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XVII. Photographs and Portraits

Folder Subject Date Type Photographer Notes Dimensions
1.1 Composite of nine early photographs of James Joyce belonging to Sylvia Beach black and white photograph unknown 25.4 x 20.3
1.1a Composite of nine early photographs of James Joyce belonging to Sylvia Beach black and white photograph unknown 25.4 x 20.3
1.2 James Joyce, bearded, seated in profile, Zurich, 1.2 1919 black and white photograph Camille Ruf Stamp on bottom right corner “C. Ruf Zûrich”; inserted negative “This neg. rec’d from Sylvia Beach?” per note on sleeve 10.9 x 14.5
1.2a James Joyce, bearded, seated in profile, Zurich, 1.2a 1919 black and white photograph Camille Ruf Stamp on bottom right corner “C. Ruf Zûrich”, signed by JJ “James Joyce” 17.0 x 23.8, uncut
1.3 James Joyce with moustache, close up 1915 black and white photograph unknown 5.5 x 8.2
1.4 James Joyce wearing hat, with head tilted, Zurich c.1912-1915 black and white photograph unknown Signed by JJ “James Joyce | Paris | 30 · x · 924” 6.3 x 9.2, mounted
1.4a See box 2
1.5 James Joyce standing beside greenhouse, Dublin, 1.5 1904 black and white photograph Constantine P. Curran Signed by JJ “James Joyce | Paris | 30 · x · 924” 11.0 x 15.4, mounted
1.5a James Joyce standing beside greenhouse, Dublin, 1.5a 1904 black and white photograph Constantine P. Curran Shakespeare and Company stamp on verso 15.0 x 19.0, mounted
1.6 James Joyce, age 3 1885 black and white photograph unknown Signed by JJ “James Joyce | Paris | 30 x 924”, JJ’s handwriting on verso: “2 | Rathgar, Du” 6.4 x 9.5, mounted
1.7 James Joyce in sailor suit, age 6, 1.7 1888 black and white photograph unknown Signed by JJ “James Joyce | Paris | 30 · x · 924” 10.6 x 14.6, mounted
1.7a James Joyce in sailor suit, age 6, 1.7a 1888 black and white photograph unknown 14.0 x 19.3, mounted
1.8 James Joyce and school friends George Clancy, and J. F. Byrne, 1.8 1900-1901 black and white photograph unknown Signed by JJ “James Joyce | Paris | 30 · x · 924”, with 10.3 x 4.0 scrap with JJ’s handwriting “G. Clancy | J. F. Byrne | Jay Joyce” 9.8 x 14.2
1.8a James Joyce and school friends George Clancy, and J. F. Byrne, 1.8a 1900-1901 black and white photograph unknown 14.0 x 19.3, mounted
1.9 James Joyce’s graduation from Royal University (later University College Dublin), 1.9 1902 black and white photograph Paul Darby Signed by JJ “James Joyce | Paris | 30 · x · 924”, printed on verso “PHOTOGRAPHIE | Paul DARBY | 147.Bd Saint-Germain 147 | PARIS”, JJ’s handwriting “Degree Day R.U.J. | Dublin |20” 10.2 x 14.7
1.9a James Joyce’s graduation from Royal University (later University College Dublin), 1.9a 1902 black and white photograph Paul Darby 14.6 x 18.9, mounted
1.9b James Joyce’s graduation from Royal University (later University College Dublin) 1902 black and white photograph Paul Darby 13.6 x 19.5, mounted
1.9c James Joyce’s graduation from Royal University (later University College Dublin) 1902 black and white photograph Paul Darby 14.1 x 19.2, mounted
1.9d James Joyce’s graduation from Royal University (later University College Dublin) 1902 black and white photography Paul Darby Paul Darby stamp on verso 10.3 x 14.7
1.10 James Joyce in hat and great coat, Zurich 1914 black and white photograph unknown Signed by JJ “James Joyce | Paris | 30 · x · 924”, on verso in JJ’s handwriting “21 | [illegible]” 6.9 x 10.8, mounted
1.10a James Joyce in hat and great coat, Zurich 1914 black and white photograph unknown 8.4 x 12.6, mounted
1.11 James Joyce, bearded, three quarter view, Zurich 1919 black and white photograph Camille Ruf Stamp on bottom right corner “C. Ruf Zûrich”; inserted negatives “Neg. for this rec’d from Sylvia Beach?” per note on sleeve 17.2 x 24.0, uncut
1.12 James Joyce graduation from University College Dublin with group of students 1902 black and white photograph unknown On verso, names of students, folder includes seating diagram on Shakespeare and Company lending library card (14.1 x 10.6), note from Sylvia Beach (14.9 x 11.9), photocopy of seating diagram 15.6 x 10.7
1.13 James Joyce with his mother, father, and maternal grandfather at age 6 1888 black and white photograph unknown Signed by JJ “James Joyce | Paris | 25 · xi · 27”, negative (10.0 x 12.5) 14.0 x 26.0
2.1 Lucia and Giorgio Joyce with kitten standing at window of their flat in Trieste c.1910 black and white photograph unknown Inserted negative “?This neg. rec’d from Sylvia Beach” per note on sleeve 10.9 x 7.5
2.2 Formal portrait of Nora Joyce seated, wearing black hat, Zurich black and white photograph unknown Inserted negative “This neg. rec’d. from Sylvia Beach?” per note on sleeve 10.4 x 14.7
2.3 Formal portrait of Nora Joyce standing, wearing white dress and gloves, Zurich black and white photograph unknown Inserted negative “?This neg. rec’d. from Sylvia Beach?” per note on sleeve 10.1 x 14.7
2.4 Nora Joyce with Giorgio and Lucia, Zurich black and white photograph unknown 6.6 x 10.0
2.5 Lucia Joyce as a young girl, wearing hat with streamers, Zurich black and white photograph unknown Inserted negative “This neg. rec’d. from Sylvia Beach?” per note on sleeve 6.7 x 9.9
2.6 Lucia Joyce as a young girl, with large bow in her hair, Zurich c.1914 black and white photograph unknown 6.7 x 9.9
2.7 James Joyce, Nora Joyce and Stuart Gilbert, 2.7 black and white photograph unknown On verso in SB’s handwriting, “James Joyce with Stuart Gilbert and Nora Joyce in Zurich” 9.1 x 12.9
2.7a James Joyce, Nora Joyce and Stuart Gilbert black and white photograph unknown Shakespeare and Company stamp on verso; torn 9.1 x 12.7
2.7b James Joyce, Nora Joyce and Stuart Gilbert black and white photograph unknown 9.2 x 12.8
2.7c James Joyce, Nora Joyce and Stuart Gilbert, 2.7c black and white photograph clipped from magazine unknown One full and one partial Shakespeare and Company stamp on verso 9.3 x 12.8
2.8 James Joyce with Nora, seated on wall black and white photograph unknown Inserted negative “This neg. rec’d. from Sylvia Beach” per note on sleeve 8.5 x 10.9
2.9 James Joyce with Nora and Moune Gilbert black and white photograph unknown Inserted negative “This neg rec’d from Sylvia Beach | no doubt” per note on sleeve 8.9 x 11.2
2.10 James Joyce with Stuart and Moune Gilbert, Zurich black and white photograph unknown Inserted negative “This neg. prob. rec’d from S. Beach” per note on sleeve” 20.5 x 25.5, mounted
2.10a James Joyce with Stuart and Moune Gilbert, Zurich black and white photograph unknown On verso in SB’s handwriting, “James Joyce with Stuart Gilbert and Moune Gilbert in Zurich | Sylvia Beach Collection”; Shakespeare and Company stamp 12.7 x 9.2
2.10b James Joyce with Stuart and Moune Gilbert, Zurich black and white photograph unknown 12.8 x 9.9
2.11 James Joyce seated, Paris 1922 black and white photograph Man Ray On verso “[illegible] dans le cadre” 15.9 x 20.9
2.12 James Joyce with moustache, eyeglasses c.1915 black and white photograph unknown 9.9 x 13.3, mounted
2.13 James Joyce seated, playing guitar, Zurich, 2.13 1915 black and white photograph Ottocaro Weiss On verso “Zurich 1915 | Taken by | Ottocaro Weiss” 24.9 x 17.5
2.13a James Joyce seated, playing guitar, Zurich, 2.13a 1915 black and white photograph Ottocaro Weiss On verso “Joyce with | Guitar– | Trieste 17.6 x 12.9
3.1 James Joyce and Sylvia Beach outside Shakespeare and Company 1920 black and white photograph unknown 16.5 x 22.3
3.2 James Joyce with Sylvia Beach, Cyprian Beach and John Rodker at Shakespeare and Company 1921 black and white photograph unknown Shakespeare and Company stamp on verso; typed note in French “James Joyce: Sylvia Beach : Cyprian Beach: | et John Rodker | à Shakespeare and Company en 1921”; inserted negative “This neg. rec’d from S. Beach” per note on sleeve 23.9 x 17.9
3.2a James Joyce with Sylvia Beach, Cyprian Beach and John Rodker at Shakespeare and Company 1921 black and white photograph unknown Shakespeare and Company stamp on verso 23.9 x 17.9
