.
Format: 4 channel quadraphonic
Tape speed: 7 1/2 ips
Function: Sub-master; Performance tape
Technical notes: 1 1/2 mil tape; tail out
Duration: 53:00
Note: "Test tone on front of tape - Composition begins after green leader tape."

Tape 197
Hiller No.: H. 54
Title: Electronic sonata, for four-channel tape (1976)
Dimension: 10 in.
Format: NA
Tape speed: 7 1/2 ips
Function: Performance copy
Duration: 53:00

Tape 198
Hiller No.: H. 54
Title: Electronic sonata, for four-channel tape (1976)
Dimension: 10 in.
Format: 4 channel quadraphonic
Tape speed: 19 cm/sec.; tail out
Encoding: DBX
Function: Performance tape
Technical notes: 1/4 in. tape
Note: "DBX-encoded version"

Tape 199
Hiller No.: H. 54
Title: Electronic sonata, for four-channel tape (1976)
Dimension: 10 in.
Format: 4 channel quadraphonic
Tape speed: 19 cm/sec.; tail out
Encoding: DBX
Function: Performance tape
Technical notes: 1/4 in. tape
Note: "DBX-encoded version"

Tape 200
Hiller No.: H. 54
Title: Electronic sonata, for four-channel tape (1976)
Dimension: 10 in.
Format: NA
Tape speed: NA
Note: Original recordings from computer output. Contents: a. Golden mean glissandi (forward) - 5dB level; b. all instruments glissandi - 3dB level; c. Octave glissandi - 2dB level; d. "wedge" between steady state and glissandi; e. final combined steady state and "wedge"; f. heartbeat fantasy - original tape

Tape 201
Hiller No.: H. 54
Title: Metamorphosis, based on: Electronic sonata for 4-channel tape
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 7 1/2 ips
Technical notes: tail out

Tape 202
Hiller No.: H. 55
Title: "Midnight carnival", for a principal tape, indeterminate number of subsidiary tapes and other events in an urban environment (1976)
Dimension: 5 in.
Format: NA
Tape speed: NA
Function: Alignment tape (special copy)
Note: Sheet with instructions included in tape container. Notes on container: Dubbings at 7 1/2 ips of Ampex standard alignment tape 1. 4-channel a. all channels at 0dB b. channels A, B, C, D in that order 2. 2-channel a. all channels b. channels L, R in that order

Tape 203
Hiller No.: H. 55
Title: "Midnight carnival", for a principal tape, indeterminate number of subsidiary tapes and other events in an urban environment (1976)
Dimension: 7 in.
Format: NA
Tape speed: NA
Note: BHAM collage only

Tape 204
Hiller No.: H. 55
Title: "Midnight carnival", for a principal tape, indeterminate number of subsidiary tapes and other events in an urban environment (1976)
Dimension: 10 in.
Format: 4-channel quadraphonic
Tape speed: 15 ips
Function: 4-channel Master tape
Technical notes: tail out
Note: BHAM collage

Tape 205
Hiller No.: H. 55
Title: "Midnight carnival", for a principal tape, indeterminate number of subsidiary tapes and other events in an urban environment (1976)
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 15 ips
Function: Stereo Master
Note: BHAM collage

Tape 206
Hiller No.: H. 55
Title: "Midnight carnival", for a principal tape, indeterminate number of subsidiary tapes and other events in an urban environment (1976)
Dimension: 10 in.
Format: 4-channel quadraphonic
Tape speed: 7 1/2 ips
Function: Performance tapes No. 1-4
Technical notes: on 1.5 mil, 1/2" tape, Ampex 406; tail out
Note: Performance Tape No. 1: a. Electronic Sonata

Tape 207
Hiller No.: H. 55
Title: "Midnight carnival", for a principal tape, indeterminate number of subsidiary tapes and other events in an urban environment (1976)
Dimension: 10 in.
Format: 4-channel quadraphonic
Tape speed: 7 1/2 ips
Function: Performance tapes No. 1-4
Technical notes: on 1.5 mil, 1/2" tape, Ampex 406; tail out
Note: Performance Tape No. 2: a. Electronic Sonata

Tape 208
Hiller No.: H. 55
Title: "Midnight carnival", for a principal tape, indeterminate number of subsidiary tapes and other events in an urban environment (1976)
Dimension: 10 in.
Format: 4-channel quadraphonic
Tape speed: 7 1/2 ips
Function: Performance tapes No. 1-4
Technical notes: on 1.5 mil, 1/2" tape, Ampex 406; tail out
Note: Performance Tape No. 3: a. BHAM collage; b. Portfolio tape

Tape 209
Hiller No.: H. 55
Title: "Midnight carnival", for a principal tape, indeterminate number of subsidiary tapes and other events in an urban environment (1976)
Dimension: 10 in.
Format: 4-channel quadraphonic
Tape speed: 7 1/2 ips
Function: Performance tapes No. 1-4
Technical notes: on 1.5 mil, 1/2" tape, Ampex 406; tail out
Note: Performance Tape No. 4: a. Portfolio tape; b. BHAM collage

Tape 210
Hiller No.: H. 55
Title: "Midnight carnival", for a principal tape, indeterminate number of subsidiary tapes and other events in an urban environment (1976)
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 7 1/2 ips
Function: Performance tapes No. 5-6
Technical notes: Ampex 407 - 1 mil
Note: Performance Tape No. 5: a. Electronic Sonata; b. BHAM collage

