Yvar Mikhashoff Archive
Yvar-Emilian Mikhashoff was born Ronald MacKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965.
In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that MacKay adopted his grandfather's name, Mikhashoff.
Receiving a Fulbright scholarship, Mikhashoff studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, Mikhashoff entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world.
Toru Takemitsu
In addition to organizing many festivals and broadcasts throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. His composition, Dances for Davia, has been published by the Southern Music Company.
Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music.
The following inventories are available for the Yvar Mikhashoff Archive:
Yvar Mikhashoff Archive
Online version of list, including inventory of correspondence, personal papers, and programs:
Yvar Mikhashoff Collection of Scores and Transcriptions
Finding list available: An Annotated Catalogue of the Yvar Emilian Mikhashoff Musical Compositions and Transcriptions in the Music Library, SUNY at Buffalo: ML410.M66AXS54 1998
Prepared by Matthew J. Sheehy; includes indexes of titles and authors of texts.
Online version of lists:
- Yvar Mikhashoff Collection of Compositions
- Yvar Mikhashoff Collection of Compositions: Transcriptions
Yvar Mikhashoff Annotated Score Collection
Finding list available: Finding List for the Annotated Portion of the Yvar Mikhashoff Musical Estate in the Music Library, State University of New York at Buffalo: ML410.M66AXF6
Prepared by Matthew J. Sheehy; includes index of titles.
Online version of list:
Tangos in the Yvar Mikhashoff Archive
- Finding Aid for the Yvar Mikhashoff Collection of Tangos, 1983-1991.
Mus. Arc. 1.10
- Tangos in the Yvar Mikhashoff Archive: Publication Information.
List in 5 parts: tangos in the archive commissioned by Yvar Mikhashoff and Quadrivium Press (126 titles), commissioned tangos not in the archive (7 titles), tangos in the Yvar Mikhashoff Collection of Annotated Scores (8 titles), tangos arranged by Yvar Mikhashoff (2 titles, not including his arrangement of John Cage's Perpetual Tango), and tangos composed by Mikhashoff (1 title and sketches for two works). The first section of the list includes information about the availability of the tangos.
Yvar Mikhashoff Sound Recording Collection: MUS 1.4
This sound recordings collection contains items documenting Mikhashoff's career as a performer and composer from the early 60s up to 1989. The audio tapes are in 1/4 inch standard format for reel tapes, with varying recording speeds and number of tracks; they fall into three categories:
- Items with participation of Yvar Mikhashoff
- Tape parts for concert performance
- Recordings without direct participation of Mikhashoff
Commercial recordings on CD or LP constitute categories four and five of the sound recordings collection.
Finding list available: Yvar Mikhashoff Sound Recording Collection: ML410.M66AXG277
Prepared by John P. Gather; includes indexes of composers and performers.
Online version of list:
Yvar Mikhashoff Cassette Collection: MUS 1.6
The Mikhashoff archive also contains sound cassette materials which fall into the same three categories mentioned above for reel tapes. However, only the items with participation of Yvar Mikhashoff have been included in the list at this point. It should be noted that many audio cassettes are copies of the reel tape recordings in MUS 1.4. The bibliographic material in MUS 1.6 has been compiled directly from the information available on the cassettes and their containers. No attempt has been made 0to match, and complete, congruent information in MUS 1.4 and MUS 1.6.
Finding list available: Yvar Mikhashoff Sound Cassette Collection: ML410.M66AXG273
Prepared by John P. Gather; includes indexes of composers and performers.
Online version of list:
Yvar Mikhashoff Photograph Collection, ca. 1930-1993: MUS. ARC. 1.5
Photographs documenting Mikhashoff's life and career. 423 of the images have been indexed. The remainder, chiefly travel snapshots, are housed in photograph envelopes.
Finding aid available online.
Yvar Mikhashoff Video Collection: MUS 1.8
The video collection houses video tapes in American and European video formats.
Finding list available: Yvar Mikhashoff Video Collection: ML410.M66AXG28
Prepared by John P. Gather; includes indexes of composers and performers.
Online version of list:
Yvar Mikhashoff Collection of Slides
Online version of list: