XVIII. Miscellaneous Material Related to Joyce’s Works
GENERAL NOTES
See related materials in XX: Miscellaneous Sylvia Beach & Shakespeare and Company Material.
Folder 1
Flyer of extracted press-notices for the Elkin Mathews first edition of Chamber Music; n.d. [?1914]. (See Slocum and Cahoon: A3).
Folder 2
Invoice from Elkin Mathews for copies of Chamber Music ordered by Shakespeare and Company; 2 May 1922.
B: Dubliners
Folder 1
Typed bottom copy of Joyce’s letter to The Egoist, London (I.2), entitled “A Curious History”; 15 January 1914, 3l, (See Slocum and Cahoon: C44).
Folder 2
A flyer of 21 extracted press-notices for the Grant Richards first edition of Dubliners on white paper; n.d. [?after 1914], 1l, recto–verso. (See Slocum and Cahoon: A8).
Folder 3
A flyer of 35 extracted press-notices for the Grant Richards first edition of Dubliners on light blue paper, printed in Trieste; n.d. [?after 1914], 1l folded as 2l, recto–verso, recto–verso. (See Slocum and Cahoon: A8).
Folder 4
7 flyers of 35 extracted press-notices for the Grant Richards first edition of Dubliners, on light pink paper; n.d. [?after 1914]. (See Slocum and Cahoon: A8).
Folder 5
Typed, signed République Française contract between Joyce and Plon-Nourrit & Cie. for Gens de Dublin; 12 July 1923. (See Slocum and Cahoon: D13).
Folder 6
2 pamphlets for “Bibliographie de la France,” advertising Plon, Nourrit, & Cie publications, with Gens de Dublin advertisement, in French; 9 April 1926.
Folder 7
8 printed Plon-Nourrit & Cie. catalogues listing books for sale, including Gens de Dublin, in French; July 1926. (See Slocum and Cahoon: D13).
Folder 8
List of Dubliners stories that had been translated in Beach’s hand; n.d. [probably after 1926]. (See Slocum and Cahoon: D13).
C: A Portrait of the Artist as a Young Man
Folder 1
23 flyers of extracted press-notices for the Egoist Press edition of A Portrait; n.d. [1917–1921], 1l folded as 2l, recto–verso, recto–verso. (See Slocum and Cahoon: A13).
Notes
Partially reproduced as the back end papers in Dear Miss Weaver.
Folder 2
2 flyers of Egoist Press publications, featuring A Portrait, with revisions in an unknown hand; n.d. [after April 1921], 1l, recto–verso. (First English Edition with American Sheets; See Slocum and Cahoon: A13).
Folder 3
A flyer of Egoist Press publications, including Chamber Music, Dubliners, A Portrait, Exiles, and Ulysses; n.d. [after 1922], 1l, recto–verso. (See Slocum and Cahoon: A4, A10, A12, A14 and A18).
Folder 4
Royalty account from B.W. Huebsch, Inc. to J.B. Pinker for the first edition of A Portrait (See Slocum and Cahoon: A11) and the first authorized American edition of Chamber Music (See Slocum and Cahoon: A6); 1 May 1923.
Folder 5
2 République Française contracts for the Polish translation of A Portrait (See Slocum and Cahoon: D95) and Ulysses , each signed by Joyce, with emendations in ink; with royalty receipts from Zygmunt Bornstein; and a receipt from Shakespeare and Company to Bornstein for typing the contract in German; February–May 1930.
Notes
Also see XII: Beach to Bornstein and XIII: Bornstein to Bornstein.
D: Exiles
Folder 1
Flyer of extracted press-notices for the B.W. Huebsch first American and Grant Richards first British editions of Exiles; n.d. [after 1919], 1l folded as 2l, recto–verso, recto–verso. (See Slocum and Cahoon: A14 & A15).
Folder 2
Large poster advertisement for a German production of Exiles (Verbannte) in Berlin at the Deutsches Volkstheater; Sunday, 9 March [1930]. (See Slocum and Cahoon: G, p. 178)
E.1: Ulysses: The First Edition
Folder 1
Extract from the New York Times editorial, “Taste, not morals, violated,” in Joyce’s hand, in pencil; 23 February 1921, 1l, recto–verso.
Folder 2
Multiple flyers containing an extract of The New Age article, “Readers and Writers”; 28 April 1921. (See Deming, The Critical Heritage: 92).