Tape 211
Hiller No.: H. 55
Title: "Midnight carnival", for a principal tape, indeterminate number of subsidiary tapes and other events in an urban environment (1976)
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 7 1/2 ips
Function: Performance tapes No. 5-6
Technical notes: Ampex 407 - 1 mil
Note: Performance Tape No. 6: a. Electronic Sonata; b. Portfolio

Tape 212
Hiller No.: H. 55
Title: "Midnight carnival", for a principal tape, indeterminate number of subsidiary tapes and other events in an urban environment (1976)
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 7 1/2 ips
Function: Performance tape No. 7
Technical notes: tail out
Note: "Two-channel, 1/4" version" a. BHAM collage - copy no. 2; b. Portfolio tape - copy no. 2

Tape 213
Hiller No.: H. 55
Title: "Midnight carnival", for a principal tape, indeterminate number of subsidiary tapes and other events in an urban environment (1976)
Dimension: 10 in.
Format: 4-channel quadraphonic
Tape speed: 7 1/2 ips
Function: Performance tape No. 10
Technical notes: tail out
Note: "Four-channel 1/4" version" a. BHAM collage - copy 1; b. BHAM collage - copy 2

Tape 214
Hiller No.: H. 56
Title: Persiflage, for flute, oboe and percussion (1977)
With: H. 53, A preview of coming attractions, for symphony orchestra (1975) - abridged version
Dimension: 7 in.
Format: NA
Tape speed: NA
Duration: 9:55 (H. 53); 10:40 (H. 56)
Performer(s): H. 53: Buffalo Philharmonic Orchestra conducted by Michael Tilson Thomas H. 56: Robert Dick, flute, Nora Post, oboe; Jan Williams, percussion

Tape 215
Hiller No.: H. 56
Title: Persiflage, for flute, oboe and percussion (1977)
With: H. 58, Diabelskie skrzypce, for stringed instruments and harpsichord (1978); H. 59, An apotheosis of archaepterix, for piccolo and berimbau (1979)
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 15 ips
Encoding: Dolby A stretched
Function: Master tapes
Duration: 10:40 (H. 56); 11:52 (H. 58); 12:15 (H. 59)
Performer(s): H. 56: Robert Dick, flute; Nora Post, oboe, Jan Williams, percussion H. 58: Frances-Marie Uitti, diabelsie skrzypce; Yvar Mikhashoff, harpsichord H. 59: Laurence Trott, piccolo; Jan Williams, berimbau
Recording data: H. 56 recorded May 4, 1979; H. 58 recorded October 22, 1978

Tape 216
Hiller No.: H. 57
Title: Ponteach, a melodrama for narrator and piano (1977)
Dimension: 7 in.
Format: NA
Tape speed: NA
Duration: 26:54
Performer(s): Paul Schmidt, narrator; Yvar Mikhashoff, piano
Recording data: December 1, 1977 premiere

Tape 217
Hiller No.: H. 57
Title: Ponteach, a melodrama for narrator and piano (1977)
With: H. 61, Minuet and trio, for six performers (1980)
Dimension: 10 in.
Format: NA
Tape speed: NA
Function: Storage tapes

Tape 218
Hiller No.: H. 58
Title: Diabelskie skrzypce, for stringed instruments and harpsichord (1978)
With: H. 59, An apotheosis of archaepterix, for piccolo and berimbau (1979)
Dimension: 7 in.
Format: NA
Tape speed: NA
Duration: 11:52, 9:25 (H. 58, 1st and 2nd performance); 12:16 (H. 59)
Performer(s): H. 58: Frances-Marie Uitti, diabelskie skrzypce (2nd performance on cello); Yvar Mikhashoff, harpsichord (2nd performance piano) H. 59: Laurence Trott, piccolo; Jan Williams, berimbau
Recording data: H. 58 recorded on February 4, 1982
Note: Two performances of "Diabelskie skrzypce" with same performers.

Tape 219
Hiller No.: H. 58
Title: Diabelskie skrzypce, for stringed instruments and harpsichord (1978)
With: H. 62, Quadrilateral, for piano and tape (1981)
Dimension: 10 in.
Format: 2-channel stereo
Tape speed: 15 ips
Encoding: Dolby A
Technical notes: tail out
Duration: 20:28 (H. 62); 12:04 (H. 58)
Performer(s): H. 62: Yvar Mikhashoff, piano H. 58: Frances-Marie Uitti, diabelskie skrzypce; Yvar Mikhashoff, harpsichord
Recording data: H. 62 recorded September 21, 1982

Tape 220
Hiller No.: H. 60
Title: String quartet No. 7 (1979) I. Allegro Moderato
Dimension: 7 in.
Format: 2-channel stereo.
Tape speed: 7 1/2 ips
Duration: 26:00

Tape 221
Hiller No.: H. 60
Title: String quartet No. 7 (1979)
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 15 ips
Encoding: Dolby A
Function: Master tape
Technical notes: tail out
Performer(s): Kronos String Quartet
Recording data: June 27, 1981

