photo of Alison Fraser

Alison Fraser

Associate Curator, the Poetry Collection and Curator, Rare Books Collection

Pronouns: she/hers

425 Capen Hall, North Campus
Buffalo, NY 14260

  • Ph: 716-645-1374
awfraser@buffalo.edu

Office Hours

Office hours by appointment.

Education and Training

Degrees

  • PhD, English, University at Buffalo
  • MA, English, University of Maine
  • BA, English, Hollins University (Roanoke, VA). Phi Beta Kappa

Certification

  • Certificate, Rare Book School, University of Virginia

Employment

  • Curator, Rare Books Collection (2024-present), University at Buffalo Libraries
    • Coordinator (2020-2024), Interim Coordinator (2018-2020)
  • Associate Curator, the Poetry Collection (2021-present), University at Buffalo Libraries
    • Assistant Curator (2018-2021), Temporary Assistant Curator and Special Collections Librarian (2017-2018)
  • Adjunct Instructor, Department of Information and Library Science, Graduate School of Education, University at Buffalo (2026-present)

Awards and Honors

  • Senior Fellow, Andrew W. Mellon Society of Fellows in Critical Bibliography at Rare Book School
  • Malkin New Scholar, Bibliographical Society of America
  • Dissertation Fellowship in Women's Studies, Woodrow Wilson Foundation

 

Publications

Books

  • Nice: Collected Poems by David Melnick. Co-edited with Benjamin Friedlander, Jeffrey Jullich, and Ron Silliman. Brooklyn, NY: Nightboat Books, 2023.
  • The Collages of Helen Adam. Ed. Fort Collins, CO and Victoria, TX: Further Other Book Works/Cuneiform Press, 2017.

Articles

  • "Graduate Student-Curated Exhibits: A Study." Society of American Archivists, Case Studies on Teaching with Primary Sources, Case #31 (Oct. 2025): np.
  • "Creating the Twentieth-Century Literary Archives: A Short History of the Poetry Collection at the University at Buffalo." Information & Culture 55.3 (Fall 2020): 252-270.
  • "Mass Print, Clipping Bureaus, and the Pre-Digital Database: Reexamining Marianne Moore's Collage Poetics through the Archives." Journal of Modern Literature 43.1 (Fall 2019): 19-33.
  • "Teaching Creative Writing in Special Collections." RBM: A Journal of Rare Books, Manuscripts, and Cultural Heritage 20.2 (Fall 2019): 70-82.
  • "Diasporic Object Lessons: Material Identity and the Korean Diaspora in the Work of Theresa Hak Kyung Cha." Asian Diasporas. Spec. issue of WSQ: Women's Studies Quarterly 47.1-2 (Spring/Summer 2019): 31-47. 

Exhibition Catalogs

Research

My research interests include twentieth-century Anglophone poetics, historical bibliography, book history, material culture, print ephemera, feminist theory, critical archival studies, and special collections pedagogy.

Professional Memberships

  • Association of College and Research Libraries (ACRL)
    • Editorial Board Member, RBM: A Journal of Rare Books, Manuscripts, and Cultural Heritage, 2024-present
  • Rare Books & Manuscripts Section (RBMS) of ACRL
    • Conference Planning Committee, RBMS 2027, Reno, NV
    • Budget and Development Committee, 2024-2026
    • Co-chair, Conference Planning Committee, RBMS 2024, University of California, Irvine
    • Mentor, 2020-2021, 2024-2025
    • Membership & Professional Development Committee, 2019-2021
  • Teaching with Primary Sources (TPS) Collective
    • 2026 TPS Fest Conference Volunteer
    • Peer Mentorship, Jan.-Mar. 2023
    • Facilitators Committee, 2020-2021
    • Tech Tools Sandbox Sessions Planning Committee, 2020-2021
    • 2021 Unconference Planning Committee and Tech Team Co-Lead
    • 2020 Unconference Planning Committee
    • Community Calls Planning Committee, May-July 2020
  • Modern Language Association
    • Executive Committee, Libraries and Research Forum
      • Past chair (2026-2027), chair (2025-2026), secretary (2024-2025)

Presentations

Selected presentations:

  • "'Something of a Witch': Queer Women of the San Francisco Poetry Renaissance," Lesbian Lives Conference, CUNY Graduate Center, Oct. 2025
  • Roundtable participant for an event celebrating the exhibit After Words: Visual and Experimental Poetry in Little Magazines and Small Presses, 1960-2025, Grolier Club, New York, May 2025. Invited
  • "The Book, Evolving," a2ru (Alliance for the Arts in Research Universities) conference, Rochester Institute of Technology, Nov. 2024
  • "Sweet Company: Helen Adam and the Archives at the Poetry Collection," Hollins Universtiy, Roanoke, VA, 1 Oct. 2021. Invited
  • "Beyond Manuscripts: Teaching with Special Formats in Special Collections," lightning talk panel, Rare Books and Manuscripts Section Annual Conference, June 2021
  • "Teaching Book Objects in Online Creative Writing Classes," Integrating Library, Archives, and Special Collections into Creative Writing Pedagogy: An Experiential Symposium, University of Calgary, AB, 18-19 May 2021
  • "Public Readership and the Private Press: An Archival Recovery of Erica Marx’s The Hand & Flower Press," 20th- and 21st-Century British and Anglophone Forum roundtable, Annual Convention of the Modern Language Assocation, Jan. 2021
  • "Homemade Books in Twentieth-Century Poetics: A Feminist Bibliography," Bibliographical Society of America, NYC, 24 Jan. 2020. Invited
  • "Poetic Manifestations: Witchcraft and Magic in the Work of Helen Adam," Occult Humanities Conference, New York University, 4-6 Oct. 2019. Plenary presentation. Invited
  • "Homemade Books: Ephemeral Book Objects in Twentieth-Century Book History," Modern Language Association, Chicago, 3-6 Jan. 2019
  • "From Wastebasket to Library: Creating the Twentieth-Century Literary Archives," The Past, Present, and Future of Libraries Conference, American Philosophical Society, Philadelphia, 27-28 Sept. 2018