Folder 3
Joyce’s proof-correcting lesson for Beach, in Joyce’s hand, with notations in Beach’s hand; n.d. [1921].
Folder 4
Design for the Ulysses prospectus by Adrienne Monnier in blue ink, with notation in Beach’s hand; n.d. [1921], 1l folded as 2l, recto–verso, recto–verso.
Folder 5
4 quotations prepared for the “Advance Press Notices” for Ulysses, in Joyce’s hand; n.d. [1921].
Folder 6
Quotation from Ezra Pound’s Instigations (Boni and Liveright, 1920) for the “Advance Press Notice,” in Joyce’s hand, with notation in Beach’s hand; n.d. [1921].
Folder 7
List of persons who should be sent the Shakespeare and Company Ulysses prospectus, in Joyce’s hand; n.d. [1921], 1l, recto–verso.
Notes
The recto of the leaf is reproduced in JJSB [105–106]. Also see Folder 8.
Folder 8
List of persons who should be sent the Shakespeare and Company Ulysses prospectus in James Joyce’s and Lucia Joyce’s hands in black ink, with pencil notations in Beach’s hand, and an accompanying note on his calling card in Joyce’s hand; n.d. [1921], 4l.
Notes
Also see Folder 7.
Folder 9
25 copies of the earlier Ulysses prospectus with the first Shakespeare and Company address (8, rue Dupuytren, Paris); n.d. [May 1921]; 2 copies of which have notations in Beach’s hand.
Folder 10
64 copies of the later Ulysses prospectus with the second Shakespeare and Company address (12, rue de l’Odéon, Paris); n.d. [June–July 1921]; 8 copies of which are missing the subscription blanks and the limitation information on the reverse.
Folder 11
5 copies of the second Ulysses prospectus with publication date revised, possibly in Joyce’s hand; n.d. [Autumn–Winter 1921].
Folder 12
An announcement of Valery Larbaud’s “Séance Consacrée à James Joyce” at Adrienne Monnier’s La Maison des Amis des Livres; 7 December [1921].
Folder 13
75 signed subscription forMS for the first edition Ulysses; [1921–1922].
Notes
Further subscription forMS for the first edition Ulysses are in the Beach/Shakespeare and Company Collection Firestone Library, Princeton University.
Folder 14
3 earlier cover proofs for Ulysses on heavy card stock, with notations in Beach’s hand; [23 September 1921].
Notes
See Imprimerie Darantiere to Sylvia Beach/Shakespeare and Company: XIV.32.
Folder 15
1 later cover proof for Ulysses; n.d. [?1922].
Folder 16
13 ” Ulysses by James Joyce is now ready…” remittance cards, 2 of which are marked; n.d. [February–March 1922].
Folder 17
8 “150 Fr edition is sold-out” remittance cards revised in an unidentified hand; n.d. [March 1922].
Folder 18
Pen that Joyce used to sign first 100 copies of Ulysses, with envelope in which Beach kept it and leather blotter, with notations in Beach’s hand; n.d. [February–March 1922].
Folder 19
The Sporting Times (“The Pink ‘Un”) poster placard advertising the review entitled “The Scandal of Ulysses “; n.d. [1 April 1922]. (See Deming, The Critical Heritage: 96).
Folder 20
Envelope addressed to Beach from R. Aussourd, the bindery where Beach had her copy (No. 2) of Ulysses first edition bound, with notations in Beach’s hand; n.d. [Spring 1922].
Folder 21
Accounting notes for the first edition of Ulysses , on loose leaves of paper and various envelopes in Beach’s hand; also included here are 6 printers’ numbered-slips for the 100 signed copies; n.d. [Spring–Summer 1922].
Folder 22
A sign stating that “Ulysses by James Joyce is sold-out,” printed and in Beach’s hand, as well as 2 prospectuses with typed and autograph notations also reading “sold out” and “all editions exhausted”; n.d. [late March 1922].
Notes
The sign is reproduced in JJSB [108].
Folder 23
Typed Shakespeare and Company invoice/receipt for Charles Pottier for 14 copies of the first edition of Ulysses for John Quinn, probably remitted with Pottier’s payment; 13 June 1922.
Notes
See XIII: Quinn to Beach.
Folder 24
3 copies of “Extracts from Press Notices of Ulysses,” 1l folded as 2l, recto–verso, recto–verso; n.d. [late 1922].