Tape 222
Hiller No.: H. 60
Title: String quartet No. 7 (1979)
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 15 ips
Encoding: Dolby A
Function: Disk submaster
Technical notes: (Ampex 406); tail out
Duration: 26:00
Performer(s): Kronos String Quartet
Recording data: Recorded June 28, 1981

Tape 223
Hiller No.: H. 61
Title: Minuet and trio, for six performers (1980)
With: H. 62, Quadrilateral, for piano and tape (1981)
Dimension: 7 in.
Format: NA
Tape speed: NA
Duration: 9:02 (H. 61); 20:26 (H. 62)
Performer(s): H. 61: Martha Herr, John Boudler, Gregory Piontek, Laurence Trott, Yvar Mikhashoff, Lejaren Hiller; H. 62: Yvar Mikhashoff, piano

Tape 224
Hiller No.: H. 62
Title: Quadrilateral, for piano and tape (1981)
Dimension: 10 in.
Format: 4-channel quadraphonic
Tape speed: 15 ips
Encoding: DBX
Function: Master tape
Technical notes: tail out
Duration: 20:25
Performer(s): Yvar Mikhashoff, piano
Recording data: Recorded September 21, 1982
Note: Notes on container: Channel 1 - Tape L; Channel 2 - Piano L ? L in stereo Channel 3 - Piano R; Channel 4 - Tape R ? R in stereo

Tape 225
Hiller No.: H. 62
Title: Quadrilateral, for piano and tape (1981)
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 15 ips
Encoding: Dolby A
Function: Submaster tape with master tapes of tape cues
Technical notes: tail out
Duration: 20:14
Performer(s): Yvar Mikhashoff, piano
Recording data: Recorded September 21, 1982

Tape 226
Hiller No.: H. 62
Title: Quadrilateral, for piano and tape (1981) I. Book 1 4:04 II. Book 2 4:03 III. Book 3 3:54 IV. Book 4 4:07
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 15 ips
Encoding: Dolby A
Function: Piano tape master
Technical notes: tail out
Duration: ca 16:08
Performer(s): Yvar Mikhashoff, piano
Note: Original piano recording

Tape 227
Hiller No.: H. 62
Title: Quadrilateral, for piano and tape (1981)
With: H. 64, Three compositions for tape (1983)
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 15 ips
Function: Cue tapes
Duration: 11:54, 1:06, 10:09 (H. 64)
Note: H. 64: 1. Lembrança da Bahia; 2. Two micro studies; 3. Poetic Images H. 62: Cues 1-5

Tape 228
Hiller No.: H. 63
Title: Music for "Chang Fu, the witch of Moon Mountain", for soprano, flute, viola, harp and percussion, text by Webster Smalley (1982)
Dimension: 7 in.
Format: NA
Tape speed: NA
Function: Cue tape

Tape 229
Hiller No.: H. 63
Title: Music for "Chang Fu, the witch of Moon Mountain", for soprano, flute, viola, harp and percussion, text by Webster Smalley (1982) I. Overture 3:11 II. Song of the Meadowlark 5:27 III. Harvest Song 3:02 IV. Lute Song 2:47 V. Song of Good Work 6:11 VI. Nighttime 2:30 VII. Finale 5:40
Dimension: 7 in.
Format: NA
Tape speed: NA
Duration: 29:12
Performer(s): Martha Herr, soprano; Laurence Trott, flute/piccolo; Diane Williams, viola; Mario Falcão, harp; John Boudler, percussion; Bruce Penner, conductor

Tape 230
Hiller No.: H. 63
Title: Music for "Chang Fu, the witch of Moon Mountain", for soprano, flute, viola, harp and percussion, text by Webster Smalley (1982) I. Overture 3:11 II. Song of the Meadowlark 5:27 III. Harvest Song 3:02 IV. Lute Song 2:47 V. Song of Good Work 6:11 VI. Nighttime 2:30 VII. Finale (without concert cuts) 7:32
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 15 ips
Encoding: Dolby A
Function: Master tape
Technical notes: tail out
Duration: 31:04
Performer(s): Martha Herr, soprano; Laurence Trott, flute/piccolo; Diane Williams, viola; Mario Falcão, harp; John Boudler, percussion; Bruce Penner, conductor
Recording data: September 21, 1982

Tape 231
Hiller No.: H. 63
Title: Music for "Chang Fu, the witch of Moon Mountain", for soprano, flute, viola, harp and percussion, text by Webster Smalley (1982) I. Overture 3:11 II. Song of the Meadowlark 5:27 III. Harvest Song 3:02 IV. Lute Song 2:47 V. Song of Good Work 6:11 VI. Nighttime 2:30 VII. Finale 7:32
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 15 ips
Encoding: Dolby A
Function: Cue tape master
Technical notes: tail out
Duration: 31:04

Tape 232
Hiller No.: H. 64
Title: Three compositions for tape (1983) I. Lembranca da Bahia 11:54 II. Two Microstudies 1:05 III. Poetic Images 10:02
Dimension: 7 in.
Format: NA
Tape speed: NA
Duration: 23:16

Tape 233
Hiller No.: H. 65
Title: Tetrahedron, for harpsichord (1983) I. Overture 3:46 II. Minuet 3:28 III. Chaconne 8:15 IV. Gigue 2:26 + 0:08
With: H. 66, Staircase tango, for piano (1984) I. Manierato e con Rubato 3:48
Dimension: 7 in.
Format: NA
Tape speed: NA
Duration: 18:07 (H. 65); 3:48 (H. 66)
Performer(s): H. 65: Michael McCandless, harpsichord
Note: H. 66: only 1st movement (Manierato e con Rubato)

Tape 234
Hiller No.: H. 65
Title: Tetrahedron, for harpsichord (1983) I. 3:46 II. 3:28 III. 8:15 IV. 2:26
With: H. 66, Staircase tango, for piano (1984)
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: see note
Encoding: Dolby A
Function: see note
Technical notes: see note
Duration: 18:07 (H. 65)
Performer(s): H. 65: Michael McCandless, harpsichord H. 66: Yvar Mikhashoff, piano
Note: H. 65: Master tape; 15 ips; tail out H. 66: storage copy of concert performance; 7 1/2 ips

Tape 235
Hiller No.: H. 67
Title: Algorithms III, for nine instruments and tape (1984)
Dimension: 7 in.
Format: 2-channel stereo.
Tape speed: 7 1/2 ips
Function: Cue tape
Technical notes: tail out
Note: Contents: I. Refinements: Versions 1-4 II. Quotations and Phraseology: Versions 1-4 III. Synthesis: Versions 1-4 12" between versions, 6" between movements "Sequence on cue tape: version 1; version 2; version 3; version 4 (in that order)"

Tape 236
Hiller No.: H. 67
Title: Algorithms III, for nine instruments and tape (1984)
Dimension: 10 in.
Format: NA
Tape speed: NA
Encoding: Dolby A
Function: Master of Cue tape

Tape 237
Hiller No.: H. 67
Title: Algorithms III, for nine instruments and tape (1984)
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: NA
Encoding: Dolby A
Function: Cue tape master
Note: Contents: 1st movement: versions 1-4 2nd movement: versions 1-4 3rd movement: versions 1-4

Tape 238
Hiller No.: H. 67
Title: Algorithms III, for nine instruments and tape (1984)
Dimension: 10 in.
Format: mono.
Tape speed: 15 ips
Function: Mono masters/Mono cue tape master
Note: Movement 1

Tape 239
Hiller No.: H. 67
Title: Algorithms III, for nine instruments and tape (1984)
Dimension: 10 in.
Format: mono.
Tape speed: 15 ips
Function: Mono masters/Mono cue tape master
Note: Movements 2 & 3

Tape 240
Hiller No.: H. 42, 48, 67
Title: Algorithms Cycle
Dimension: 7 in.
Format: NA
Tape speed: NA
Note: Version 1

Tape 241
Hiller No.: H. 42, 48, 67
Title: Algorithms Cycle Algorithms I: (1) The Decay of Information (2) Icosahedron (3) The Incorporation of Constraints Algorithms II: (1) Canpanology Algorithms III: (1) Refinements (2) Quotations and Phraseology (3) Synthesis
Dimension: 7 in.
Format: NA
Tape speed: NA
Note: Version 2

Tape 242
Hiller No.: H. 42, 48, 67
Title: Algorithms Cycle Algorithms I: (1) The Decay of Information (2) Icosahedron (3) The Incorporation of Constraints Algorithms II: (1) Canpanology Algorithms III: (1) Refinements (2) Quotations and Phraseology (3) Synthesis
Dimension: 7 in.
Format: NA
Tape speed: NA
Note: Version 3

Tape 243
Hiller No.: H. 42, 48, 67
Title: Algorithms Cycle Algorithms I: (1) The Decay of Information (2) Icosahedron (3) The Incorporation of Constraints Algorithms II: (1) Campanology Algorithms III: (1) Refinements (2) Quotations and Phraseology (3) Synthesis
Dimension: 7 in.
Format: NA
Tape speed: NA
Note: Version 4; "This tape contains substitution of performance by Salvatore Martirano (a) of just "Quotations and Phraseology", (b) of all 3 movements of version 4 of Algorithms III."

Tape 244
Hiller No.: H. 42, 48, 67
Title: Algorithms Cycle
Dimension: 10 in.
Format: NA
Tape speed: 7 1/2 ips
Encoding: DBX
Function: Master tape
Note: Versions 1 & 3

Tape 245
Hiller No.: H. 42, 48, 67
Title: Algorithms Cycle
Dimension: 10 in.
Format: NA
Tape speed: 7 1/2 ips
Encoding: DBX
Function: Master tape
Note: Version 2; Program notes for Algorithms Cycle included with tape

Tape 246
Hiller No.: H. 42, 48, 67
Title: Algorithms Cycle Algorithms I: (1) The Decay of Information (2) Icosahedron (3) The Incorporation of Constraints Algorithms II: (1) Campanology Algorithms III: (1) Refinements (2) Quotations and Phraseology (3) Synthesis
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 15 ips stereo.
Function: Cue tapes
Technical notes: tail out
Note: "6" leader between movements; 3" leader within movements." Version 1

Tape 247
Hiller No.: H. 42, 48, 67
Title: Algorithms Cycle Algorithms I: (1) The Decay of Information (2) Icosahedron (3) The Incorporation of Constraints Algorithms II: (1) Campanology Algorithms III: (1) Refinements (2) Quotations and Phraseology (3) Synthesis
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 15 ips stereo.
Function: Cue tapes
Technical notes: tail out
Note: "6" leader between movements; 3" leader within movements." Version 2