3.2b James Joyce with Sylvia Beach, Cyprian Beach and John Rodker at Shakespeare and Company 1921 black and white photograph unknown 23.9 x 18.0
3.2c James Joyce with Sylvia Beach, Cyprian Beach and John Rodker at Shakespeare and Company 1921 black and white photograph unknown 22.3 x 16.4
3.3 James Joyce and Sylvia Beach seated at table in Shakespeare and Company 1921 black and white photograph unknown Two Shakespeare and Company stamps on verso; inserted negative “This neg. prob. rec’d. from S. Beach” per note on sleeve 22.2 x 16.5
3.4 James Joyce and Sylvia Beach in doorway of Shakespeare and Company 1921 black and white photograph unknown Inserted note in SB’s handwriting “Sylvia Beach James Joyce | à Shakespeare and Company | 8 rue Dupuytren | en 1921 | (publication de ‘Ulysses” en train)” 16.5 x 22.5
3.4a James Joyce and Sylvia Beach in doorway of Shakespeare and Company 1921 black and white photograph unknown Three Shakespeare and Company stamps on verso 17.9 x 24.0, mounted
3.5 John Quinn, inscribed to James Joyce June 24, 1921 black and white photograph unknown Photograph stamped “Hollinger, NY”; inserted note “To James Joyce with the kind | regards of John Quinn |June 24, 1921” 10.4 x 15.5
3.6 James Joyce with Sylvia Beach at Shakespeare and Company, 3.6 1922 black and white photograph unknown On verso in SB’s handwriting “Photo by New York Times of James Joyce & Sylvia Beach | at Shakespeare and Company bookshop 12 rue de l’Odéon Paris 1922 | Behind Joyce:  2 posters from London 1) announcing |write-up of Ulysses in ‘Sporting Times’ (Feb. 1922) and 2) | Arnold Bennett’s article in the “Outlook” Feb 1922 | Behind Joyce on the right: 4 photos by New York Times | of 1) James Joyce and Sylvia Beach at Shakespeare and | Company 8 rue Dupuytren Paris (former premises) 1920 | 2) same in doorway 3) interior with James Joyce: | Sylvia and Cyprian Beach and John Rodker | In right upper corner: 2 photos of Wilde framed | with autograph letters of Wilde- gifts to |Shakespeare and Company of Byron Kuhn “Count | Prorok”; Shakespeare and Company stamp; photograph torn and taped. 24.0 x 16.0
3.6a James Joyce with Sylvia Beach at Shakespeare and Company, 3.6a 1922 black and white photograph unknown 18.2 x 13.0
3.7 Margaret Anderson and Jane Heap–photograph taped to prospectus for the first edition of Ulysses c.1922 black and white photograph Man Ray On verso “Jane Heap Margaret Anderson | (Little Review”; Man Ray stamp; inserted typed note “Margaret Anderson Jane Heap | Editrices de The Little Review” 13.9 x 9.0
3.8 Sylvia Beach black and white photograph unknown Inserted negative “This neg. rec’d from Sylvia Beach” per note on sleeve; on same exposure is negative of B. W. Huebsch (see 9.1) 20.5 x 25.2
3.9 James Joyce in cap, Bognar, Wales, 3.9 1923 black and white photograph unknown Inscribed in JJ’s handwriting “To | Sylvia Beach | with kind regards | James Joyce |Bognar | July 1923” 13.8 x 21.6, mounted
3.9a James Joyce in cap, Bognar, Wales, 3.9a 1923 black and white photograph unknown On verso in SB’s handwriting “James Joyce in BOGNAR, WALES 1923 | Sylvia Beach Collection”; Shakespeare and Company stamp 13.9 x 21.1
3.9b James Joyce in cap, Bognar, Wales, 3.9b 1923 black and white photograph unknown 12.7 x 17.5
4.1 James Joyce with Ezra Pound, John Quinn, and Ford Madox Ford, 4.1 c.1923 black and white photograph unknown On recto “Miss Sylvia Beach from FM Ford. 8/[illegible]/23”. On verso in SB’s handwriting “Ezra Pound · James Joyce · Ford M. Ford · John Quinn | in studio of Ezra Pound rue Notre·Dame·des·Champs Paris 1923 | signed by F.M. Ford”; Shakespeare and Company stamp; inserted negative “This neg. prob. rec’d from S Beach” per note on sleeve 23.4 x 18.1
4.1a James Joyce with Ezra Pound, John Quinn, and Ford Madox Ford, 4.1a c.1923 black and white photograph unknown On verso “6” wide | BOOK Review | Return to: Harcourt, Brace and Company | 750 Third Avenue, NYC.”  Shakespeare and Company stamp. 25.9 x 20.4
4.2 Lucia Joyce standing on beach at Ostend 1924 black and white photograph unknown On verso “Photo of Lucia Joyce”; Shakespeare and Company stamp 6.8 x 8.6
4.3 Lucia Joyce lying on grass, Ostend 1924 black and white photograph unknown 8.7 x 5.6
4.4 Lucia Joyce standing outside by wall, Ostend 1924 black and white photograph unknown 8.7 x 5.9
4.5 Lucia Joyce wearing hat, Ostend 1924 black and white photograph unknown On verso in Lucia Joyce’s handwriting “I am not wearing the | latest fashion hat as you | may think but simply | a “sac à papier”! | Lucia” 8.8 x 5.8
4.5a Lucia Joyce wearing hat, Ostend 1924 black and white photograph unknown 8.1 x 5.7
4.6 Lucia Joyce seated at table, Ostend 1924 black and white photograph unknown On verso in SB’s handwriting “Photo of Lucia Joyce”; Shakespeare and Company stamp 8.5 x 6.3
4.7 Airplane landing, Ostend 1924 black and white photograph unknown 8.5 x 5.8
4.8 Group at door of airplane, Ostend 1924 black and white photograph unknown 8.2 x 5.8
4.9 James Joyce, Nora Joyce, and P.J. Hoey seated on grass 1924 black and white photograph unknown On verso in handwriting “The man on the right | is Mr. Hoey”; inserted calling card of P.J. Hoey 8.6 x 5.8
4.10 Nora Joyce seated on steps of cart, Ostend 1924 black and white photograph unknown 5.7 x 8.5
4.11 Nora Joyce seated on bench at Ostend 1924 black and white photograph unknown 8.5 x 5.8
4.12 Nora Joyce walking, Ostend 1924 black and white photograph unknown 5.8 x 8.6
4.13 Nora Joyce standing near airplane, Ostend 1924 black and white photograph unknown 5.8 x 8.7
4.14 Nora Joyce seated indoors, Ostend, 4.14 1924 black and white photograph unknown Shakespeare and Company stamp on verso; inserted negatives “This neg. rec’d. from Sylvia Beach” per note on sleeve 8.7 x 5.9
4.14a Nora Joyce seated indoors, Ostend, 4.14a 1924 black and white photograph unknown 12.0 x 10.1
4.15 Nora Joyce seated on bench before cabana, Ostend, 4.15 1924 black and white photograph unknown Shakespeare and Company stamp on verso 8.7 x 5.8
4.15a Nora Joyce seated on bench before cabana, Ostend, 4.15a 1924 black and white photograph unknown 12.0 x 9.1
4.16 James Joyce, Nora, and Giorgio seated at table, possibly at Ostend 1924 black and white photograph unknown Inserted negative “This neg. rec’d. from Sylvia Beach?” per note on sleeve 8.7 x 5.7
4.16a James Joyce, Nora, and Giorgio seated at table, possibly at Ostend 1924 black and white photograph unknown 8.7 x 5.9
4.16b James Joyce, Nora, and Giorgio seated at table, possibly at Ostend 1924 black and white photograph unknown 8.8 x 5.8
4.17 Nora and Giorgio Joyce seated outdoors at table, Ostend, 4.17 1924 black and white photograph unknown Shakespeare and Company stamp on verso 8.6 x 5.6
4.17a Nora and Giorgio Joyce seated outdoors at table, Ostend, 4.17a 1924 black and white photograph unknown 12.0 x 9.0
4.18 Formal portrait of Joyce family 1924 black and white photograph unknown Signatures of each member of Joyce family on recto; Wide World Photos stamp on verso 17.8 x 23.8
4.19 Giorgio Joyce, 4.19 c.1920’s black and white photograph unknown 5.3 x 7.3
4.20 Giorgio Joyce standing in street wearing cap, hands in pockets c.mid-1920’s black and white photograph unknown Shakespeare and Company stamp on verso 5.7 x 8.5
5.1 Composite of four photographs of James Joyce black and white photograph unknown Composite is compiled of two separate photograph prints; two inserted sets of negatives “This neg. rec’d from Sylvia Beach” per note on sleeves 14.1 x 9.5; 14.1 x 15.5
5.2 James Joyce passport photograph, 5.2 black and white photograph unknown Signed by James Joyce 7.0 x 8.6
5.3 James Joyce passport photograph, 5.3 black and white photograph unknown 3.7 x 5.1
5.4 James Joyce and Lucia, Brittany 1924 black and white photograph unknown 8.5 x 5.9
5.5 James Joyce 1924 black and white photograph unknown Inserted negative “This neg. ‘rec’d from Sylvia Beach'” per note on sleeve 13.8 x 8.7
5.6 Nora Joyce and Lucia summer 1925 black and white photograph unknown Handwriting on verso “summer 1925”; Shakespeare and Company stamp 8.4 x 6.1