E.2: Ulysses: The Later Editions and Translations
Folder 1
4 copies of the publication announcement for the second printing of Ulysses; 12 October 1922. (See Slocum and Cahoon: A18).
Folder 2
Invoice for the second printing of Ulysses in John Rodker’s hand, with notations on the verso in Beach’s hand, additional accounts in an unidentified hand, and an envelope with notations in Beach’s hand; 15 October 1922.
Notes
Also see XI: Rodker to Joyce and XIII: Rodker to Beach and Shakespeare and Company.
Folder 3
Accounts from Imprimerie Darantiere for the second printing of Ulysses in Bernard d’Avout’s hand, in French, with envelope with notation in Beach’s hand; 17 October 1922.
Notes
Also see XIV: Imprimerie Darantiere to Sylvia Beach/Shakespeare and Company.
Folder 4
31 Ulysses book covers in varying hues, for various later impressions and editions; [probably 1923–1928].
Folder 5
Proof for a publication announcement, probably for the fourth or fifth impression of Ulysses, on torn paper, printed and with emendations in Joyce’s hand in pencil; n.d. [1924]. (See Slocum and Cahoon: A17).
Folder 6
French publication announcement for the fourth printing of Ulysses; January 1924. (See Slocum and Cahoon: A17).
Folder 7
Design for the label on the Ulysses record in Joyce’s hand, with notation in Beach’s hand; [1924]. (See MS V.D.3 and see Slocum and Cahoon: G, p.173).
Folder 8
4 copies (1 of which is broken and strung with twine) of the Ulysses phonograph record, with covers and notations in Beach’s hand; 1924. (See Slocum and Cahoon: G, p. 173).
Folder 9
Accounts for the fourth printing of Ulysses printing in an unidentified hand (possibly Adrienne Monnier’s), with additional note attached; May 1924.
Folder 10
4 copies (1 original, 2 bottom copies, and a photostat negative) of a typed République Française contract granting Beach the right to administer Joyce’s works in all countries but America and Great Britain, signed by Beach and Joyce; 21 December 1924.
Folder 11
2 Ulysses book covers in white card stock with blue printing, for the fourth and fifth impressions; [1924]. (See Slocum and Cahoon: A17).
Folder 12
2 drafts for a multilingual announcement for Ulysses, one is on La Maison des Amis des Livres letterhead in Adrienne Monnier’s and an unidentified hand, the other is on Shakespeare and Company letterhead, in Joyce’s hand, with notations in Beach’s hand; n.d. [probably after 1924]. (See Slocum and Cahoon: A17).
Folder 13
2 printed multilingual Ulysses postcard announcements in English, French, German, Italian, and Spanish, 1 with price emended; n.d. [probably after 1924].
Folder 14
Trade price for Ulysses (“Prix d’ Ulysses pour les Librairies”), typed, with notations in Beach’s hand; n.d. [probably after 1924].
Folder 15
Jack Kahane’s offer to print Ulysses in Beach’s hand; n.d. [probably after 1924].
Folder 16
A publication announcement for the seventh “edition” [i.e., impression] of Ulysses; n.d. [probably before December 1925]. (See Slocum and Cahoon: A17).
Folder 17
A printed partial sheet reading “7th printing” (that is, the seventh and last impression of the first edition of Ulysses); n.d. [?1925].
Folder 18
Receipt from the “Public Stenographers” for typing of episodes for the French translation of Ulysses; 8 April 1926.
Folder 19
2 Poster advertisements for the “eighth printing” (a.k.a. the “second” edition, though it is a partially corrected, complete resetting of the text) of Ulysses; n.d. [probably before May 1926].
Folder 20
2 poster placards advertising Ulysses eighth printing (same as above, though probably used as signs in Shakespeare and Company); n.d. [?before May 1926].
Folder 21
Typed transcription of the New York Evening Post article, ” Ulysses Serial Pirating is Denied,” with several typed copies: 3l; 1 November 1926.
Dossier with transcriptions of Benjamin Conner’s correspondence regarding the Samuel Roth piracy, in Beach’s hand, with a separate note in Beach’s hand; n.d. [late 1920s].
Notes
Also see XX: 46: Notes in Beach’s hand concerning Conner dossier of Roth piracy.
Folder 23
Typed letter from Beach possibly to the Editor of The Toronto Star concerning Samuel Roth’s piracy of Ulysses in his Two Worlds: 2l; n.d. [probably 1926–1927].