Tape 248
Hiller No.: H. 42, 48, 67
Title: Algorithms Cycle Algorithms I: (1) The Decay of Information (2) Icosahedron (3) The Incorporation of Constraints Algorithms II: (1) Campanology Algorithms III: (1) Refinements (2) Quotations and Phraseology (3) Synthesis
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 15 ips stereo.
Function: Cue tapes
Technical notes: tail out
Note: "6" leader between movements; 3" leader within movements." Version 3

Tape 249
Title: Algorithms (IV)
Dimension: 10 in.
Format: NA
Tape speed: 15 ips ( 1st mvt.), 7 1/2 ips (all others)
Encoding: DBX
Note: [Presumably version 4 of Algorithms cycle]

Tape 250
Hiller No.: H. 68
Title: Fast and slow, for saxophone quartet (1984) I. Presto Furioso 8:00 II. Adagio Espressivo 9:26
With: H. 69, Expo '85, for multiple synthesizers (1985), composed with Charles Ames and John Myhill I. Circus Piece 4:04 II. Transitions 2:12 III. Toy Harmonium 1:41 IV. Mix or Match (5 example) 3:44 H. 70, The fox trots again, for chamber ensemble (1985) I. Relaxed Swing Tempo
Dimension: 7 in.
Format: NA
Tape speed: NA
Duration: 17:30 (H. 68); 11:53 (H. 69); 5:00 (H. 70)

Tape 251
Hiller No.: H. 69
Title: Expo '85, for multiple synthesizers (1985), composed with Charles Ames and John Myhill I. Circus Dance 4:04 II. Transitions 2:12 III. Toy Harmonium 1:41 IV. Mix or Match (5 Examples) 3:44
With: "Back up tape duplicating the above + 3 other examples of mix or match items."
Dimension: 10 in.
Format: NA
Tape speed: NA
Encoding: DBX
Function: Master tape
Duration: 11:53 (H. 69)

Tape 252
Hiller No.: H. 69
Title: Expo '85, for multiple synthesizers (1985), composed with Charles Ames and John Myhill
Dimension: 10 in.
Format: NA
Tape speed: NA
Function: "Hiller Rehearsal Tape"
Note: Notes on reel: "2 extra copies of "Expo 85" - 2nd copy with extra mix or match tunes."

Tape 253
Hiller No.: H. 70
Title: The fox trots again, for chamber ensemble (1985)
With: H. 71, Metaphors, for guitar quartet (1986)
Dimension: 7 in.
Format: 2-channel stereo.
Tape speed: 7 1/2 ips
Technical notes: tail out
Duration: 5:00 (H. 70); 6:00 (H. 71)
Performer(s): H. 70: Buffalo New Music Ensemble; H. 71: Buffalo Guitar Quartet

Tape 254
Hiller No.: H. 71
Title: Metaphors, for guitar quartet (1986)
Dimension: 7 in.
Format: 2-channel stereo.
Tape speed: 15 ips
Encoding: Dolby A
Function: Master tapes
Note: 2 copies: Copy 1 - flawed by some noise about 1/2 way through Copy 2 - excellent - used for copies

Tape 255
Title: Three electronic pieces
Dimension: 10 in. reel, 1/2 in. tape
Format: 4-channel quadraphonic
Tape speed: NA
Note: "4-channel master work tapes for 3 Electronic Pieces: "I'll tell you how", etc.

Tape 256
Collective Title: Chamber Music (Volume 3)
Title: Music for violin and piano
With: H. 7, Sonata, No. 1 for violin and piano (1949) I. Elegy (Andante) II. Scherzo (Allegretto Pomposo) III. Rondo (Allegro Moderato) H. 18a, Sonata, No. 2 for violin and piano (1955) I. Allegro 7:32 II. Larghetto 3:57 III. Allegro Molto Vivace 4:53 H. 45, Sonata, No. 3 for violin and piano (1970) I. Furioso 3:32 II. Largo 7:54 III. Prestissimo 3:56 H. 50, Six easy pieces, for violin and piano (1974) I. Cowboy Song 0:57 II. Rainy Day 2:21 III. Soda Pop 0:30 IV. Wadzel’s Catnap 0:57 V. The Tin Man 0:35 VI. Time to Go 1:01
Dimension: 10 in.
Format: NA
Tape speed: NA
Duration: 19:42 (H. 7); 16:30 (H. 18a); 15:30 (H. 45); 6.41 (H. 50)
Performer(s): H. 7: Lynn Wullen, violin; Kathryn Kagne, piano; H. 18a: Weronika Knittel, violin; Maria Szraiber, piano; H. 45, Mark Sokol, violin; Roger Shields, piano; H. 50, Benjamin Hudson, violin; Joseph Kubera, piano

Tape 257
Collective Title: Chamber Music (Volume 4)
Title: Music for 2 or more pianos
With: H. 14, Fantasy, for three pianos (1951); H. 39, Suite for two pianos and tape (1966); H. 46, A cenotaph, for two pianos (1971)
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 7 1/2 ips
Duration: 15:34 (H. 14); 18:38 (H. 39)
Performer(s): H. 14: John Newell, Nils Vigeland, Yvar Mikhashoff, pianos; H. 39: Roger Shields, Neely Bruce, pianos; H. 46: Frina and Kenwyn Boldt