5.7 James Joyce seated on bench at Fechamp July 1925 black and white photograph unknown Handwriting on verso “cadre plat en 11% argent”; Shakespeare and Company stamp; inserted photograph of this picture framed and displayed with 5.9, 5.10, 5.11 23.1 x 16.8
5.8 James Joyce seated on bench at Fechamp–full front view July 1925 black and white photograph unknown Handwriting on verso “Ficamp Summer 1925” 8.5 x 6.0
5.9 Composite mounting of three photographs of James Joyce by Man Ray–hand on forehead black and white photograph Man Ray Man Ray stamp on verso (See 5.7) 9.2 x 11.7
5.9a Composite mounting of three photographs of James Joyce by Man Ray–hand on forehead black and white photograph Man Ray Man Ray stamp on verso 9.6 x 11.6
5.9b Composite mounting of three photographs of James Joyce by Man Ray–hand on forehead black and white photograph Man Ray Man Ray stamp on verso 9.0 x 11.9
5.9c Composite mounting of three photographs of James Joyce by Man Ray–hand on forehead black and white photograph Man Ray 9.0 x 11.3
5.9d Composite mounting of three photographs of James Joyce by Man Ray–hand on forehead black and white photograph Man Ray 9.0 x 11.8
5.9e Composite mounting of three photographs of James Joyce by Man Ray–hand on forehead black and white photograph Man Ray 9.0 x 11.8
5.10 Composite mounting of three photographs of James Joyce by Man Ray–sitting upright black and white photograph Man Ray Man Ray stamp on verso (see 5.7) 8.2 x 12.3
5.10a Composite mounting of three photographs of James Joyce by Man Ray–sitting upright black and white photograph Man Ray Man Ray stamp on verso; handwriting “p.p. [illegible] clair | 3 [illegible] 3 au milieu | baguette noire | [illegible] 13 | -EP” 9.0 x 11.9
5.10b Composite mounting of three photographs of James Joyce by Man Ray–sitting upright black and white photograph Man Ray Man Ray stamp on verso 8.9 x 12.0
5.10c Composite mounting of three photographs of James Joyce by Man Ray–sitting upright black and white photograph Man Ray Man Ray stamp on verso 17.3 x 23.3
5.11 Composite mounting of three photographs of James Joyce by Man Ray–hands clasped black and white photograph Man Ray Man Ray stamp on verso (See 5.7) 9.0 x 11.9
5.11a Composite mounting of three photographs of James Joyce by Man Ray–hands clasped black and white photograph Man Ray Man Ray stamp on verso 9.1 x 11.9
6.1 James Joyce standing, reading through magnifying glass Bloomsday, 1925 black and white photograph Sylvia Beach Signed and dated by JJ on recto; on verso in SB’s handwriting “Joyce at 2 Square Robiac | photo by Sylvia Beach on BlooMS Day 16 June 1925”; inserted negative 12.5 x 17.5
6.1a James Joyce standing, reading through magnifying glass Bloomsday, 1925 black and white photograph Sylvia Beach Shakespeare and Company stamp on verso 9.8 x 12.9
6.1b James Joyce standing, reading through magnifying glass Bloomsday, 1925 black and white photograph Sylvia Beach 7.0 x 12.2
6.2 James Joyce seated by window, left hand on forehead Bloomsday, 1925 black and white photograph Sylvia Beach Shakespeare and Company stamp on verso; inserted note in SB’s handwriting “James Joyce photographed at his apartment, 2 Square Robiac, by Sylvia Beach | on “Bloomsday” (June 16) 1925″; inserted negative “This neg. rec’d. from Sylvia Beach”; contains on same exposure negatives for 6.3 and 6.8 9.8 x 12.9
6.2a James Joyce seated by window, left hand on forehead Bloomsday, 1925 black and white photograph Sylvia Beach 12.6 x 17.7
6.2b James Joyce seated by window, left hand on forehead Bloomsday, 1925 black and white photograph Sylvia Beach 9.2 x 12.8
6.2c James Joyce seated by window, left hand on forehead Bloomsday, 1925 black and white photograph Sylvia Beach 9.7 x 12.9
6.2d James Joyce seated by window, left hand on forehead Bloomsday, 1925 black and white photograph Sylvia Beach 7.7 x 13.8
6.2e James Joyce seated by window, left hand on forehead Bloomsday, 1925 black and white photograph Sylvia Beach 7.8 x 13.9
6.2f James Joyce seated by window, left hand on forehead Bloomsday, 1925 black and white photograph Sylvia Beach 6.9 x 12.2
6.3 James Joyce standing before bookcase Bloomsday, 1925 black and white photograph Sylvia Beach On verso in SB’s handwriting “James Joyce on “Bloomsday” 1925 | at his apartment 2 Square Robiac | Paris – VII | by Sylvia Beach | Behind Joyce is portrait of his wife | Nora Joyce | Sylvia Beach Collection”; Shakespeare and company stamp; inserted handwritten note “James Joyce at home on “Bloomsday” | 1925 Portrait of Nora Joyce behind him | photograph by Sylvia Beach” (See 6.2) 8.5 x 13.9
6.3a James Joyce standing before bookcase Bloomsday, 1925 black and white photograph Sylvia Beach 8.1 x 13.9
6.3b James Joyce standing before bookcase Bloomsday, 1925 black and white photograph Sylvia Beach 7.4 x 11.9
6.4 James Joyce standing before fireplace, small flag in background Bloomsday, 1925 black and white photograph Sylvia Beach 7.1 x 11.9
6.5 Composite mounting of five photographs of James Joyce–hands clasped, head turned to right Bloomsday, 1925 black and white photograph Sylvia Beach Signed and dated by JJ on recto 12.9 x 18.0
6.5a Composite mounting of five photographs of James Joyce–hands clasped, head turned to right Bloomsday, 1925 black and white photograph Sylvia Beach 7.0 x 11.8
6.6 Composite mounting of five photographs of James Joyce–right hand on forehead, fingers splayed Bloomsday, 1925 black and white photograph Sylvia Beach Signed and dated by JJ on recto 12.8 x 17.9
6.7 Composite mounting of five photographs of James Joyce–right hand on forehead, fingers curled Bloomsday, 1925 black and white photograph Sylvia Beach Signed and dated by JJ on recto 12.9 x 18.0
6.8 Composite mounting of five photographs of James Joyce–elbows out, sitting up Bloomsday, 1925 black and white photograph Sylvia Beach Signed and dated by JJ on recto (See 6.2) 12.9 x 17.9
6.8a Composite mounting of five photographs of James Joyce–elbows out, sitting up Bloomsday, 1925 black and white photograph Sylvia Beach 7.4 x 12.1
6.8b Composite mounting of five photographs of James Joyce–elbows out, sitting up Bloomsday, 1925 black and white photograph Sylvia Beach 7.2 x 14.0
6.8c Composite mounting of five photographs of James Joyce–elbows out, sitting up Bloomsday, 1925 black and white photograph Sylvia Beach 7.6 x 13.8
6.9 Composite mounting of five photographs of James Joyce–elbows out, reclined Bloomsday, 1925 black and white photograph Sylvia Beach Signed and dated by JJ on recto; illegible handwriting in French on verso 12.9 x 17.9
6.9a Composite mounting of five photographs of James Joyce–elbows out, reclined Bloomsday, 1925 black and whte photograph Sylvia Beach 7.6 x 12.0
6.10 James Joyce, Paris 1926 black and white photograph Henri Martinie 20.8 x 28.7
6.10a James Joyce, Paris 1926 black and white photograph Henri Martinie 21.0 x 28.4
6.10b James Joyce, Paris 1926 black and white photograph Henri Martinie 17.7 x 28.6
6.11 James Joyce, Paris 1926 black and white photograph Henri Martinie On verso in SB’s handwriting “1926 (SB)” 14.0 x 22.1
6.11a James Joyce, Paris 1926 black and white photograph Henri Martinie On verso in SB’s handwriting “1926 (SB)” 15.8 x 22.4
6.12 James Joyce, profile of head 1926 black and white photograph Henri Martinie Inserted note in JJ’s handwriting “James Joyce | 8 · IV · 926 | Paris” 16.0 x 21.9
6.12a James Joyce, profile of head 1926 black and white photograph Henri Martinie Recto embossed with Henri Martinie stamp;  Henri Martinie stamp on verso 16.1 x 22.4
6.13 Lucia Joyce, Paris 1926 black and white photograph Berenice Abbott On verso in handwriting “Lucia Joyce | Photo | Bérénice Abbott”; Shakespeare and Company stamp 15.1 x 23.1
6.14 Lucia Joyce dancing in costume 1928 (See “Lucia Joyce” page 164) black and white photograph Berenice Abbott On verso in handwriting “Abbott | Littre 74-69” 5.6 x 8.3