Folder 24
A Shakespeare and Company business card with text from The Chicago Tribune coverage of the Ulysses piracy pasted on the verso; 19 November 1926.
Folder 25
Typed English version of the “Letter of Protest” against Samuel Roth’s piracy of Ulysses, without list of signators; December 1926.
Folder 26
3 typed copies of the French version of the “Letter of Protest” against Samuel Roth’s piracy of Ulysses, without list of signators; December 1926.
Folder 27
5 typed copies of the English version of the “Letter of Protest” against Samuel Roth’s piracy of Ulysses, with list of signators, 2 copies of which are emended with further names; 2 February 1927.
Folder 28
3 printed posters of the “Letter of Protest” against Samuel Roth’s piracy of Ulysses in English; 2 February 1927. One copy is pasted to a poster board, presumably for display, probably in Shakespeare and Company.
Folder 29
A printed poster of the “Letter of Protest” against Samuel Roth’s piracy of Ulysses in French; 2 February 1927.
Folder 30
“A Protest” against Roth in English, pamphlet; 2 February 1927.
Folder 31
Newsclipping from Passing Show relating to British CustoMS ban on Ulysses; 28 May 192[?7].
Folder 32
Prospectus with subscription card and circular announcement for the German translation of Ulysses; n.d. [?1927]. (See Slocum & Cahoon: D45).
Folder 33
News-clippings and other advertisements for the German translation; n.d. [?1927]. (See Slocum & Cahoon: D45).
Folder 34
Printed announcement for the French translation of Ulysses; n.d. [29 September 1928]. (See Slocum & Cahoon: D17).
Folder 35
3 prospectuses with subscription blank for the French translation of Ulysses; n.d. [probably Autumn 1928]. (See Slocum & Cahoon: D17).
Folder 36
4 copies Ulysses postcard advertisement for French translation of Ulysses; n.d. [?before January 1929]. (See Slocum & Cahoon: D17).
Folder 37
2 printed catalogues listing books for sale by Adrienne Monnier/J.O. Fourcade, including the Ulysses French translation; n.d. [September 1929 to January 1930].
Folder 38
Note in Beach’s hand concerning Joyce’s royalties (probably for Ulysses) and expenses incurred by Joyce; 9 January 1929.
Folder 39
2 menus for “Déjeuner Ulysse,” with photostats and envelope with notations in Beach’s hand; 27 June 1929.
Notes
Several other copies of the menu survive, including a signed version in the Sylvia Beach collection at the Princeton University Library, which is reproduced in Sylvia Beach and the Lost Generation, 292.
Folder 40
A copy of the Injunction against Roth, transition reprint from transition no. 16-17; June 1929.
Folder 41
“Abstract of a conversation” concerning the Czech translation of Ulysses, in an unknown hand, with notations in Beach’s hand; 11 March 1930, 3l, recto–verso, recto–verso, recto–verso.
Folder 42
10 Ulysses book covers, along with a scrap of blue vinyl fabric; n.d. [1930].
Folder 43
2 notices advertising Ulysses, which read “11th printing | 28 Thousand [copies printed]”; n.d. [May 1930].
Folder 44
Typed République Française contract for printing and selling Ulysses throughout the world, in English, signed by Beach and Joyce; 9 December 1930. Photostats and negatives of the contract are also included, along with notes in Beach’s hand.
Notes
Reproduced in Shakespeare and Company, p. 203, and Sylvia Beach and the Lost Generation, p. 308.
Folder 45
Accounting note in Beach’s hand of suMS paid by Polish and Czech publishers of Ulysses; n.d. [?1931].
Notes
Also see XII and XIII: correspondence between Beach and Vaclav Petr.
Folder 46
Typed statement of sales for Ulysses; 31 August 1932.
Folder 47
Typed bottom copy of extracted defense statements and judge’s recital from the Random House trial to lift the ban on Ulysses in America, in French, with emendations in ink in an unknown hand; n.d. [after December 1933]. (See Slocum and Cahoon: A21).
Folder 48
Miscellaneous Albatross/Odyssey Press documents, presumably relating to Ulysses: 2 payment receipts, 1 postage receipt, and 1 envelope; 1933–1935.
Folder 49
Accounting notes in Beach’s hand on small scraps of paper for Ulysses Odyssey Press edition; December 1932 to September 1933.