Tape 258
Collective Title: Chamber Music (Volume 6)
With: H. 42, Algorithms I, for nine instruments and tape (1968); I. The Decay of Information II. Icosahedron III. The Incorporation of Constraints H. 48, Algorithms II, for ten instruments and tape (1972), composed with Ravi Kumra I. Change-Ringing
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 7 1/2 ips
Technical notes: tail out
Performer(s): H. 42: Versions 1 and 4 played by Buffalo Ensemble conducted by Lejaren Hiller; version 2 played by Buffalo Ensemble conducted by Jan Williams; version 3 played by Eastman Ensemble conducted by Bruce Hengen. H. 48: Versions 3 and 4 played by Buffalo Ensemble conducted by Jan Williams

Tape 259
Collective Title: Chamber Music (Volume 7)
With: H. 51, A portfolio, for diverse performers and tapes (1974); H. 52, Malta, for tuba and tape (1975); H. 56, Persiflage, for flute, oboe and percussion (1977); H. 58, Diabelskie skrzypce, for stringed instruments and harpsichord (1978)
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 7 1/2 ips
Duration: 10:48 (H. 56); 11:52 (H. 58)
Performer(s): H. 51: ensemble conducted by Jan Williams for June in Buffalo concert; H. 52: Barton Cummings, tuba; H. 56: Robert Dick, flute; Nora Post, oboe; Jan Williams, percussion; H. 58: Frances-Marie Uitti, diabelskie skrzypce; Yvar Mikhashoff, harpsichord

Tape 260
Collective Title: Orchestral Music
With: H. 28, Symphony, No. 2 (1960); I. Sonata Allegro 8:16 II. Ballad 7:00 III. Scherzo 12:24 IV. Passacaglia 10:42 H. 53, A preview of coming attractions (1975)
Dimension: 10 in.
Format: full-track mono.
Tape speed: 7 1/2 ips
Duration: 38:34 (H. 28); 9:50 (H. 53)
Performer(s): H. 28: Buffalo Philharmonic conducted by Lukas Foss; H. 53: Buffalo Philharmonic conducted by Michael Tilson Thomas

Tape 261
Collective Title: Orchestral Music - Storage Tapes
With: H. 28, Symphony, No. 2 (1960); H. 53, A preview of coming attractions (1975)
Dimension: 10 in.
Format: full-track mono.
Tape speed: 7 1/2 ips
Function: Storage tapes
Performer(s): H. 28: Buffalo Philharmonic conducted by Lukas Foss; H. 53: Buffalo Philharmonic conducted by Michael Tilson Thomas
Note: "Original were cassette recordings made at actual performance or rehearsals."

Tape 262
Collective Title: Piano Music (Volume 1)
With: H. 1, Sonata, No. 1 for piano (1946) I. Molto Moderato, Andante, Vivace, Allegro, etc 9:50 II. Prrestissimo 1:21 III. Adagio 7:37 IV. Allegro Grazioso 8:15 H. 4, Seven artifacts, for piano (1948, revised 1973), without Ormulu I. String of Pearls 5:10 II. Palindrome 3:20 III. Plinth 5:05 IV. Filigree 3:56 V. Clockwork 2:52 VI. Blue Triangle 3:32 Band #9 Two Excerpts (1949/50): 1. Processional from (H. 8) 2. Fugue from (H. 9) Extra Band: Clockwork (from H. 4)
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 7 1/2 ips
Duration: 28:15 (H. 1); ca. 23:55 (H. 4)
Performer(s): H. 1: Kenwyn Boldt, piano; H. 4: mvts. 1 and 4 Frina Boldt; mvts. 2, 3, 5, and 6 Szabolcz Esztenyi Two Excerpts: Neely Bruce Clockwork: Frina Boldt

Tape 263
Collective Title: Piano Music (Volume 3)
With: H. 17, Twelve-tone variations, for piano (1954) I. Theme II. Variations Upon Individual Tone Rows III. Variations Upon Two Tone Rows Combined IV. Variations Upon Three Tone Rows Combined V. Variations Upon Four and Six Tone Rows Combined H. 19, Two theater pieces, for piano (1956); I. Aria for Pirandello’s “Right You Are” 2:25 II. Chords and Wild Dance for Ibsen’s 1:20 “Hedda Gabler” H. 23, Scherzo, for piano (1958) I. Prolog II. Scherzo III. Epilog
Dimension: 10 in.
Format: NA
Tape speed: 7 1/2 ips
Duration: 30:49 (H. 17); 3:48 (H. 19); 15:06 (H. 23)
Performer(s): H. 17: Roger Shields, piano; H. 19: Neely Bruce and Calvert Bean, pianos; H. 23: Arthur Maddox, piano

Tape 264
Collective Title: Piano Music (Volume 4)
With: H. 11, Sonata, No. 4 for piano (1950) I. Andante; Allegro Vivace 12:04 II. Andante con Moto; Allegretto Vivace 7:20 III. Alla Marcia; Allegretto Serioso 5:56 IV. Prestissimo 3:48 Spacers 0:12 H. 29, Sonata, No. 5 for piano (1961) I. Sonata Allegro: Andante Tranquillo; Allegro Agitato 8:09 II. Interlude: Lentissimo 12:31 III. Rondo: Presto 3:33 IV. Finale: Allegro Moderato; Prestissimo 1:35 Spacers 0:12
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 7 1/2 ips
Technical notes: tail out
Duration: 29:20 (H. 11); 26:00 (H. 29)
Performer(s): H. 11: Frina Boldt, piano; H. 29: Kenwyn Boldt, piano
Note: "7 1/2 ips copies of master tapes with Dolby noise suppression removed"