6.15 Lucia Joyce, Julia Tcherniz, and Kitten Neel in costume (See “Lucia Joyce” page 174) 1928 black and white postcard unknown On recto “to Sylvia Beach | Lucia Joyce”; verso stamped “Studio V. Henry | 13 Rue Forest Paris.”; inserted negatives “?This neg. rec’d from S. Beach?” per note on sleeve 8.5 x 13.4
6.16 James Joyce seated, eyes closed, holding eyeglasses and eyepatch, Paris 1926 black and white photograph Berenice Abbott Berenice Abbott stamp on verso 17.6 x 23.0
6.16a James Joyce seated, eyes closed, holding eyeglasses and eyepatch, Paris 1926 black and white photograph Berenice Abbott Berenice Abbott stamp on verso 17.4 x 23.7
6.17 James Joyce, seated, three-quarter view, Paris 1926 black and white photograph Berenice Abbott On lower right corner of recto “Abbott | Paris | 1926”;  on verso “photo de Joyce | par Berenice Abbott”; two Shakespeare and Company stamps 16.3 x 23.1
6.17a James Joyce, seated, three-quarter view, Paris 1926 black and white photograph Berenice Abbott Berenice Abbott stamp on verso 17.4 x 23.6
7.1 Georg Goyert, German translator of Ulysses 1927 black and white photograph unknown Inscribed on recto “Für Fräulein Sylvia Beach | Georg Goyert |Mai 1927” 12.1 x 18.0
7.2 Proprietor and staff of Restaurant Au Sourd in Toulon France (Photo sent to Sylvia Beach at Joyce’s request) 1928 black and white photograph unknown On verso in SB’s handwriting “Mention of this restaurant in J.J. letter from Toulon 22.V.28 | this photo sent to SB by proprietor of restaurant AU SORD at Joyce’s request” 18.1 x 12.9
7.3 James Joyce and John Drinkwater in Salzburg, Austria 1928 black and white photograph unknown 11.5 x 18.2
7.4 James Joyce, Nora, Mrs. John Drinkwater and Kathleen Markwell, Salzburg, Austria 1928 black and white photograph unknown 11.4 x 18.1
7.5 “The Joyces at Rocofoin,” a portfolio of eight photographs of the Joyces with Adrienne Monnier and her family c.1928 Green paperboard folded in half unknown Captions in SB’s handwriting; postcard of Maintenon serves as cover image to portfolio; inserted photocopies of portfolio as it appeared with photographs intact 24.9 x 21.1, folded
7.6 “The Joyces at Rocofoin”–James Joyce and M. Monnier, 7.6 c.1928 black and white photograph unknown On verso in SB’s handwriting “Joyce and M. Monnier | at Rocfoin near Maintenon | (Eure et Loir)” 8.9 x 6.4
7.7 “The Joyces at Rocofoin”–James Joyce and M. Monnier, 7.7 c.1928 black and white photograph unknown On verso in SB’s handwriting “Joyce with Adrienne’s father | M. Clovis Monnier at his house | near Maintenon” 8.9 x 6.4
7.7a “The Joyces at Rocofoin”–James Joyce and M. Monnier c.1928 black and white photograph unknown 8.9 x 6.4
7.8 “The Joyces at Rocofoin”–James Joyce and M. Monnier, 7.8 c.1928 black and white photograph unknown On verso in SB’s handwriting “Joyce and M. Clovis Monnier | Adrienne’s father, at his house | Rocfoin near Maintenon (Eure et | Loir)” 8.9 x 6.3
7.9 “The Joyces at Rocofoin”–James Joyce and M. Monnier, 7.9 c.1928 black and white photograph unknown On verso in SB’s handwriting “Joyce and Adrienne’s father | M. Clovis Monnier | at his house Rocfoin near | Maintenon” 8.9 x 6.4
7.10 “The Joyces at Rocofoin”–James Joyce and M. Monnier, 7.10 c.1928 black and white photograph unknown On verso in SB’s handwriting “Joyce and M. Monnier | at Rocfoin near Maintenon” 8.9 x 6.4
7.11 “The Joyces at Rocofoin”–Nora Joyce, James Joyce and M. Monnier, 7.11 c.1928 black and white photograph unknown On verso in SB’s handwriting “Nora Joyce, James Joyce | and M. Monnier at Rocfoin | near Maintenon” 8.9 x 6.4
7.11a “The Joyces at Rocofoin”–Nora Joyce, James Joyce and M. Monnier, 7.11a c.1928 black and white photograph unknown 8.9 x 6.4
7.12 “The Joyces at Rocofoin”–Madame Monnier, Adrienne Monnier, Sylvia Beach, James Joyce and M. Monnier c.1928 black and white photograph unknown On verso in SB’s handwriting “Adrienne, Madame Monnier & SB | Joyce and M. Monnier | at Rocfoin near Maintenon” 9.0 x 6.5
7.13 “The Joyces at Rocofoin”–Nora Joyce, James Joyce and M. Monnier, 7.13 c.1928 black and white photograph unknown On verso in SB’s handwriting “Nora and James Joyce with | Adrienne’s father M. Clovis Monnier | at his hous Rocfoin near | Maintenon (Eure-et-Loir)” 8.9 x 6.4
8.1 James Joyce, Adrienne Monnier, and guests at the “Dejeuner Ulysse” June 27, 1929 black and white photograph unknown On recto in Adrienne Monnier’s handwriting “Philippe Soupault   Mm Joyce   Edmond Dujardin – Paul Valéry – James Joyce – Leon-Paul Fargue | Lucia Joyce – Thomas McGreevy – Sylvia Beach – Adrianne Monnier – Mm Paul Valéry – Main Scheikeritch | Lucianne [illegible]   Marc Chadourne – Jules Romains – André Chamson   [illegible] | Déjeuner “Ulysse” le Jeudi 27 Juin 1929″; inserted negative “This film from Sylvia Beach” per note on sleeve 23.1 x 17.4
8.2 James Joyce seated on bench, hands clapsed around knee 1929 black and white photograph Ruth Asch Ruth Asch stamp and Shakespeare and Company stamp on verso 16.7 x 20.9
8.3 James Joyce seated, full front view, hands clapsed at waist, Paris 1929 black and white photograph Berenice Abbott Inserted note in JJ’s handwriting “To Sylvia Beach |James Joyce | Paris New Year’s Eve 1929” 19.9 x 24.7
8.3a James Joyce seated, full front view, hands clapsed at waist, Paris 1929 black and white photograph Berenice Abbott Berenice Abbott stamp on verso 11.9 x 16.5
8.4 James Joyce seated, right hand raised toward chin 1929 black and white photograph Berenice Abbott Inserted note in JJ’s handwriting “To Sylvia Beach |James Joyce | Paris New Year’s Eve 1929” 19.5 x 24.8
8.4a James Joyce seated, right hand raised toward chin 1929 black and white photograph Berenice Abbott Berenice Abbott stamp on verso 12.0 x 16.6
8.5 James Joyce seated with hat and cane 1929 black and white photograph Berenice Abbott Berenice Abbott stamp on verso; inserted note in JJ’s handwriting “To Sylvia Beach | James Joyce | Paris New Year’s Eve 29” 19.8 x 24.5
8.5a James Joyce seated with hat and cane 1929 black and white photograph Berenice Abbott Berenice Abbott stamp on verso 12.3 x 16.8
8.5b James Joyce seated with hat and cane 1929 black and white photograph Berenice Abbott Berenice Abbott stamp on verso 12.3 x 16.4
8.5c James Joyce seated with hat and cane 1929 black and white photograph Berenice Abbott Berenice Abbott stamp on verso 12.1 x 16.4
8.5d James Joyce seated with hat and cane 1929 black and white photograph Berenice Abbott Berenice Abbott stamp on verso 12.6 x 16.6
8.6 James Joyce seated in armchair, hands clasped between knees 1929 black and white photograph Ruth Asch On recto in JJ’s handwriting “James Joyce | Paris | 21 · xi · 929” 20.4 x 25.2
8.7 James Joyce seated, leaning head on left hand 1929 black and white photograph Ruth Asch Inserted note “Ruth Ash    [illegible]” 15.0 x 21.0
8.7a James Joyce seated, leaning head on left hand 1929 black and white photograph Ruth Asch 16.2 x 22.0
8.8 James Joyce in profile, close-up 1929 black and white photograph Ruth Asch 16.4 x 22.9
8.9 James Joyce, three-quarter view 1929 black and white photograph Ruth Asch Ruth Asch stamp on verso 16.4 x 21.7
8.10 Holbrook Jackson, seated, smoking a pipe black and white photograph Embossed on recto “Hana Studios Ltd. London”;  on verso in handwriting, “Holbrook Jackson”; Shakespeare and Company stamp 9.8 x 14.0
8.10a Holbrook Jackson, seated, smoking a pipe black and white photograph On verso in SB’s handwriting “Mr Bloom ” Holbrook Jackson | By kind permission | of Mrs Holbrook Jackson”; Shakespeare and Company stamp 11.8 x 17.0
8.10b Holbrook Jackson, seated, smoking a pipe black and white photograph Shakespeare and Company stamp on verso 11.8 x 17.0
9.1 B. W. Huebsch, seated black and white photograph On verso in SB’s handwriting “Ben W. Huebsch | American publisher of Joyce’s work | Sylvia Beach Collection”; Shakespeare and Company stamp (See 3.8) 9.7 x 13.1
9.1a B. W. Huebsch, seated black and white photograph On verso in handwriting “B. W. Huebsch | (presumably in the late 1920’s.)” 8.1 x 11.2
9.2 B. W. Huebsch, standing black and white photograph Stamped on verso “Douane Centrale Exportation Paris” 12.5 x 17.6
