IV.A–B: Verses

IV.A: Verses: Pomes Penyeach

IV.A.1: Verses: Pomes Penyeach: Holograph Manuscripts (1918–1919)
IV.A.2: Verses: Pomes Penyeach: Holograph Fragment of “A Memory of the Players at Midnight” (probably 1917–1918)
IV.A.3: Verses: Pomes Penyeach: Early Holograph Draft of “A Prayer” in “Work in Progress”/Finnegans Wake MS VI.B.5 (1924)
IV.A.4: Verses: Pomes Penyeach: Typescript of “A Prayer” (1924)
IV.A.5: Verses: Pomes Penyeach: Later Holograph Draft of “Alone” in “Work in Progress”/Finnegans Wake MS VI.B.16 (1924)

IV.B: Occasional Verses

IV.B.1: Occasional Verses: “Who is Sylvia, what is she” (1922)
IV.B.2: Occasional Verses: “Post Ulixem Scriptum” (1925)
IV.B.3: Occasional Verses: “P. J. T.” (probably 1925)
IV.B.4: Occasional Verses: “Troppa grazia, Sant’ Antonio!” (1926)
IV.B.5: Occasional Verses: “Scheveningen, 1927” (1927)
IV.B.6: Occasional Verses: “Crossing to the Coast” (1928)
IV.B.7: Occasional Verses: “Hue’s Hue? or Dalton’s Dilemma” (probably 1928)
IV.B.8: Occasional Verses: “Father O’Ford ” (probably 1931)
IV.B.9: Occasional Verses: “To Mrs H. G. who Complained That her Visitors Kept Late Hours” (1931)
IV.B.10: Occasional Verses: “Humptydumpty Dublin” (1931)
IV.B.11: Occasional Verses: “A Portrait of the Artist as an Ancient Mariner” (1932)
IV.B.12: Occasional Verses: “Pennipomes Twoguineaseach” (1933)
IV.B.13: Occasional Verses: “Pour la Rime Seulement” (1932)
IV.B.14: Occasional Verses: “Ecce Puer” (1932)
- IV.B.14.i: Occasional Verses: Three-Stanza version of “Ecce Puer” (1932)
- IV.B.14.ii: Occasional Verses: “Ecce Puer” (1932)
- IV.B.14.iii: Occasional Verses: French Translation of Ecce Puer”: “Voici L’Enfant” (1932)
- IV.B.15 [X.K.1]: Occasional Verses: Unidentified Verse (Probably 1921)