Tape 265
Collective Title: Piano Music (Volume 5)
Hiller No.: H. 47
Title: Sonata, No. 6 for piano "Rage over the lost Beethoven" (1972) I. Rage Over the Lost Composer 24:10 II. Rage Over the Lost Artifacts 6:46 III. Rage Over the Lost Spirit 19:32
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 7 1/2 ips
Duration: 50:36
Performer(s): Stephen Manes (1st mvt.), Michael Collier (2nd mvt.), Roger Shields (3rd mvt.)
Recording data: Recorded March, April, and May 1972

Tape 266
Collective Title: Vocal Music
With: H. 10, Jesse James, for vocal quartet and piano (1950); H. 24, Five Appalachian ballads, for voice and guitar/harpsichord (1958) I. Lord Randal II. Barbara Allen III. The Three Ravens IV. The Cruel Mother V. The Two Sisters H. 36, Computer cantata, for soprano, tape and chamber ensemble (1963), composed with R. A. Baker I. Prolog to Strophe I; Strophe I II. Prolog to Strophe II; Strophe II III. Prolog to Strophe III; Strophe III; Epilog to Strophe III IV. Strophe IV, Epilog to Strophe IV V. Strophe V, Epilog to Strophe V
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 7 1/2 ips
Performer(s): H. 10: Jane Bane, Marjorie Rosenberg, Keith Daniel, Andrew Schultze (vocal quartet); Jane Cary, piano; H. 24: Winifred Black, soprano; David Sussman, guitar; H. 36: Helen Hamm, soprano; University of Illinois Contemporary Chamber Players; Jack MacKenzie, conductor

Tape 267
Collective Title: Vocal Music (Volume 2)
Hiller No.: H. 51
Title: A portfolio, for diverse performers and tapes (1974)
Dimension: 10 in.
Format: NA
Tape speed: NA
Performer(s): Gregg Smith Singers conducted by Gregg Smith
Recording data: Recorded May 1, 1977

Tape 268
Collective Title: Theater Music (Volume 1)
Hiller No.: H. 21
Title: Music for "A dream play" (1957) - Part One Act One 56:00 Act Two (Beginning) 21:00
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 7 1/2 ips
Duration: 77:00
Performer(s): Production by the Buffalo Theater Workshop in cooperation with the Center of the Creative and Performing Arts directed by Terry Moore; orchestra directed by Jan Williams.
Recording data: Recorded June 21, 1972
Note: "Complete performance of the play by August Strindberg." - Continued on Tape 269.

Tape 269
Collective Title: Theater Music (Volume 2)
With: H. 21, Music for "A dream play" (1957) - Part Two Act Two (Concluded) 43:57 H. 22, Music for "The birds" (1958) - Part One Act One- Beginning 33:00
Dimension: 10 in.
Format: 2-channel stereo. (H. 21); full-track mono. (H. 22)
Tape speed: 7 1/2 ips
Technical notes: tail out
Duration: 43:57 (H. 21); ca. 33:00 (H. 22)
Performer(s): H. 21: see Tape 268 H. 22: Production by University Theater, University of Illinois directed by Clara Behringer; Chamber ensemble conducted by Lejaren Hiller.
Recording data: H. 22 recorded 1958
Note: H. 21: for Part One see Tape 268. H: 22 "Complete performance of the play by Aristophanes as adapted by Walter Kerr" - Continued on Tape 270.

Tape 270
Collective Title: Theater Music (Volume 3)
Hiller No.: H. 22
Title: Music for "The birds" (1958) - Part Two Act One (Concluded) Act Two
Dimension: 10 in.
Format: full-track mono.
Tape speed: 7 1/2 ips
Technical notes: tail out
Performer(s): see Tape 269
Recording data: see Tape 269
Note: For Part One see Tape 269.

Tape 271
Collective Title: Theater Music (Volume 4)
Hiller No.: H. 21
Title: Music for "A dream play" (1957) Part One: I. Prolog 7:48 II. At the Stage Door 4:13 III. Ballet Music 7:05 IV. In the Church 5:33 V. Harmony of Waves and Wind 2:14 Part Two: VI. Fairhaven and Foulstrand 4:02 VII. Waltz 3:45 VIII. Newlyweds 0:45 IX. Sea Chanty 2:40 X. Napolitana 4:00 XI. The Grotto 7:53 XII. Return to the Stage Door 3:27 XIII. Finale 5:48
Dimension: 10 in.
Format: full-track mono.
Tape speed: 7 1/2 ips
Duration: 60:03
Performer(s): Ensemble conducted by Lejaren Hiller
Note: "This is the "suite" version of the music which is slightly different from the music as cued for the Strindberg play."