9.3 Italo Svevo, seated black and white photograph Inserted print of letter from Svevo to Sylvia Beach, dated 1926 15.4 x 18.8
9.4 James Joyce with Augustus John, Paris 1930 black and white photograph On verso in handwriting “Joyce avec Augustus John”; inserted negative “This neg. rec’d. from S. Beach” per note on sleeve 17.9 x 23.9
9.5 Giorgio Joyce, 9.5 c.1930 black and white photograph Stamped on verso “Photo Lutetia | 111, rue de Rennes |Paris” 6.7 x 9.1
9.5a Giorgio Joyce c.1930 black and white photograph Stamped on verso “Photo Lutetia | 111, rue de Rennes |Paris” 6.5 x 8.9
9.5b Giorgio Joyce c.1930 black and white photograph Stamped on verso “Photo Lutetia | 111, rue de Rennes |Paris” 6.6 x 9.0
9.5c Giorgio Joyce c.1930 black and white photograph Stamped on verso “Photo Lutetia | 111, rue de Rennes |Paris” 6.6 x 9.0
9.6 Giorgio and Helen Fleischman Joyce, Paris c.1930 black and white photograph Man Ray On recto in typescript “Copyright by Man Ray, Paris”; embossed “P Delbo | 9 Rue Vavin | Paris”; stamped on verso “P. Delbo, 9 Rue Vavin, Paris” 9.5 x 14.4
9.7 Helen Fleischman Joyce c.1930 black and white photograph Stamped on verso “Photo Lutetia | 111, rue de Rennes |Paris” 6.5 x 8.8
9.7a Helen Fleischman Joyce c.1930 black and white photograph Stamped on verso “Photo Lutetia | 111, rue de Rennes |Paris” 6.5 x 8.8
9.7b Helen Fleischman Joyce c.1930 black and white photograph Stamped on verso “Photo Lutetia | 111, rue de Rennes |Paris” 6.6 x 9.0
9.8 Seated woman, possibly Helen Fleischman Joyce black and white photograph 8.7 x 13.7
9.9 James Joyce with Philippe Soupault 1930’s black and white photograph Pacific & Atlantic Photo stamp on verso; inserted negative “?This neg. rec’d from Sylvia Beach?” 22.6 x 16.7
9.9a James Joyce with Philippe Soupault 1930’s black and white photograph 25.3 x 20.5
9.10 Herbert Gorman, Joyce’s first biographer, in profile 1930’s black and white photograph Signed by Herbert Gorman on recto 10.9 x 8.0
9.11 Herbert Gorman, Joyce’s first biographer, three-quarter view 1930’s black and white photograph Signed by Herbert Gorman on recto 8.1 x 10.8
9.12 James Joyce and Nora Joyce in London on their way to be married July 4, 1931 black and white photograph On verso in handwriting “For private use only & not for publication”; Planet News stamp; in SB’s handwriting “James & Nora Joyce in London on their way to the Registrar’s office to be married”; inserted negative “This neg. no doubt from Sylvia Beach” per note on sleeve 11.9 x 10.0
9.13 James Joyce with Nora, Lucia and unidentified little girl at table in garden 1932 black and white photograph On verso in Maria Jolas’s handwriting “In clearing out some old papers | I found an undeveloped negative | which turned out to be this | M. J. (April 1968) | It was probably taken in Austria | (terrace of the Schloss at Feldkirk [Feldkirch]?) | in 1932, and I imagine the photo- | graph was taken by Mathilde, the nurse who accompanied Lucia at that time.  The other figures, of | course, are the servant and her child. | The three Joyces are good likenesses. But | how sad they all look!” 12.9 x 8.9
9.13a James Joyce with Nora, Lucia and unidentified little girl at table in garden 1932 black and white photograph 8.7 x 6.2
9.13b James Joyce with Nora, Lucia and unidentified little girl at table in garden 1932 black and white photograph 8.7 x 6.1
9.13c James Joyce with Nora, Lucia and unidentified little girl at table in garden 1932 black and white photograph 8.6 x 6.1
9.14 James Joyce with Lucia in the garden at Lake Constance 1932 black and white photograph 8.9 x 5.8
9.14a James Joyce with Lucia in the garden at Lake Constance 1932 black and white photograph 8.7 x 5.9
9.14b James Joyce with Lucia in the garden at Lake Constance 1932 black and white photograph 8.8 x 5.9
9.15 Auguste Morel and family 1933 black and white photograph On verso “à Sylvia Beach | la Sainte famille (Morel) | en 1933”; “Noël | a Sylvia | 20 mai 1951” 110 x 9.9
9.16 John Sullivan in costume for the opera “Aida” black and white photograph 8.9 x 13.6
9.16a John Sullivan in costume for the opera “Aida” black and white photograph 8.9 x 13.6
10.1 James Joyce with Nora, John Sullivan and Mrs. Sullivan, grouped at piano black and white photograph In SB’s handwriting on recto “Nora Joyce    Mrs Sullivan    John Sullivan    Joyce    at the Joyces’ flat”; stamp for Daily Sketch on verso 23.9 x 17.9
10.1a James Joyce with Nora, John Sullivan and Mrs. Sullivan, grouped at piano black and white photograph Stamp for Daily Sketch on verso 24.0 x 17.9
10.2 James Joyce and John Sullivan black and white photograph In handwriting (SB’s?) on recto “John O’Sullivan    Joyce”; stamp for Daily Sketch On verso 17.9 x 24.0
10.2a James Joyce and John Sullivan black and white photograph Stamp for Daily Sketch on verso 18.0 x 24.0
10.3 James Joyce, James Stephens and John Sullivan at Stephens’ apartment, Paris black and white photograph Embossed on recto “New York Times | 106, Rue Reaumur, Paris”; World Wide Photos stamp on verso; inserted note with signatures of James Stephens, John Sullivan, and James Joyce; inserted note in SB’s handwriting “Photograph of James Joyce  James Stephens  John Sullivan (3 Irishmen in Paris) | in James Stephens’ apartment, rue Campagne Première, Paris | given to Sylvia Beach by Joyce and signed by the three”; Shakespeare and Company stamp 18.2 x 24.1
10.3a James Joyce, James Stephens and John Sullivan at Stephens’ apartment, Paris black and white photograph Embossed on recto “New York Times | 106, Rue Reaumur, Paris”; World Wide Photos stamp on verso 18.2 x 24.0
10.3b James Joyce, James Stephens and John Sullivan at Stephens’ apartment, Paris black and white photograph Embossed on recto “New York Times | 106, Rue Reaumur, Paris” 18.1 x 24.1
10.4 James Joyce, James Stephens and John Sullivan, Paris black and white photograph In handwriting (SB’s?) on recto “Sullivan   Joyce    James Stephens”; “New York Times | 106, Rue Reaumur, Paris” embossed 17.9 x 24.0
10.4a James Joyce, James Stephens and John Sullivan, Paris black and white photograph Embossed on recto “New York Times | 106, Rue Reaumur, Paris” 17.9 x 24.2
10.4b James Joyce, James Stephens and John Sullivan, Paris black and white photograph Embossed on recto “New York Times | 106, Rue Reaumur, Paris”; enclosed in wood and glass frame; label for A. Bouchard Doreur Encadreur affixed to verso of frame. 26.5 x 35.7, mounted and framed
10.5 James Joyce, James Stephens and John Sullivan walking in Rue Raspail, Pairs black and white photograph Matted and framed photograph; embossed on recto “New York Times | 106, Rue Reaumur, Paris”; label for A. Bouchard Doreur Encadreur and two Shakespeare and Company stamps on verso of backing; verso of frame has note in SB’s handwriting “James Stephens    James Joyce    John Sullivan | walking on the Boulevard Raspail | Paris”; Shakespeare and Company stamp 24.1 x 18.2
10.5a James Joyce, James Stephens and John Sullivan walking in Rue Raspail, Pairs black and white photograph Embossed on recto “New York Times | 106, Rue Reaumur, Paris”; in handwriting on verso “James Joyce avec James Stephens et John Sullivan | Boulevard Raspail à Paris” 24.1 x 18.3
10.5b James Joyce, James Stephens and John Sullivan walking in Rue Raspail, Pairs black and white photograph Embossed on recto “New York Times | 106, Rue Reaumur, Paris” 24.0 x 18.2
10.5c James Joyce, James Stephens and John Sullivan walking in Rue Raspail, Pairs black and white photograph Embossed on recto “New York Times | 106, Rue Reaumur, Paris” 24.1 x 18.4
10.5d James Joyce, James Stephens and John Sullivan walking in Rue Raspail, Pairs black and white photograph Embossed on recto “New York Times | 106, Rue Reaumur, Paris” 24.0 x 18.2
10.6 James Joyce, James Stephens and John Sullivan talking on Rue Raspail, Paris black and white photograph Embossed on recto “New York Times | 106, Rue Reaumur, Paris”; taped; Shakespeare and Company stamp on verso; inserted note “Trois Irlandais: James Joyce: James Stephens | John Sullivan (ténor à l’Opéra) | se promènent sur le Boulevard Raspail à Paris.” 24.1 x 18.2