Folder 50
Advertisement for Bodley Head edition of Ulysses, with book insert; [1936]. (See Slocum and Cahoon: A23)
Folder 51
Announcement for the Bodley Head edition of Ulysses in Times Literary Supplement; 3 October 1936. (See Slocum and Cahoon: A23)
F: Pomes Penyeach
Folder 1
Original “Memorandum of Agreement,” signed by Joyce and Beach for the first edition of Pomes Penyeach; 10 March 1927, with 2 photostat copies and an envelope, with notations in Beach’s hand; [1927]. (See Slocum and Cahoon: A24).
Folder 2
3 trial book jackets for the first edition of Pomes Penyeach, with an envelope from Imprimerie Vendome; n.d. [1927]. (See Slocum and Cahoon: A24)
Folder 3
2 invoices from Imprimerie Vendôme/Herbert Clarke for the first edition of Pomes Penyeach; 15 July 1927 and 19 July 1927, respectively. (See Slocum and Cahoon: A24).
Notes
Also see XIII: correspondence from Herbert Clarke to Beach /Imprimerie Vendôme to Beach.
Folder 4
Prospectus proof in French for the first trade edition of Pomes Penyeach (See Slocum and Cahoon: A24) and 1927 Shakespeare and Company impression of Ulysses (See Slocum and Cahoon: A17), with printers’ stamp; 9 July 1927.
Folder 5
12 prospectus cards for Pomes Penyeach and Ulysses (one is stapled to a folder), with revised price in ink in Beach’s hand; n.d. [1927]. (See Slocum and Cahoon: A24 and A17)
Folder 6
2 copies of the printed advertisement for the later Shakespeare & Company impressions of Ulysses & Pomes Penyeach, with price correction for Pomes Penyeach; n.d. [1927].
Folder 7
Miscellaneous notes relating to Pomes Penyeach in Beach’s and Joyce’s hands; n.d. [1927 and after]. (See Slocum and Cahoon: A24).
Folder 8
Miscellaneous Shakespeare and Company invoices, notes, sales reports, and postal & telegraphic receipts relating to Pomes Penyeach orders; [1927 and after]. (See Slocum and Cahoon: A24).
Folder 9
Copy of a Shakespeare and Company receipt acknowledging royalty payment from Augener Ltd. for E.J. Moeran’s musical setting of Joyce’s poem “A flower given to my daughter”; n.d. [?April 1931].
Notes
Also see XII: Beach to Augener Ltd. and XIII: Augener Ltd. to Beach
Folder 10
Receipt for the American copyright edition of Pomes Penyeach from Princeton University Press, with envelope; [8 May 1931]. (See Slocum and Cahoon: A25)
Notes
Also see XII: Beach to Paul G. Tomilson/Princeton University Press and XIII: Tomilson to Beach.
Folder 11
Prospectus flyer for limited Obelisk Press signed edition of Pomes Penyeach; n.d. [1932]. (See Slocum and Cahoon: A27).
G: “Work in Progress” / Finnegans Wake
Folder 1
Torn fragment of poster for “Work in Progress” in Navire d’Argent; October [1925].
Folder 2
Multiple lists in Joyce’s and Beach’s hands of people to receive copies of transition and Our Exagmination; n.d. [between 1927 and probably 1931].
Folder 3
John Rodker article in French: “Proteus, de James Joyce” from La Revue Européenne; n.s. no. 1–2 (January-February 1928), 164–169. (Deming, A Bibliography: no. 5296)
Folder 4
Note in Joyce’s hand concerning private and press (copies), probably for an edition of “Work in Progress”; n.d. [?after 1928].
Folder 5
2 torn, typed address labels, both featuring the “Crosby Gaige, Publisher” logo (one is addressed to Gaige, the other is addressed to Beach, with a postmark and notations in Beach’s hand); 7 November 1928. (See Slocum and Cahoon: A32)
Notes
Also see XI, XII, and XIII for correspondence to and from Crosby Gaige.
Folder 6
Random House catalog featuring a listing for Crosby Gaige’s Anna Livia Plurabelle; Spring 1928. (See Slocum and Cahoon: A32)
Folder 7
Notes in an unknown hand (possibly Harry Crosby’s) giving the terMS of the Tales Told of Shem and Shaun contract; n.d. [March 1929?] (See Slocum and Cahoon: A36).
Notes
Also see XI: Harry Crosby to Joyce, XII: Beach fo Crosby Continental Editions, and XIII: Harry Crosby to Beach.