Tape 272
Collective Title: Theater Music (Volume 5)
With: H. 26, Electronic music for "Blue is the antecedent of it", a one-act play by Jack Leckel (1959); H. 27, Cuthbert Bound (1960), text by Christopher Newton
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 7 1/2 ips
Performer(s): H. 27: Tess Spangler, Anne Gayley, Gary Burke, David Lamb, directed by Elizabeth Hiller
Recording data: H. 27: recorded July 10, 1975
Note: H. 26: music only

Tape 273
Collective Title: Theater Music (Volume 8)
Hiller No.: H. 38
Title: A triptych for Hieronymus (1966)
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 7 1/2 ips
Duration: 41:16
Performer(s): Ensemble conducted by Jan Williams

Tape 274
Title: "A Dream Play" by August Strindberg, with original music by Lejaren Hiller
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 7 1/2 ips
Technical notes: tail out
Performer(s): see program
Recording data: June 21, 1972
Note: Program with technical notes included with each tape. Act I

Tape 275
Title: "A Dream Play" by August Strindberg, with original music by Lejaren Hiller
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 7 1/2 ips
Technical notes: tail out
Performer(s): see program
Recording data: June 21, 1972
Note: Program with technical notes included with each tape. Act II

Tape 276
Collective Title: American Music Theater: with music by Lejaren Hiller
With: H. 34, Spoon River, Illinois; H. 33, Music for "The man with the oboe" (1962); H. 57, Ponteach (1977)
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 7 1/2 ips
Duration: 26:24 (H. 34); 25:16 (H. 33); 26:54 (H. 57)
Performer(s): see program
Recording data: December 1, 1977
Note: Program and extensive program notes included with tape.

Tape 277
Collective Title: Theater Music (Storage Copies)
Hiller No.: H. 33
Title: Music for "The man with the oboe" (1962)
Dimension: 10 in.
Format: NA
Tape speed: NA
Function: Storage copies
Performer(s): Ensembles conducted by John Garvey and James Kasprowicz
Note: "Combined version"

Tape 278
Hiller No.: H. 47b
Title: Rage over the lost Beethoven (1972), composed with Frank Parman I. Rage Over the Lost Composer
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 15 ips
Recording data: First performance of February 20, 1972 at the Albright-Knox Art Gallery, Buffalo, N.Y; 7:30 performance
Duration: ca. 25:00
Performer(s): Stephen Manes
Note: Music is Sonata No. 6 for Piano (1972) See Tape 149 - Part I Program included with tape

Tape 279
Hiller No.: H. 47b
Title: Rage over the lost Beethoven (1972), composed with Frank Parman I. Rage Over the Lost Composer
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 15 ips
Recording data: First performance of February 20, 1972 at the Albright-Knox Art Gallery, Buffalo, N.Y; 9:30 performance
Duration: ca. 25:00
Performer(s): Stephen Manes
Note: Music is Sonata No. 6 for Piano (1972) See Tape 149 – Part I Program included with tape

Tape 280
Hiller No.: H. 47b
Title: Rage over the lost Beethoven (1972), composed with Frank Parman II. Rage Over the Lost Artifacts III. Rage Over the Lost Spirit
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 15 ips
Recording data: First performance of February 20, 1972 at the Albright-Knox Art Gallery, Buffalo, N.Y; 7:30 performance
Duration: ca. 25:00
Performer(s): II: Michael Collier III: Roger Shields
Technical notes: “Warped Reel”
Note: Music is Sonata No. 6 for Piano (1972) See Tape 149 – Part II and III Program included with tape

Tape 281
Hiller No.: H. 42
Title: Algorithms I, for nine instruments and tape (Versions I and IV) (1968)
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 15 ips
Function: Master
Technical notes: Tail out; Dolby A301 stretched

Tape 282
Hiller No.: H. 38
Title: A Triptych for Hieronymus (1966) I. Frame: Fanfare 0:52 II. The Garden of Eden 14:14 III. First Entr’acte 2:02 IV. The Carnival of Life 13:46 V. Second Entr’acte 2:01 VI. Hell 5:45 VII. Frame: Fanfare 0:50
Dimension: 10 in.
Format: 2-channel stereo.
Tape speed: 15 ips
Encoding: Dolby A301 stretched
Function: Sub-Master
Duration: 41:16
Performer(s): Theater Orchestra conducted by Jan Williams
Recording data: Recorded February 17, 1973
Note: See Tape 84 (Master)

Miscellaneous tapes

7 in. tape
"Supplementary computer composition lecture tape"

7 in. tape
"Electronic music lecture tape
Examples by Hiller, Martirano, Gaburo, and Chegwidden

7 in. tape
Computer music composition lecture examples
Examples from Hiller's Electronic sonata, Iliac suite, HPSCHD, Persiflage, and Expo '85

7 in. tape
Lecture 7
Examples from Iliac Suite and "The Birds"

7 in. tape
Lecture 10 tape
Examples from Expo '85 and The fox trots again

7 in. tape
CSX-1 sound synthesis (demonstration tape)

7 in. tape
Harmonic tone generator demonstration tape (1963)

7 in. disc, 33 1/3 rpm, mono.
String sound synthesis / Hiller and Ruiz

Tapes of music by other composers

7 in. tape
A sampler of Early American Music - concert of Dec. 16, 1971, directed by Lejaren Hiller: Excerpts
Selections by Francis Hopkinson, Raynor Taylor, David Moritz Michael, Anonymous Civil War fife and drum tunes, and Henry Russell.