10.7 James Joyce, Nora and Ole Vindig, Copenhagen 1936 black and white photograph In handwriting on verso “James Joyce, his wife, and | Ole Vindig | Copenhagen–Summer, 1936. | gift of Bill Potts” 9.2 x 12.8
11.1 James Joyce seated, head resting on left hand 1938 black and white photograph Gisele Freund Gisele Freund stamp on verso 7.7 x 8.8
11.2 James Joyce, head and shoulders, forefingers of left hand at lips 1938 black and white photograph Gisele Freund Gisele Freund stamp on verso 11.1 x 16.1
11.3 James Joyce seated, three-quareter view 1938 black and white photograph Gisele Freund Gisele Freund stamp on verso 16.3 x 24.8
11.4 James Joyce, head and shoulders, lips slightly parted 1938 black and white photograph Gisele Freund Gisele Freund stamp on verso 17.2 x 24.4
11.5 James Joyce seated, looking at book through magnifying glass 1938 black and white photograph Gisele Freund Gisele Freund stamp on verso 11.3 x 16.2
11.6 James Joyce seated 1938 black and white photograph Gisele Freund 10.4 x 8.0
11.7 James Joyce seated, looking down at picture 1938 black and white photograph Gisele Freund In handwriting on verso “at Shakespeare and Co | 1936 – (7?)” 8.0 x 9.5
11.8 James Joyce seated, cigarette in hand, smiling 1938 black and white photograph Gisele Freund 4.3 x 8.1
11.9 James Joyce with Giorgio and Stephen Joyce, seated before portrait of John S. Joyce 1938 black and white photograph Gisele Freund Gisele Freund stamp and Shakespeare and Company stamp on verso 10.2 x 13.5
11.10 James Joyce seated at keyboard of piano 1938 black and white photograph Gisele Freund Gisele Freund stamp on verso 9.6 x 10.2
11.11 James Joyce playing piano, Giorgio leaning on piano watching 1938 black and white photograph Gisele Freund 14.1 x 10.3
11.12 James Joyce with Eugene Jolas, both seated 1938 black and white photograph Gisele Freund In handwriting on verso “James Joyce with Eugene Jolas, editor Transition”; Gisele Freund stamp and Shakespeare and Company stamp 23.1 x 17.5
11.12a James Joyce with Eugene Jolas, both seated 1938 black and white photograph Gisele Freund Shakespeare and Company stamp on verso; affixed typewritten note “James Joyce avec Eugene Jolas | (Publication de Finnegans Wake | dans Transition”; inserted envelop of negatives received from Sylvia Beach 18.0 x 17.0
11.12b James Joyce with Eugene Jolas, both seated 1938 black and white photograph Gisele Freund 25.4 x 20.4, mounted
11.13 James Joyce with Eugene Jolas, correcting manuscript 1938 black and white photograph Gisele Freund In SB’s handwriting on verso “Joyce and Jolas”; Gisele Freund stamp 14.5 x 11.7
11.14 James Joyce with Eugene Jolas, Jolas standing 1938 black and white photograph Gisele Freund Gisele Freund stamp on verso; inserted note “Paris | Joyce and Jolas, editor of Transition | GF” 19.9 x 25.1
11.15 James Joyce’s hands 1938 black and white photograph Gisele Freund Gisele Freund stamp on verso 12.0 x 22.4
11.15a James Joyce’s hands 1938 black and white photograph Gisele Freund 9.4 x 21.1
11.16 James Joyce seated in folding chair 1938 black and white photograph Gisele Freund 10.4 x 14.1
11.16a James Joyce seated in folding chair 1938 black and white photograph Gisele Freund Gisele Freund stamp on verso 15.6 x 24.9
11.17 James Joyce standing at door of taxi, paying fare outside Shakespeare and Company 1938 black and white photograph Gisele Freund In handwriting on verso “Joyce getting out of a taxi at the door of Shakespeare & Co”; Gisele Freund stamp 9.5 x 13.0
11.18 James Joyce walking in Rue de l’Odeon, Paris 1938 black and white photograph Gisele Freund Gisele Freund stamp on verso 17.7 x 24.9
11.19 James Joyce seated, holding baby (possibly Stephen Joyce) black and white photograph 8.1 x 12.9
11.20 Stephen Joyce with dog 1938 black and white photograph Gisele Freund Gisele Freund stamp on verso 10.2 x 15.9
11.21 James Joyce, Helen Fleischman Joyce, Giorgio Joyce and Stephen Joyce with dog 1938 black and white photograph Gisele Freund Stamp on verso “Photo Gisèle”; inserted negative “This neg. from Sylvia Beach?” per note on sleeve 10.2 x 14.4
11.22 James Joyce seated, speaking to Helen Fleischman Joyce 1938 black and white photograph 11.8 x 8.3
11.23 James Joyce standing by river, Place Spitz, Zurich 1938 black and white reproduction from Joyce Collection In handwriting on verso “Zurich | Platz-Spritz | Taken 1938 from |C. G. W.” 14.9 x 21.0
11.24 Stuart Gilbert on balcony of his home, Ile St. Louis black and white photograph Inserted negative “This neg. probably rec.’d fr. Sylvia Beach” per note on sleeve 25.3 x 20.3, mounted
11.25 James Joyce in Zurich 1937/38 black and white photograph Carola Giedion-Welcker In handwriting on verso “Photo de Joyce | prise l’année de | sa mort, à Zurich. |
Donnée à moi par | Georges Borgeaud”; inserted note on Shakespeare and Company envelope “photo de Joyce l’année de sa mort | à Zurich donnée a’ Adrienne par | George Borgeaud: donnée par Adrienne a Sylvia”		 8.8 x 8.8
12.1 Lucia Joyce in class photograph, Trieste c.1912-1915 black and white photograph 23.2 x 13.4, mounted
12.2 Lucia Joyce in dance pose, Paris (see “Lucia Joyce” page 100) 1925 black and white photograph 13.1 x 17.9
12.3 Lucia Joyce in dance performance, 12.3 black and white photograph 17.9 x 12.8
12.4 Lucia Joyce in dance performance, 12.4 black and white photograph 18.0 x 12.8
12.5 Lucia Joyce with Eileen Veale and [Bozena Delimata] c.1974 color photograph In handwriting on verso “Eileen Veale | Lucia Joyce | [Bozena Delimata] | This picture was | sent me by Mabel | Worthington | Adaline Glasheen | ? 1974” 8.8 x 8.9
12.6 Lucia Joyce with Father Robert Boyle, S.J. June 28, 1975 color photograph In handwriting on verso “June 28, 1975 | Lucia Joyce | Stockdale Ward | St. Andrew’s Hospital | Northampton, England | The man is Father | Robert Boyle S.J. who  | sent me the  picture | A. Glasheen” 8.7 x 8.8
13.1 X-ray slides of James Joyce’s teeth September 9, 1922 black and white x-ray slides Ten x-ray slides affixed to paper; on recto in handwriting “Mr J Joyce  Sept 9th 1926”; stamp on recto “Radiograph | by | W. A. Coldwell, | 52, Welbeck Street | London, W.1.” 24.7 x 10.2
13.2 X-ray slides of James Joyce’s teeth April 19, 1923 black and white x-ray slides Four x-ray slides; inserted sleeve with stamp on recto “Docteur Frank Stuhl | de la Faculté d’Harvard | 23 Bd des Capucines, Paris”; inserted envelope with SB’s handwriting on recto “part of Joyce’s brain radiograph”; two inserted pieces of graph paper, one with SB’s handwriting “Part of Joyce’s brain radiograph” 4.0 x 3.0
13.3 Clinic of Dr. Borsch, Paris, 13.3 black and white photograph On verso in SB’s handwriting “Photo by C. S. | Clinic rue St. Place |rue des Regara | where JJ treated by Dr. Borsch”; inserted negative “This neg. rec’d from Sylvia Beach” per note on sleeve 6.6 x 11.2
13.4 Clinic of Dr. Borsch, Paris black and white photograph On verso in SB’s handwiting “Dr Borsch’s clinic, corner | rue du Cherche·Midi | and rue du Regard | where Joyce was treated | (Rue du Cherche·Midi – | Rue du Regard) | photo SB”; Shakespeare and Company stamp 6.8 x 11.6
13.5 Clinic of Dr. Borsch, Paris, 13.5 black and white photograph On verso in handwriting “Clinique du Dr Borsch | rue du Cherche Midi” 9.1 x 14.2
13.5a Clinic of Dr. Borsch, Paris black and white photograph 9.2 x 14.9
13.6 Clinic of Dr. Borsch, Paris black and white photograph On verso in handwriting “Clinique du Dr Borsch | rue du Cherche Midi” 9.2 x 14.8
13.6a Clinic of Dr. Borsch, Paris black and white photograph 9.2 x 14.8
13.7 Clinic of Dr. Borsch, Paris black and white photograph Inserted note “Mercedes 190 or W120, produced between 1953 & 1962”; inserted negative “Clinique de Dr. Borsch | This neg. rec’d from Sylvia Beach” per note on sleeve 9.3 x 14.7
13.7a Clinic of Dr. Borsch, Paris black and white photograph 9.1 x 15.0
13.8 Clinic of Dr. Borsch, Paris black and white photograph On verso in handwriting “Clinique du Dr Borsch | rue du Cherche Midi”; inserted negative “This neg. rec’d from Sylvia Beach” per note on sleeve 9.1 x 14.9