Folder 8
2 copies of a receipt in Beach’s hand on Shakespeare and Company letterhead acknowledging payment from Harry Crosby for three fragments of Work in Progress (published as Tales Told of Shem and Shaun), 1 copy is signed by Beach; 19 March 1929. (See Slocum and Cahoon: A36).
Folder 9
1 copy and 1 bottom copy (each 3l) of a typed Black Sun Press contract for the publication of three fragments of Work in Progress (published as Tales Told of Shem and Shaun); 4 April 1929. (See Slocum and Cahoon: A36).
Folder 10
2 copies (each 2l) of a typed receipt acknowledging payment from Harry Crosby for three fragments of Work in Progress (published as Tales Told of Shem and Shaun); 4 April 1929. (See Slocum and Cahoon: A36).
Folder 11
2 Shakespeare and Company publication announcements for Our Exagmination Round his Factification for Incamination of “Work in Progress”; n.d. [?May 1929].
Folder 12
Bottom copy of a Shakespeare and Company invoice for Fred Hanna for the purchase of 3 copies of Our Exagmination; 8 July 1929.
Notes
Also see XIII: correspondence from Fred Hanna Bookseller to Shakespeare and Company.
Folder 13
3 copies of the phonograph record of James Joyce reading from “Anna Livia Plurabelle,” all with notations in Beach’s hand: 1 copy is the Orthological Institute pressing, n.d. [August 1929], while the other 2 are “His Master’s Voice” pressings, n.d. [?1932]. (See Slocum and Cahoon: G, p. 173).
Folder 14
Black Sun Press announcements for “Work in Progress” publications: 1 announcement listing Black Sun editions, including Fragments from Work in Progress (what would eventually be titled Tales Told of Shem and Shaun ), with notation in Beach’s hand; 1929; and 10 announcements for the Black Sun edition of Tales Told; 1929. (See Slocum and Cahoon: A36).
Folder 15
Typed, signed République Française contract with Henry Babou and Jack Kahane for the first limited edition of Haveth Childers Everywhere, recto–verso; 7 February 1930. (See Slocum and Cahoon: A41).
Notes
Also see XIII for correspondence from Henry Babou and Jack Kahane.
Folder 16
5 publication announcements for the Babou and Kahane edition of Haveth Childers Everywhere; 1930. (See Slocum and Cahoon: A41).
Folder 17
Notation in Beach’s hand in ink on Shakespeare and Company letterhead concerning a copy of Haveth Childers Everywhere reserved for J.H. Levy; n.d. [?1930]. (See Slocum and Cahoon: A41).
Folder 18
12 receipts for Beach from Henry Babou for Haveth Childers Everywhere orders, with a separate note in Beach’s hand; May 1930 to April 1931. (See Slocum and Cahoon: A41).
Folder 19
Transcription extract from an article in the Saturday Review of Literature relating to the “Mooske and the Gripes” from Two Tales of Shem and Shaun (Faber & Faber), in Beach’s hand; 25 February 1933. (See Slocum and Cahoon: A37).
Folder 20
Notes in Beach’s hand regarding the publication histories of fragments of “Work in Progress”; n.d., 2l, recto, recto–verso.
H: The Joyce Book
Folder 1
Program from London Contemporary Music Centre for thirteen songs performed from The Joyce Book; Wednesday, 16 March [1932]. (See Slocum and Cahoon: A29).
Folder 2
Invoices and custoMS receipts for The Joyce Book from Oxford University Press, with notations in Beach’s hand; [25 January 1933 to 30 April 1934]. (See Slocum and Cahoon: A29).
Notes
Also see XII and XIII: correspondence between Beach and Oxford University Press.
Folder 3
Prospectuses for The Joyce Book, in a cardboard wrapper from Macmillan & Co., Ltd, London; n.d. [1933]. (See Slocum and Cahoon: A29).
Folder 4
Note in Beach’s hand: “List of composers who set Joyce’s poeMS to music,” with additional notes and computations by Beach on the verso; n.d., [?after 1933], 1l recto–verso.
I. Miscellaneous Other Works Folder 1
Issue of The New Statesman and Nation containing Joyce’s article, “From a Banned Writer to a Banned Singer,” (pp. 260–261), with notation in Beach’s hand; 27 February 1932. (See Slocum and Cahoon: C81).
- All items are a single leaf, recto only unless otherwise stated.