13.8a Clinic of Dr. Borsch, Paris black and white photograph 9.2 x 15.0
13.9 Clinic of Dr. Borsch, Paris black and white photograph On verso in handwriting “Clinique du Dr Borsch | rue du Cherche Midi”; inserted negative “This neg. rec’d from Sylvia Beach” per note on sleeve 9.1 x 14.7
13.9a Clinic of Dr. Borsch, Paris black and white photograph 9.1 x 14.8
13.10 Clinic of Dr. Borsch, Paris black and white photograph On verso in handwriting “Clinique du Dr Borsch | rue du Cherche Midi” 14.9 x 9.1
13.10a Clinic of Dr. Borsch, Paris black and white photograph On verso in handwriting “Dr Louis Borsch’s clinic | rue du Cherche Midi” 14.7 x 9.1
13.11 Clinic of Dr. Borsch, Paris, 13.11 black and white photograph On verso in handwriting “Dr Louis Borsch’s clinic | rue du Cherche Midi”; inserted negative “Clinique de Dr. Borsch | This neg. from Sylvia Beach” per note on sleeve 14.9 x 9.1
13.11a Clinic of Dr. Borsch, Paris black and white photograph 14.8 x 9.2
13.12 Clinic of Dr. Borsch, Paris black and white photograph On verso in handwriting “Clinique du Dr Borsch | rue du Cherche Midi” 9.2 x 14.9
13.12a Clinic of Dr. Borsch, Paris black and white photograph 9.1 x 15.0
13.13 Clinic of Dr. Borsch, Paris black and white photograph On verso in handwriting “Dr Louis Borsch’s clinic | rue du Cherche Midi” 9.1 x 14.8
13.14 Joyce’s apartment, 2 Square Robiac, Paris black and white photograph On verso in SB’s handwriting “Photo C. S. | 2 Square Robiac | cor. Rue de grenelle”; Shakespeare and Company stamp 6.7 x 11.4
13.15 Joyce’s apartment, 2 Square Robiac, Paris black and white photograph On verso in handwriting “2 Square Robiac     VII°” 9.1 x 14.8
13.15a Joyce’s apartment, 2 Square Robiac, Paris black and white photograph 9.2 x 15.0
13.16 Joyce’s apartment, 2 Square Robiac, Paris black and white photograph On verso in handwriting “Clinique du Dr Borsch | rue du Cherche Midi” 9.1 x 14.8
13.17 Façade of Joyce’s apartment, 9 rue de l’Université IV, Paris black and white photograph On verso in handwriting “9 Rue de l’Université·IV”; inserted negative “This neg. rec’d from Sylvia Beach” per note on sleeve 10.9 x 14.7
13.17a Façade of Joyce’s apartment, 9 rue de l’Université IV, Paris black and white photograph 10.8 x 14.9
13.18 Façade of Victoria Palace, rue Blaise Desgoffe, Paris black and white photograph On verso in handwriting “Victoria Palace | rue Blaise Desgoffes”; inserted negative “This neg. rec’d from Sylvia Beach” per note on sleeve 9.1 x 14.8
13.18a Façade of Victoria Palace, rue Blaise Desgoffe, Paris black and white photograph On verso in handwriting “Victoria Palace | rue Blaise Desgoffes” 9.1 x 14.8
13.19 Façade of Victoria Palace, rue Blaise Desgoffe, Paris black and white photograph On verso in handwriting “Victoria Palace | rue Blaise Desgoffes”; inserted negative “This neg. rec’d from Sylvia Beach” per note on sleeve 9.1 x 14.7
13.19a Façade of Victoria Palace, rue Blaise Desgoffe, Paris black and white photograph 9.1 x 14.8
14.1 Photographic reproduction of drawing of James Joyce and Robert McAlmon by Paul-Emile Becat 1921 black and white photograph Photo Vizzavona stamp on verso dated 1957 12.7 x 17.9
14.1a Photographic reproduction of drawing of James Joyce and Robert McAlmon by Paul-Emile Becat 1921 black and white photograph 18.3 x 24.0
14.2 Pencil sketches of James Joyce and Sylvia Beach made at Shakespeare and Company c.1922-1923 Notations on recto and verso; inserted negatives “These 2 negs. rec’d from Sylvia Beach” per note on sleeve 21.0 x 27.1
14.3 Drawing of James Joyce by Myron Nutting, Paris 1923 black and white photograph In handwriting on verso “Sr. leordi marron au bard” 16.7 x 19.3
14.4 Photograph of drawing of Paidraic Colum by Patrick Tuohy 1924 black and white photograph On verso in handwriting “from | Patrick Tuohy ARDA | with best wishes. | Dear Miss Beach | You can use either of these | but be sure & have my name under | Yours sincerely | Patrick Tuohy”; Shakespeare and Company stamp 10.7 x 15.5
14.5 Photograph of portrait of James Joyce by Patrick Tuohy black and white photograph Inserted negative “Joyce (portrait by Tuohy) | This neg. prob. rec’d from S. Beach” per note on sleeve 8.8 x 11.8
14.6 Photograph of portrait of James Stephens by Patrick Tuohy black and white photograph In handwriting on verso “James Stephens”; Shakespeare and Company stamp; Sean Hurley stamp 10.3 x 14.3
14.6a Photograph of portrait of James Stephens by Patrick Tuohy black and white photograph In handwriting on verso “James Stephens | by Patrick Tuohy” 10.7 x 13.7
14.7 Reproduction of drawing by F. Scott Fitzgerald of dinner party at Adrienne Monnier’s Feast of St. James, July 1928 black and white photograph On verso in SB’s handwriting “Dessin par Scott Fitzgerald”; Shakespeare and Company stamp; inserted typed note “Dessin par Scott Fitzgerald: diner chez Adrienne Monnier | A table: Joyce avec un halo: agenouillé devant lui: Scott Fitzgerald | on voit: Zelda Fitzgerald: André et Lucie Chamson | et en Syrènes: Adrienne Monnier et Sylvia Beach”; inserted photograph of verso of reproduction with note affixed; inserted negative “This neg. rec’d. from Sylvia Beach” per note on sleeve 25.4 x 20.7
14.8 Reproduction of a pencil sketch of James Joyce by A. Bilis 1931 black and white print 17.6 x 23.6
14.9 Reproduction of a drawing of James Joyce by Desmond Harmsworth 1932 black and white photograph 14.7 x 20.0
14.10 Photograph of James Joyce’s death mask black and white photograph Hans Finsler, Zürich In handwriting on verso “Totenmaske | Foto H. Finsler”; see also 15.7 and 15.8 8.6 x 11.5
14.11 St. Patrick’s Tower, Boulogne sur Mer black and white photograph Sylvia Beach Inserted note on envelope in SB’s handwriting “Photo of St. Patrick’s tower | Boulogne s/ Mer | taken by SB”; inserted negative “This neg rec’d. from Sylvia Beach” per note on sleeve 6.6 x 11.0
14.12 Postcard of Henrik Ibsen black and white postcard 8.9 x 13.9
14.13 Postcard of Henrik Ibsen color postcard 9.0 x 13.9
15.1 Group of unmounted photographs from the La Hune exhibition 1949 black and white photograph Photo Maywald stamp on verso; “mention obligatoire” 15.9 x 17.0
15.2 Photograph of La Hune exhibition–Panel illustrating Joyce’s place in literary history 1949 black and white photograph Mounted and framed 36.1 x 44.4
15.3 Photograph of exhibit of Joyce materials, La Hune 1949 black and white photograph 25.3 x 20.3
15.3a Photograph of exhibit of Joyce materials, La Hune 1949 black and white photograph Mounted and framed 30.8 x 32.5, framed
15.4 Group of unmounted photographs from and of the La Hune exhibition 1949 black and white photograph Photo Maywald stamp on verso; “mention obligatoire”; Douane Centrale stamp on verso 23.2 x 25.7
15.4a Group of unmounted photographs from and of the La Hune exhibition 1949 black and white photograph Mounted and framed 36.6 x 40.2
15.5 Photograph of the Ulysses mounts display from the La Hune exhibition 1949 black and white photograph Mounted and framed 42.7 x 22.9
15.6 Group of unmounted photographs from and of the La Hune exhibition–Map of Dublin 1949 black and white photograph Photo Maywald stamp on verso; Douane Centrale stamp on verso 24 x 28
15.7 Group of unmounted photographs from the La Hune exhibition–Wall of Finnegan’s Wake 1949 black and white photograph Photo Maywald stamp on verso; Douane Centrale stamp on verso 30.5 x 24
15.8 Group of unmounted photographs from the La Hune exhibition–Case showing James Joyce standing beside greenhouse, Dublin 1949 black and white photograph Photo Maywald stamp on verso: Douane Centrale stamp on verso 30.5 x 24
15.9 Group of unmounted photographs from the La Hune exhibition–Case showing death mask 1949 black and white photograph Photo Maywald stamp on verso; “mention obligatoire”; Douane Centrale stamp on verso 24 x 26.1
15.10 Photographs from the La Hune exhibition–Joyce’s death mask 1949 black and white print Douane Centrale stamp on verso 20.5 x 29.4
15.11 Photographs from the La Hune exhibition–Joyce’s vest 1949 black and white photograph Douane Centrale stamp on verso 18.3 x 24.0
15.12 Photograph from the La Hune exhibition–Necklace given to Nora Joyce by James Joyce 1949 black and white photograph Douane Centrale stamp on verso 23.5 x 17
15.13 Photograph from the La Hune exhibition–Finnegans Wake charme and pen 1949 black and white photograph Douane Centrale stamp on verso 17.8 x 23.6
15.14 Photographs from the La Hune exhibition–Joyce standing in great coat with “Joyce during the first Paris years” printed on front 1949 black and white print Douane Centrale stamp on verso 16 x 26
15.15 Photograph from the La Hune exhibition–Lucia Joyce 1949 black and white print Douane Centrale stamp on verso 23 x 29
15.16 Photograph from the La Hune exhibition–Grave of Joyce at Zurich 1949 black and white print Douane Centrale stamp on verso 22.7 x 29.4
15.17 Photograph from the La Hune exhibition 1949 black and white photograph Edouard Boubat Photo Edouard Boubat stamp on verso; Douane Centrale stamp on verso 30.5 x 40.5
15.18 Photograph from the La Hune exhibition–Restaurant Polidor, outside 1949 black and white photograph Edouard Boubat Photo Edouard Boubat stamp on verso; Douane Centrale stamp on verso 38 x 24
15.19 Photograph from the La Hune exhibition–Restaurant Polidor, inside 1949 black and white photograph Edouard Boubat Photo Edouard Boubat stamp on verso; Douane Centrale stamp on verso 40.5 x 30.3
15.20 Photograph from the La Hune exhibition–Portal of restaurant “Les Trianons” 1949 black and white photograph Douane Centrale stamp on verso 30.5 x 22.3
15.21 Photograph from the La Hune exhibition–Café des deux ecus 1949 black and white photograph Edouard Boubat Photo Edouard Boubat stamp on verso; Douane Centrale stamp on verso 40.5 x 30.3
15.22 Photograph from the La Hune exhibition–Rathgar 1949 black and white print Douane Centrale stamp on verso 18.5 x 29
15.23 Photograph from the La Hune exhibit–Birthplace of Joyce 1949 black and white photograph Douane Centrale stamp on verso; “Maison natale de Joyce” handwritten On verso 22.9 x 29.2
15.24 Photograph from the La Hune exhibition–The Dublin Custom House 1949 black and white print Douane Centrale stamp on verso 29 x 18.5
15.25 Photograph from the La Hune exhibition–View of Dublin 1949 black and white print Douane Centrale stamp on verso 29.4 x 18.4
15.26 Photograph from the La Hune exhibition–Rathgar 1949 black and white print Douane Centrale stamp on verso; illegible handwriting in French on verso 18.6 x 29.2
15.27 Photograph from the La Hune exhibition–St. Stephen’s Green 1949 black and white print Douane Centrale stamp on verso; illegible handwriting in French on verso 29.2 x 22.7
15.28 Photograph from the La Hune exhibition–Parnell’s grave 1949 black and white print On verso in pencil: “Parnell ne reviendra | jamais.  D’it il il | est la.  Tout ce qui | etait mortel en lui | est la.  Paix à ses |cendras.”  Douane Centrale stamp on verso 15.5 x 20.2
15.29 Photograph from the La Hune exhibition–Reading room of the National Library, Dublin 1949 black and white photograph On verso in pencil: “National Library | Cc Hypogée de pensée | Author de moi, | momies compartimentées, embaumées | dans des aromates de mots”; Douane Centrale stamp on verso 23.3 x 18.8
15.30 Photograph from the La Hune exhibition–Principal altar: Star of the Sea Church at Sandymount 1949 black and white print Illegible note in French on verso 15.6 x 12
15.31 Photograph from the La Hune exhibition–Statue of Virgin Mary passed by Stephen Dedalus in Ulysses 1949 black and white print Illegible note in French on verso 13.7 x 20.7
15.32 Photograph from the La Hune exhibition–The Ulysses mounts, 15.32 1949 black and white print Douane Centrale stamp on verso 29.5 x 21.4
15.33 Photograph from the La Hune exhibition–The Ulysses mounts 1949 black and white print Douane Centrale stamp on verso 29.5 x 21.4
15.34 Photograph from the La Hune exhibition–The Ulysses mounts 1949 black and white print Douane Centrale stamp on verso 29.5 x 21.4
15.35 Photograph from the La Hune exhibition–The Ulysses mounts 1949 black and white print Douane Centrale stamp on verso 29.5 x 21.4
15.36 Photograph from the La Hune exhibition–The Ulysses mounts, 15.36 1949 black and white print Douane Centrale stamp on verso 29.5 x 21.1
15.37 Photograph from the La Hune exhibition–The Ulysses mounts 1949 black and white print Douane Centrale stamp on verso 29.5 x 21.1
15.38 Photograph from the La Hune exhibition–The Ulysses mounts 1949 black and white print Douane Centrale stamp on verso 13.3 x 22.5
15.39 Photograph from the La Hune exhibition–The Ulysses mounts, 15.39 1949 black and white print Douane Centrale stamp on verso 30.4  x 22.2
15.40 Photograph of case at James Joyce exhibition, American Embassy, London 1960 black and white photograph Handwritten on verso: “Case containing Joyce iteMS | from Sylvia Beech collection from LML | to exhibition at American | Embassy, London, Summer 1960” 12.7 x 16.7
15.40a Photograph of case at James Joyce exhibition, American Embassy, London 1960 black and white photograph Handwritten on verso: “Case containing Joyce iteMS | from Sylvia Beech collection lent by | Lockwood Memorial Library for an |exhibition at American Embassy, | London Summer 1960” 12.7 x 16.7
16.1 Portrait of James Joyce, Joyce’s paternal great-grandfather c.1845 oil on canvas John Comerford 30 x 25
16.2 Portrait of Anne McCann Joyce, Joyce’s paternal great-grandmother c.1845 oil on canvas John Comerford 30-1/4 x 25
16.3 Portrait of James Augustine Joyce, Joyce’s paternal grandfather, as a young man c.1845 oil on canvas John Comerford 25-1/2 x 19-1/2
16.4 Portrait of James Augustine Joyce, Joyce’s paternal grandfather c.1855 oil on canvas John Comerford 30 x 25
16.5 Portrait of Ellen O’Connell Joyce, Joyce’s paternal grandmother c.1855 oil on canvas John Comerford 30 x 25
16.6 Portrait of John Stanislaus Joyce, Joyce’s father 1924 oil on canvas Patrick Tuohy 39-1/2 x 32
16.7 Portrait of Mary Joyce, Joyce’s mother 1926 pencil on paper Patrick Tuohy 16-1/2 x 12-5/8
16.8 Portrait of James Joyce c.1924 oil on canvas Patrick Tuohy 24 x 19-3/4
16.9 Portrait of Lucia Joyce 1927 pencil on paper Patrick Tuohy 15 x 12
16.10 Portrait of James Joyce 1914 oil on paper Tullio Silvestri 19-1/4 x 15-1/8
16.11 Portrait of Nora Barnacle Joyce 1914 oil on burlap Tullio Silvestri 35-1/2 x 29-1/2
16.12 Portrait of Nora Barnacle Joyce c.1919 oil on paperboard Frank Budgen 22.-1/8 x 17-5/8
16.13 Portrait of James Joyce at Shakespeare and Company, Paris 1927 watercolor on paper Stephen Longstreet Longstreet signature on recto; Stephen Longstreet stamp on verso 8-1.25 x 11
16.14 Portrait of Sylvia Beach, Paris 1927 watercolor on paper Stephen Longstreet On recto “Sylvia Beach | not as tough as | she posed for this”; Longstreet signature; Stephen Longstreet stamp on verso 8-1/2 x 11
16.15 Portrait of Ernest Hemingway, Paris 1927 watercolor on paper Stephen Longstreet On recto “the Hemingway | glare when | you doubted | the number of | his wounds”; Longstreet signature; Longstreet stamp on verso 8-1/2 x 11
16.16 Portrait of James Joyce 1929 pencil on paper Constantin Brancusi Inserted negative “?This neg. rec’d. from Sylvia Beach?” per note on sleeve 8-1/4 x 6-1/4
16.17 Sculpture of James Joyce 1966 bronze sculpture Milton Hebald Miniature of original at Joyce’s gravesite in Fluntern Cemetery, Aurich 13-1/2 x 7 x 5-1/2
16.18 Joyce family crest paint and ink on paper 8 x 6-1/2
16.19 Joyce family coat of arMS paint and ink on paper 14-3/4 x 11
16.20 Portrait of Harriet Shaw Weaver 1925 pencil on paper Wyndham Lewis 24 x 20
16.21 Portrait of Livia Schmitz oil on canvas Umberto Veruda 30 x 24
16.22 Waiting for an Answer December 14, 1861 pencil on paper Believed to have hung in Sylvia Beach’s apartment.  Affixed to backing and matted; note on matting “Waiting for an Answer. | A peremptory demand for redress in the case of the “TRENT” | was dispatched to America.  / Finish. Dec. 14, 1861.” 6-3/4 x 8-5/8